Avian Illuminations

An exquisitely illustrated journey through the complex and crucial relationship between humans and birds. Avian Illuminations examines the many roles birds have played in human society, from food, messengers, deities, and pets, to omens, muses, timekeepers, custodians, hunting companions, decorative motifs, and, most importantly, embodiments of our aspirations. Boria Sax narrates the history of our relationships with a host of bird species, including crows, owls, parrots, falcons, eagles, nightingales, hummingbirds, and many more. Along the way, Sax describes how birds’ nesting has symbolized human romance, how their flight has inspired inventors throughout history, and he concludes by showing that the interconnections between birds and humans are so manifold that a world without birds would effectively mean an end to human culture itself. Beautifully illustrated, Avian Illuminations is a superb overview of humanity’s long and rich association with our avian companions.

This edited collection explores our often-surprising modes of co-inhabiting the cultural and aerial worlds of birds. It focuses on our encounters with non-captive birds and the cultural geographies of feathered flight. This book offers a timely contribution to the more-than-human geographies of flight, space and territory. The chapters support an ethics of attention as a new basis for the conservation and cultivation of aerial habitats. Contributions adopt an interdisciplinary approach to the patterns of intrusion and escape that shape our encounters with birds and unsettle our traditionally terrestrial concepts of space. Each chapter focuses on a different aspect of our shared lives with birds, ranging from scientific observation to the social media-enabled spectacle of co-habitation and spatial competition. Written in a thought-provoking style, this book seeks to address a dearth of critical perspectives on the cultural geographies of flight and its implications for the ways in which we understand common spaces around and above us in the context of any effort at conservation.

For the whole of human history, we have lived alongside birds. We have hunted and domesticated them for food; venerated them in our mythologies, religion and rituals; exploited them for their natural resources; and been inspired by them for our music, art and poetry. In Ten Birds that Changed the World, naturalist and author Stephen Moss tells the gripping story of this long and eventful relationship through ten key species from all seven of the world's continents. From Odin's faithful raven companions to Darwin's finches, and from the wild turkey of the Americas to the emperor penguin as potent symbol of the climate crisis, this is a fascinating, eye-opening and endlessly engaging work of natural history.

From New York Times bestselling author Alan Moore-one of the most influential writers in the history of comics-"a wonderful collection, brilliant and often moving" (Neil Gaiman) which takes us to the fantastical underside of reality. In his first-ever short story collection, which spans forty years of work, Alan Moore presents a series of wildly different and equally unforgettable characters who discover--and in some cases even make and unmake--the various uncharted parts of existence. In "A Hypothetical Lizard," two concubines in a brothel of fantastical specialists fall in love with tragic ramifications. In "Not Even Legend," a paranormal study group is infiltrated by one of the otherworldly beings they seek to investigate. In "Illuminations," a nostalgic older man decides to visit a seaside resort from his youth and finds the past all too close at hand. And in the monumental novella "What We Can Know About Thunderman," which charts the surreal and Kafkaesque history of the comics industry's major players over the last seventy-five years, Moore reveals the dark, beating heart of the superhero business. From ghosts and otherworldly creatures to theoretical Boltzmann brains fashioning the universe at the big bang, Illuminations is exactly that--a series of bright, startling tales from a contemporary legend that reveal the full power of imagination and magic.

This book offers Posthumanist readings of animal-centric literary and cultural texts. The contributors put the precepts and premises of humanism into question by seriously considering the animal presence in texts. The essays collected here focus primarily on literary and cultural texts from varied theoretically informed interdisciplinary perspectives advanced by critical approaches such as Critical Animal Studies and Posthumanism. Contributors select texts that cut across geographical and period boundaries and demonstrate how practices of close reading give rise to new ways of thinking about animals. By implicating the “animal turn” in the field of literary and cultural studies, this book urges us to problematize the separation of the human from other animals and rethink the hierarchical order of beings through close readings of select texts. It offers fresh perspectives on Posthumanist theory, inviting readers to revisit those criteria that created species’ difference from the early ages of human civilization. This book constitutes a rich and thorough scholarly resource on the politics of representation of animals in literature and culture. The essays in this book are empirically and theoretically informed and explore a range of dynamic, captivating, and highly relevant topics. Comprising over 15 chapters by a team of international contributors, this book is divided into four parts: Contestation over Species Hierarchy and CategorizationAnimal (Re)constructionsInterspecies RelationalitiesIntersectionality- Animal and Gender This book will be essential reading for students and researchers of Critical Animal Studies and Environmental Studies.

This book presents a broad array of global case studies exploring the interaction between religion and the conservation of nature, from the viewpoints of the religious practitioners themselves. With conservation and religion often being championed as allies in the quest for a sustainable world where humans and nature flourish, this book provides a much-needed compendium of detailed examples where religion and conservation science have been brought together. Case studies cover a variety of religions, faiths and practices, including traditional, Indigenous, Buddhism, Christianity, Hinduism, Islam, Jainism, Judaism, Shinto and Zoroastrianism. Importantly, this volume gives voice to the religious practitioners and adherents themselves. Beyond an exercise in anthropology, ethnobiology and comparative religion, the book is an applied work, seeking the answer to how in a world of nearly eight billion people, we might help our own species to prevent the extinction of life. This book will be of great interest to students and scholars of nature conservation, environment and religion, cultural geography and ethnobiology, as well as practitioners and professionals working in conservation.

A landmark examination of the fraught relationship between humans and animals, taking the reader from Genesis to climate change. Beginning with the very origins of life on Earth, Woolfson considers prehistoric human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love, and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.

Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culture–nature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on human–raptor ontologies and epistemologies. The contributors recognize that human–raptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about human–raptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey.