Bad Sex On Speed

Featuring interviews with Chris Hardwick on The Nerdist Podcast and Marc Maron on WTF with Marc Maron Bad Sex On Speed is a savage, careening, hyper-real nightmare of a novel, taking us to the depths of Amphetamine America. Told with no concession to traditional narrative, in the voices of those in the grips and on the fringes, the stories that emerge are at once devastating, hysterical, and--perhaps most terrifying of all--going on all around you, all the time. Stahl digs deep into the psyche of the most demented and dispossessed among us, returning with a vision so unsparing that those not prepared to experience the screaming depths of speed psychosis up close and on the page should back slowly away and return to their lives unscathed.

Winner of the International Association of Crime Writers' Dashiell Hammett Award: A woman goes on the run in this intense and cinematic thriller by an award-winning writer. To escape the awful life she has descended into, Luz plans carefully. She takes only the clothes on her back, a Colt .45, and all the money in her husband's safe. The corpses in the hallway weren't part of her plan. Luz needs to find the daughter she left behind years earlier, but she knows she may die trying. Her husband is El Principe , a key player in a high-powered drug cartel, a business he runs with the same violence he has used to keep Luz his perfect, obedient wife. With the pace and relentless force of a Scorsese film, ANGEL BABY is the newest masterpiece from one of the most ambitious and talented crime novelists at work today.

Deleuze's publications have attracted enormous attention, but scant attention has been paid to the existential relevance of Deleuze's writings. In the lineage of Nietzsche, Life Drawing develops a fully affirmative Deleuzean aesthetics of existence.For Foucault and Nehamas, the challenge of an aesthetics of existence is to make your life, in one way or another, a work of art. In contrast, Bearn argues that art is too narrow a concept to guide this kind of existential project. He turns instead to the more generous notion of beauty, but he argues that the philosophical tradition has mostly misconceived beauty in terms of perfection. Heraclitus and Kant are well-known exceptions to this mistake, and Bearn suggests that because Heraclitean becoming is beyond conceptual characterization, it promises a sensualized experience akin to what Kant called free beauty. In this new aesthetics of existence, the challengeis to become beautiful by releasing a Deleuzean becoming: becoming becoming. Bearn's readings of philosophical texts--by Wittgenstein, Derrida, Plato, and others--will be of interest in their own right.

This collection of heroin stories from Eric Bogosian, Jerry Stahl, Lydia Lunch, and more “will satisfy devotees of noir fiction and outsider art alike” (Publishers Weekly). On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles of these stories are as diverse as the moral quandaries they explore. From the groundbreaking novels of William S. Burroughs to the mind-altering music of The Velvet Underground, heroin—in all its ecstasy and tragedy—has been the subject of many an underground masterpiece. Collected here are all-new short stories about the infamous drug by some of today’s most celebrated and provocative writers, including Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O’Neill, and L.Z. Hansen.

Following the lifecycle of romantic relationships, this textbook offers a fresh, diversity-infused introduction to relationship science.

“A stellar representative of the New Romanian Cinema, Radu Jude also belongs to a select group of politically-minded East European filmmakers who have taken as their subject the nature of the media and the circulation of images (Vertov and Eisenstein, Dušan Makavejev, the Ukrainian documentari- an Sergei Loznitsa). For that reason, Andrei Gorzo and Veronica Lazăr’s Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude is both welcome and essential.” / J. Hoberman, author of The Red Atlantis: Communist Culture in the Absence of Communism “Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude delivers what it promises in its title, and offers more. It locates Radu Jude’s films against the backdrop of the New Romanian Cinema, a phenomenon which put Romanian cinema on the map of European and world cinema, arguing that Jude overcame a certain sterility and timidity of this movement by creating a very rich and versatile body of work, comprising films of different genres and formats. At the same time as offering a meticulous and thought-provoking analysis of Jude’s films, the authors use them to explore the strengths and limitations of the auteurist paradigm, both in Romania and more widely.” / Ewa Mazierska, Professor of Film Studies, University of Central Lancashire “This impressive study of filmmaker Radu Jude is invaluable not only for its acute critical observations, but also for its intelligent, informed commentary on Romanian cinema, culture, and society in general. I learned something impor- tant on virtually every page. Highly recommended.” / James Naremore, author of The Magic World of Orson Welles, Acting in the Cinema, and On Kubrick “Andrei Gorzo and Veronica Lazăr offer a comprehensive and refined analysis of the films of Radu Jude, a filmmaker who has emerged with one of the most uncompromising voices ranging from the farcical macabre political satire to a philosophical interrogation of representation, and who has addressed the most daring topics after the first wave of the so-called New Romanian Cinema. The monograph manages to combine a wide-angle film-historical and cultural perspective with an in-depth investigation unravelling the ways in which Jude’s cinema is ‘updating’ the legacy of European modernism in order to engage with pressing issues of Romanian culture and history.” / Ágnes Pethő, Professor of Film Studies, Sapientia Hungarian University of Transylvania

The 2016 International Conference on Energy Science and Applied Technology (ESAT 2016) held on June 25-26 in Wuhan, China aimed to provide a platform for researchers, engineers, and academicians, as well as industrial professionals, to present their research results and development activities in energy science and engineering and its applied technology. The themes presented in Energy Science and Applied Technology ESAT 2016 are: Technologies in Geology, Mining, Oil and Gas; Renewable Energy, Bio-Energy and Cell Technologies; Energy Transfer and Conversion, Materials and Chemical Technologies; Environmental Engineering and Sustainable Development; Electrical and Electronic Technology, Power System Engineering; Mechanical, Manufacturing, Process Engineering; Control and Automation; Communications and Applied Information Technologies; Applied and Computational Mathematics; Methods and Algorithms Optimization; Network Technology and Application; System Test, Diagnosis, Detection and Monitoring; Recognition, Video and Image Processing.