Between Gods

From the Man Booker-nominated author of the novel Far to Go and one of our most talented young writers comes an unflinching, moving and unforgettable memoir about family secrets and the rediscovered past. Alison Pick was born in the 1970s and raised in a supportive, loving family. She grew up laughing with her sister and cousins, and doting on her grandparents. Then as a teenager, Alison made a discovery that instantly changed her understanding of her family, and her vision for her own life, forever. She learned that her Pick grandparents, who had escaped from the Czech Republic during WWII, were Jewish--and that most of this side of the family had died in concentration camps. She also discovered that her own father had not known of this history until, in his twenties, he had a chance encounter with an old family friend--and then he, too, had kept the secret from Alison and her sister. In her early thirties, engaged to be married to her longtime boyfriend but struggling with a crippling depression, Alison slowly but doggedly began to research and uncover her Jewish heritage. Eventually she came to realize that her true path forward was to reclaim her history and indentity as a Jew. But even then, one seemingly insurmountable problem remained: her mother wasn't Jewish, so technically Alison wasn't either. In this by times raw, by times sublime memoir, Alison recounts her struggle with the meaning of her faith, her journey to convert to Judaism, her battle with depression, and her path towards facing and accepting the past and embracing the future--including starting a new family of her own. This is her unusual and gripping story, told in crystalline prose and with all the nuance and drama of a novel, but illuminated with heartbreaking insight into the very real lives of the dead, and hard-won hope for the lives of all those who carry on after.

The mountains rise, tall and majestic, stretching into the skies and gracing the heavens-that place where God dwells. I pause from my play, a young preschooler, to take in the breathtaking view, and wonder if I would be closer to God if I were at the top of that mountain. I feel Him in the breezes, see His angels in the raindrops as they dance in the puddles. At least that is how I imagine it. My heart is captivated and I want to know Him, this God who paints the beautiful sunrise and draws the curtains of sunset... I hear murmurings that my father has threatened to kill us-his family. He flies into a rage, cursing disobedience, declaring damnation on the offender... He offers religion without relationship, and it seems that the church affirms this teaching.... These two Gods-the one revealed in nature, who makes beautiful things and whispers in the breeze, and the angry god who threatens, yells and abuses-collide, head on, in my mind, soul and spirit. I am confused and troubled. I pray to God. I ignore Him. I reach for Him. I shut Him out. I cry in desperation. I scream against Him, inwardly. I long to be held and loved by Him. I cringe. I fear. I flee. And always my heart wonders: Which God is real? Which one is safe? Which one will ultimately save me? Which one will condemn? My soul is tormented in the night, as the shadows dance on the walls of my room. I am seven. I am lost. I lie awake, afraid, wondering.... I am thirteen... the shadows still strike fear... the creaking stairs terrorize my mind... nightmares torment my sleep... I have tried the God of wrath, and He has left me condemned and lonely. I am abused, neglected and alone. I shut down... become numb and feel nothing. I am determined that I will not suffer forever... ...the God of my childhood is lost in the pain and trauma of abuse and I am left to struggle.... caught in a tug of war Between 2 Gods...

Winner of the Helen and Stan Vine Jewish Book Award and finalist for the Man Booker Prize In Far to Go, one of our most accomplished young writers takes us inside the world of an affluent Jewish family in Prague during the lead-up to Hitler's invasion of Czechoslovakia. In 1939, Pavel and Anneliese Bauer are secular Jews whose lives are turned upside down by the arrival of Hitler. They are unable to leave the country in time to avoid deportation, but they do manage to get their six-year-old son Pepik a place on a Kindertransport. Meanwhile, a fascinating and compelling present-day strand in the story slowly reveals the unexpected fates of each of the Bauers. Through a series of surprising twists, Pick leads us to ask: What does it mean to cling to identity in the face of persecution? And what are the consequences if you attempt to change your identity? Inspired by the harrowing five-year journey Alison Pick's own grandparents embarked upon from their native Czechoslovakia to Canada during the Second World War, Far to Go is an epic historical novel that traces one family's journey through these tumultuous and traumatic events. A layered, beautifully written, moving, and suspenseful story by one of our rising literary stars.

Includes bibliographic references and index.

An elegant and entertaining account of the transformations of the Greek gods across the ages, from antiquity to the Renaissance and the present day The gods of Olympus are the most colorful characters of Greek civilization: even in antiquity, they were said to be cruel, oversexed, mad, or just plain silly. Yet for all their foibles and flaws, they proved to be tough survivors, far outlasting classical Greece itself. In Egypt, the Olympian gods claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink and sex. Under Christianity and Islam they survived as demons, allegories, and planets; and in the Renaissance, they triumphantly emerged as ambassadors of a new, secular belief in humanity. Their geographic range, too, has been little short of astounding: in their exile, the gods and goddesses of Olympus have traveled east to the walls of cave temples in China and west to colonize the Americas. They snuck into Italian cathedrals, haunted Nietzsche, and visited Borges in his restless dreams. In a lively, original history, Barbara Graziosi offers the first account to trace the wanderings of these protean deities through the millennia. Drawing on a wide range of literary and archaeological sources, The Gods of Olympus opens a new window on the ancient world, religion, mythology, and its lasting influence.

This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.

Despite three decades of scientists' warnings and environmentalists' best efforts, the political will and public engagement necessary to fuel robust action on global climate change remain in short supply. Katharine K. Wilkinson shows that, contrary to popular expectations, faith-based efforts are emerging and strengthening to address this problem. In the US, perhaps none is more significant than evangelical climate care. Drawing on extensive focus group and textual research and interviews, Between God & Green explores the phenomenon of climate care, from its historical roots and theological grounding to its visionary leaders and advocacy initiatives. Wilkinson examines the movement's reception within the broader evangelical community, from pew to pulpit. She shows that by engaging with climate change as a matter of private faith and public life, leaders of the movement challenge traditional boundaries of the evangelical agenda, partisan politics, and established alliances and hostilities. These leaders view sea-level rise as a moral calamity, lobby for legislation written on both sides of the aisle, and partner with atheist scientists. Wilkinson reveals how evangelical environmentalists are reshaping not only the landscape of American climate action, but the contours of their own religious community. Though the movement faces complex challenges, climate care leaders continue to leverage evangelicalism's size, dominance, cultural position, ethical resources, and mechanisms of communication to further their cause to bridge God and green.

The ancient Israelites believed things that the writers of the Bible wanted them to forget: myths and legends from a pre-biblical world that the new monotheist order needed to bury, hide, or reinterpret. Ancient Israel was rich in such literary traditions before the Bible reached the final form that we have today. These traditions were not lost but continued, passed down through the ages. Many managed to reach us in post-biblical sources: rabbinic literature, Jewish Hellenistic writings, the writings of the Dead Sea sect, the Aramaic, Greek, Latin, and other ancient translations of the Bible, and even outside the ancient Jewish world in Christian and Islamic texts. The Bible itself sometimes alludes to these traditions, often in surprising contexts. Written in clear and accessible language, this volume presents thirty such traditions. It voyages behind the veil of the written Bible to reconstruct what was told and retold among the ancient Israelites, even if it is “not what the Bible tells us.”