Baghdad Fixer

A journalist and her fixer struggle for the truth where truth is now a victim. Nabil al-Amari is an English teacher in Baghdad, in Saddam's Iraq, when a chance encounter with Samara Katchens, an American journalist covering the war, changes his life forever. It is April 2003 and American and British forces have recently invaded Iraq. Samara, or Sam for short, is ambitious, cynical and determined. Nabil is both fascinated and bewildered by her, and he's keen to show her things she doesn't notice in her rush to cover the news. She is pushed by her editor to seek concrete proof for a story concerning payments for false documents - a practice which breaks all journalistic codes of ethics - 'as if truth were so hard in that way, like rocks and concrete'. In Iraq it is rarely so. As Sam single-mindedly pursues this story, she discovers a chasm between her editor's expectations and the reality she faces in a city torn apart by war and conflicting loyalties. And in her determination to uncover the truth, she takes one gamble too many, endangering herself, Nabil and his family. '... a vivid portrait of Baghdad in the traumatic aftermath of invasion.' - The Guardian. '... spot-on descriptions of both the craft of reporting and the Iraqi landscape during that volatile time make this novel memorable and informative ... for a glimpse of life under the American occupation of Iraq, few could come close to Prusher's portrait.' - Kirkus reviews. '... this compelling debut is easy to recommend to both male and female readers interested in the Middle East, journalistic ethics, and international affairs.' - Booklist. 'A fascinating story which gives the texture of life in Iraq as it was lived by foreign journalists and Iraqis at the time of the invasion. It conveys a fresher sense of those years than a thousand news reports'. -- Patrick Cockburn, Iraq correspondent, The Independent. 'A fast-paced, evocative thriller that opens our eyes to the excitements and dangers of Iraq after the fall of Saddam. This gripping, beautifully-observed tale, written with a ring of true authenticity, captures the challenges of a journalist and her loyal fixer navigating their way through an Iraq rarely seen by outsiders.' -- Rory McCarthy, author of Nobody Told Us We Are Defeated: Stories from the New Iraq. 'Ilene Prusher's novel is a compelling account of the first few weeks following the collapse of Saddam Hussein's regime told through the eyes of a fascinating and gracefully drawn Iraqi everyman... Ms Prusher draws us into his story as he is sometimes unwittingly lured deeper and deeper into the world of war journalism, watching with horror as his country descends into chaos.' -- Borzou Daragahi, Middle East and North African correspondent, Financial Times. 'A journalist's fixer is a go-between in so many senses: linguistic, cultural. The fixer straddles borders and boundaries, helping each try to communicate with the Other. Ilene Prusher conjures this so beautifully in her stunning, thrilling debut, as Nabil, an Iraqi English teacher with a poetic soul, is drawn into the unfamiliar, learning as much about his own country and people as about the world in which Samara, the American journalist who has hired him, moves so easily. A unique novel, Baghdad Fixer's compelling plot is combined with poignant and difficult insights into the life and tragedies of ordinary Iraqis during the war. This is not just a wonderful read, it is an important book for helping us, too, to begin to understand the Other.' -- Tania Hershman, author of My Mother Was An Upright Piano and The White Road and Other Stories.

This book reveals that 'fixers'—local experts on whom foreign correspondents rely—play a much more significant role in international television newsgathering than has been documented or understood. Murrell explores the frames though which international reporting has traditionally been analysed and then shows that fixers, who have largely been dismissed by scholars as 'logistical aides', are in fact central to the day-to-day decision-making that takes place on-the-road. Murrell looks at why and how fixers are selected and what their significance is to foreign correspondence. She asks if fixers help introduce a local perspective into the international news agenda, or if fixers are simply ‘People Like Us’ (PLU). Also included are in-depth case studies of correspondents in Iraq and Indonesia.

"A raw, riveting look into the hidden frontlines of the Iraq War and an indispensable first-person account of the secret lives of the mercenaries and contractors who fought and died overseas ... Rice does something few have attempted, taking us on an emotional journey that is at once unsettling and revelatory. Excellent." – Mark Boal, Oscar-winning screenwriter and producer of The Hurt Locker and Zero Dark Thirty "A riveting tale of a brotherhood of warriors and their descent into hell. Visceral, brutal, raw and very real, We Were Blackwater is a rollercoaster ride of combat on the frontline of death and bloodshed. Unputdownable. Unforgettable. The untold true story." – Damien Lewis, author of SAS Ghost Patrol and Churchill's Secret Warriors " We Were Blackwater puts your boots right on the ground – in a place you'd never want to be, except in the safety of a book. Barrie Rice is a natural storyteller: clear-eyed, funny, wise, honest and humble. Reading this book feels like making a new friend. Fresh and exhilarating." – Hugo Lindgren, former editor of the New York Times Magazine *** The aftermath of the 2003 Iraq invasion is a story that has yet to be told by those who fought their own war against a brutal insurgency: the private security contractors. Risking life and limb, often side by side with the US military but far more exposed, they were never to receive a hero's homecoming. They remained in the shadows, often with good cause, but that would change for ever on 31 March 2004, when a security convoy was ambushed in Fallujah and the charred bodies of two American operators were strung from a road bridge. Those events would ensure notoriety for the company involved: Blackwater. This is the untold story of the security industry and its private war, recounted by a man who witnessed it first hand: SAS veteran and New Zealand national Barrie Rice. His visceral, no-holds-barred account of his time with Blackwater is brought to life in scenes that lead to a reckoning with both the war and himself. This gripping account delivers a compelling slice of reality – the inside story of the private contractor's war.

On 9/11 the U.S. had effectively no counterterrorism doctrine. Fast forward ten years: Osama bin Laden is dead; al Qaeda is organizationally ruined and pinned in the tribal areas of Pakistan and Afghanistan; there has been no major attack on American soil; and while there has been at least one instance of a massive planned attack, it was crushed by the greatest international collaboration of intelligence services seen since the end of the Cold War. It's been a remarkable transformation. Aki Peritz and Eric Rosenbach have experienced first-hand the monumental strategy changes in our country's counterterrorism strategy within the intelligence, defense, and political communities. In this book, they show how America learned to be very good at taking on the terrorists, often one at a time, in ever more lethally incisive operations. They offer new details behind some headlines from the last decade. They are frank about the mistakes that have been made. And they explain how a concept coined by General Grant during the Civil War has been reinvented in the age of satellite technology to manage a globally distributed foe, allowing the U.S. to find, fix, and finish its enemies.

The Routledge Handbook of Humanitarian Communication is an authoritative and comprehensive guide to research in the academic sub-field of humanitarian communication. It is broadly focused on communication that presents human vulnerability as a cause for public concern and encompasses communication with respect to humanitarian aid and development as well as human rights and "humanitarian" wars. Recent years have seen the expansion of critical scholarship on humanitarian communication across a range of academic fields, sharing recognition of the centrality of media and communications to our understanding of humanitarianism as an agent of transnational power, global governance and cosmopolitan solidarity. The Handbook brings into dialogue these diverse fields, their theoretical frameworks and methodological approaches as well as the public debates that lie at the heart of the contemporary politics of humanitarianism. It consolidates existing knowledge and maps out this emerging field as an important site of interdisciplinary knowledge production on media, communication and humanitarianism. As such, the Handbook is not simply a collection of texts sharing a similar theme. It is a coherent intellectual contribution which systematizes current critical scholarship in terms of Domains, Methods and Issues and sets an agenda of emerging and evolving research priorities in the field. Consisting of 26 chapters written by international scholars, who have contributed to laying the foundation of the field, this volume provides an essential guide to the key ideas, issues, concepts and debates of humanitarian communication.

Hilarious and sad at the same time, Ehrlich’s collection of short stories, Who Will Die Last is an original and moving work of fiction. Ever deeply humane, the author takes his characters on a tantalizing journey through their souls. His understated style transforms even a heartbreaking plot into an uplifting and funny story. Israel’s special history, landscapes, and conflicts add to the drama and passion of the book. Ehrlich’s themes relate to gay life in Israel, the pull of loneliness, and the power of community. Rather than a single translator, this collection employs a variety of translators, reflecting in many ways the luminous diversity of voices in the stories.

This book offers a detailed and practically oriented guide to the challenges of conducting terrorist fieldwork. The past decade has seen an explosion of research into terrorism. However, field research on terrorism has traditionally been surrounded by many myths, and has been called anything from "necessary" and "crucial" to "dangerous", "unethical" and "impossible". While there is an increasing interest among terrorism specialists in conducting such research, there is no single volume providing prospective field researchers with a guideline to such work. Conducting Terrorism Field Research aims to fill this gap and offers a collection of articles from experienced authors representing different risk groups, disciplines, methodological approaches, regional specializations, and other context-specific aspects. Each contributor provides a road-map to their own research, describing planning and preparation phases, the formalities involved in getting into conflict zones and gaining access to sources. The end product is a 'how to' guide to field research on terrorism, which will be of much value to terrorism experts and novices alike. This book will be of much interest to students and researchers of terrorism studies, war and conflict studies, criminology, IR and security studies.