Balkan Review

"If the Balkans hadn't existed, they would have been invented" was the verdict of Count Hermann Keyserling in his famous 1928 publication, Europe. Over ten years ago, Maria Todorova traced the relationship between the reality and the invention. Based on a rich selection of travelogues, diplomatic accounts, academic surveys, journalism, and belles-lettres in many languages, Imagining the Balkans explored the ontology of the Balkans from the sixteenth century to the present day, uncovering the ways in which an insidious intellectual tradition was constructed, became mythologized, and is still being transmitted as discourse. Maria Todorova, who was raised in the Balkans, is in a unique position to bring both scholarship and sympathy to her subject, and in a new afterword she reflects on recent developments in the study of the Balkans and political developments on the ground since the publication of Imagining the Balkans. The afterword explores the controversy over Todorova's coining of the term Balkanism. With this work, Todorova offers a timely, updated, accessible study of how an innocent geographic appellation was transformed into one of the most powerful and widespread pejorative designations in modern history.

From the assassination that triggered World War I to the ethnic warfare in Serbia, Bosnia, and Croatia, the Balkans have been the crucible of the twentieth century, the place where terrorism and genocide first became tools of policy. Chosen as one of the Best Books of the Year by The New York Times, and greeted with critical acclaim as "the most insightful and timely work on the Balkans to date" (The Boston Globe), Kaplan's prescient, enthralling, and often chilling political travelogue is already a modern classic. This new edition of Balkan Ghosts includes six opinion pieces written by Robert Kaplan about the Balkans between 1996 and 2000 beginning just after the implementation of the Dayton Peace Accords and ending after the conclusion of the Kosovo war, with the removal of Slobodan Milosevic from power.

The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning’s focus is not the battlefield but the café and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged. At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest—the so-called Paris of the East—in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.

The fourth edition of this critically acclaimed work includes a new chapter, a new epilogue, and revisions throughout the book. Sabrina Ramet, a veteran observer of the Yugoslav scene, traces the steady deterioration of Yugoslavia's political and social fabric in the years since 1980, arguing that, while the federal system and multiethnic fabric laid down fault lines, the final crisis was sown in the failure to resolve the legitimacy question, triggered by economic deterioration, and pushed forward toward war by Serbian politicians bent on power - either within a centralized Yugoslavia or within an 'ethnically cleansed' Greater Serbia. With her detailed knowledge of the area and extensive fieldwork, Ramet paints a strikingly original picture of Yugoslavia's demise and the emergence of the Yugoslav successor states.

Inspired by a life-long passion for travel, Stuart McMillan embarked on a journey of over 2,000km, crossing the continent from the Baltic Sea to the Balkan coast. The book provides personal observations and reflections on a fascinating world hidden for decades behind an Iron Curtain. It gives the reader a glimpse of how the history, culture, years of oppression and brutal wars have shaped these beautiful lands and the people who live there. Starting in Lithuania, a journey weaving through the beautiful and often mysterious Slavic lands all the way to Croatia - taking in Ukraine, Hungary, Serbia, Bosnia and Herzegovina. It includes travelling in a 44-degree heatwave; taking a short-cut via Moscow; experiencing a chaotic sleeper train out of Ukraine; coping with the failure of all air-conditioning and lighting on a long-haul train down to Serbia; learning about the legacy of both Nazi and Communist oppression; and seeing first-hand the scars and re-built splendour of Sarajevo and Mostar following the recent brutal, and often forgotten, Yugoslav wars. As well as recounting the beauty of the countries and cities visited, and reflecting on the years of oppression and wars that shaped the landscapes and cultures, it also captures the emotions of travelling alone for weeks through foreign lands – the freedom to experience so much of countries hidden away from the world for so long; the reliance on internal narrative for company; and the bouts of homesickness that often conflict with the author’s love of travel.