Baroque Counterpoint
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Baroque Counterpoint
Author | : Christoph Neidhofer,Peter Schubert |
Publsiher | : State University of New York Press |
Total Pages | : 624 |
Release | : 2024-01-01 |
Genre | : Music |
ISBN | : 9781438493244 |
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This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
A Student s Guide to Harmony and Counterpoint
Author | : Hugh Benham |
Publsiher | : Rhinegold Publishing Ltd |
Total Pages | : 178 |
Release | : 2004-07 |
Genre | : Counterpoint |
ISBN | : 9781904226314 |
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Study of Counterpoint
Author | : Johann Fux |
Publsiher | : National Geographic Books |
Total Pages | : 0 |
Release | : 1981-01-06 |
Genre | : Music |
ISBN | : 9780393002775 |
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The essence of the most celebrated book on counterpoint, Fux's Gradus ad Parnassum. The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline if Fux's Gradus had not set up a standard." Originally written in Latin, Steps to Parnassus was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.
Counterpoint in Composition
Author | : Felix Salzer,Carl Schachter |
Publsiher | : Columbia University Press |
Total Pages | : 504 |
Release | : 1989 |
Genre | : Composition (Music) |
ISBN | : 9780231070393 |
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-- Stanley Persky, City University of New York
Baroque Counterpoint
Author | : Christoph Neidhöfer,Peter Schubert |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2023 |
Genre | : Music |
ISBN | : 1438493258 |
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The classic text on Baroque Counterpoint, enlarged and revised, drawing from the master composers of the era.
The Craft of Tonal Counterpoint
Author | : Thomas Benjamin |
Publsiher | : Routledge |
Total Pages | : 429 |
Release | : 2004-03 |
Genre | : Art |
ISBN | : 9781135946630 |
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Modal Counterpoint Renaissance Style
Author | : Peter Schubert |
Publsiher | : Oxford University Press, USA |
Total Pages | : 372 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : STANFORD:36105124019022 |
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The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
The Harvard Dictionary of Music
Author | : Don Michael Randel |
Publsiher | : Harvard University Press |
Total Pages | : 1020 |
Release | : 2003-11-28 |
Genre | : Music |
ISBN | : 0674011635 |
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This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.