Beast Beneath The Skin

Sam wants to be an ordinary fourteen-year-old boy, but he's not. He is the victim of a terrible curse that has turned him into something to be hated.

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.

Webster was much possessed by death And saw the skull beneath the skin; And breastless creatures under ground Leaned backward with a lipless grin. These lines from T. S. Eliot’s "Whispers of Immortality” provide Charles R. Forker with the title for the most sub­stantial and detailed examination of John Webster to date; they also identify a ma­jor theme--the love-death nexus in Re­naissance drama and its special relevance to Webster. Forker summarizes what is known about Webster’s life and analyzes in de­tail not only the major plays but also the lesser ones. He examines The White De­vil, The Duchess of Malfi, and The Devil’s Law-Case in context with the minor and collaborative works, tracing themes, stylistic features, and ideas through the entire Webster canon. One reviewer of the manuscript notes that "Forker is surely unrivalled as an authority on matters Websterian. His book treats Webster with an unhurried fullness and richness rarely accorded even to Shakespeare.” Another calls the book "Splendid. Readable and engaging.”

The central theme of this collection of essays, first published in 1978, is the basic tension in Nietzsche, and so in his work, between the urge to weave a satisfying web out of reality and the equally strong compulsion to expose its painful truths. The book aims to stress, not to play down, the embarassing and fruitful fact that he cannot be neatly pigeonholed either as a literary figure or as a professional philosopher. The book meets a long-felt need for a study in English of both the literary and the philosophical aspects of Nietzsche's work, based on his authentic texts, and will be welcomed by all students of modern European thought and Literature.

Fluxion is book 4 in The Vampires of Vegas series. The past always returns to haunt you.  April is on cusp of distributing a successful treatment for the vampiric virus which decimated the world's population. When she's betrayed by those she trusts the most, she's forced to flee her home in Las Vegas. Now, she must depend on a stranger she just met who shares the same rare mutation as her. She can't trust anyone. The vampire hive was her sanctuary, but now, their leader hides an unspeakable horror with far more sinister consequences than anyone could've imagined, especially when it involves April's unusual abilities. Time is running out as she hurries to avoid the clutches of a new clever foe, save her friends, and rid the world of the deadly scourge forever. But the price of success is far too steep. Will the consequences of saving everyone else finally be enough to break her, or will she embrace the full power of the monster lingering beneath her skin? Includes the short novella Brevity (A Vampires of Vegas Story)

Sam Hunter is a PI in the big bad city. When he takes a new case it’s like he’s accepting the client into his ‘pack’. And Sam will do anything to protect the members of his pack. Dogs are like that. So are wolves. And so, too, are werewolves. Like Sam. Sam is a benandanti, an ancient race of werewolves who fight evil. And evil comes in all shapes and sizes; it comes at people from all directions. The cases Sam takes range from saving the world from genetically-engineered super soldiers to saving a young boy from the very real monster in his closet. The Sam Hunter Case Files gather together the weird, strange, funny, heartbreaking and disturbing adventures of a low-rent private investigator taking on very odd jobs. These stories include cameos by fan-favorite characters from Maberry’s bestselling Joe Ledger thrillers and The Pine Deep Trilogy

"A collection of artists, poets, writers, and essayists who respond to Plath's life with images, poems, essays, short stories, and academic texts. This anthology is golden, elaborate and broad: award-winning men and women from all backgrounds, ethnicities, and sexual orientations; able-bodied, disabled, monolingual, trilingual; writers and artists from around the globe."--Back cover

**A USA Today Recommended Series!** This faerie godmother has an agenda of her own… Don't miss CHASING MIDNIGHT, a fantasy romance from bestselling author Kaitlyn Davis that reimagines the classic fairy tale of Cinderella. “I could redeem myself if I wanted to. I could help them. But I won’t. I’m the villain of their story, because it’s the only way to be the hero of mine.” Hundreds of years ago, humans learned the secret to sealing magic beneath their skin and stole it from the world. Faeries reverted back to flowers. Shifters remained trapped in their animal forms. Mermaids turned to foam. And the magical creatures who survived vowed revenge. Nymia is one of those survivors, a faerie brought back to life by the return of her magic. When she finds a human girl named Ella with her sister’s power trapped beneath her skin, she’ll do anything to get her back, including kill. There’s only one problem. This isn’t the world she remembers. Humans here have a power all their own—technology. And when a human prince sees her using magic, he’ll use every invention at his disposal to track her down. The countdown is on, and time is running out. Nymia needs to find Ella, take back her sister’s magic, and escape the determined prince before the clock strikes twelve, or she might not make it out of his city alive… *This is the third book in Once Upon a Curse, a series of interconnected stand-alone novels all set in the same fantasy universe. Keywords: Teen & Young Adult, Fairytale, Fairy Tale, Retelling, Adaptation, Fairy Tale Retelling, Cinderella, Romance, Dystopian, Paranormal Romance, Urban Fantasy, Love, Action & Adventure, Magic, Fantasy, Faerie, Fae, Fairies