Beasts And Gods

Reproduction of the original: Beasts, Men and Gods by Ferdinand Ossendowski

Democracy does not deliver on the things we have assumed are its natural outcomes. This, coupled with a growing sense of malaise in both new and established democracies forms the basis to the assertion made by some, that these are not democracies at all. Through considerable, impressive empirical analysis of a variety of voting methods, across twenty different nations, Roslyn Fuller presents the data that makes this contention indisputable. Proving that the party which forms the government rarely receives the majority of the popular vote, that electoral systems regularly produce manufactured majorities and that the better funded side invariably wins such contests in both elections and referenda, Fuller's findings challenge the most fundamental elements of both national politics and broader society. Beast and Gods argues for a return to democracy as perceived by the ancient Athenians. Boldly arguing for the necessity of the Aristotelian assumption that citizens are agents whose wishes and aims can be attained through participation in politics, and through an examination of what “goods” are provided by democracy, Fuller offers a powerful challenge to the contemporary liberal view that there are no "goods" in politics, only individual citizens seeking to fulfil their particular interests.

Reproduction of the original: Beasts, Men and Gods by Ferdinand Ossendowski

It's the week before Christmas when a lone robber bursts into a busy Glasgow post office carrying an AK-47. An elderly man suddenly hands his young grandson to a stranger and wordlessly helps the gunman fill bags with cash, then carries them to the door. He opens the door and bows his head; the robber fires off the AK-47, tearing the grandfather in two. DS Alex Morrow arrives on the scene and finds that the alarm system had been disabled before the robbery. Yet upon investigation, none of the employees can be linked to the gunman. And the grandfather-a life-long campaigner for social justice-is above reproach. As Morrow searches for the killer, she discovers a hidden, sinister political network. Soon it is chillingly clear: no corner of the city is safe, and her involvement will go deeper than she could ever have imagined.

Bold and irreverent, this is essentially a work of fiction, Arnold’s stories are a blend of humour, cynicism and terror. He extracts episodes from religious texts, personal observations and legends of faith that abound in the sphere of faith and spirituality. The stories project an amplified, yet truthful account of the terrible and the ridiculous. The book does not blaspheme any belief, for nothing he says is a departure from what is already woven into the written texts. Yet this remains a work of fiction with superstitions and reality blended into one disturbing narrative.

Crossbreeding folklore, myth and history, Carson, who has a flair for cultural oddities (The Polite Americans, 1966; The Social History of Bourbon, 1963), offers an arresting account of how men have treated their beasts from the Stone Age to the 20th century pet shop.

Open these pages and wander through the Minotaur's labyrinth and open Pandora's box to discover a world of heroes, goddesses, nymphs, dragons and more just waiting to be colored to life in this visually stunning new coloring book for all ages. Through intricate pen and ink illustrations, colorists are invited to explore this mythological landscape and the fantastical imaged creatures of Greek myths and world folklore, where you encounter seductive sirens and delicate fairies, menacing hydras and playful satyrs. Let your imagination run wild with the heroes of Olympus and one hundred vivid illustrations that invite your unique creative touch.

Preface -- Speaking of dignity -- Being human -- Human dignity -- Birth and breeding -- Childhood -- Loyalties -- Death -- Personal dignity -- Confusions -- Equal persons.