Beautiful But Bad

A perfect marriage reveals its dark secrets in this psychological thriller of a devoted wife, her veteran husband, and a shocking murder. Maddie and Ian’s love story began with a chance encounter at a party overseas; he was serving in the British Army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian’s PTSD; her concerns for the safety of their young son; and the couple’s tangled and tumultuous past with Jo. From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

She played a dangerous game -- with love, men, and money! A Wildside Crime Classic by the author of The Star Trap and The Captain Must Die! "Bob Colby was more than just a 'one-hit wonder.' He wrote several other respected novels in the 1950s and '60s, including The Deadly Desire and The Secret of the Second Door (both Gold Medal, 1959) and dozens of short stories for Alfred Hitchcock and Mike Shayne... Do me a favor: hunt down one of his novels and give it a try." -- Peter Enfantino "He had a journalist's eye for his times. This was especially true in the novels he set in Hollywood. [The Captain Must Die] is his masterpiece. You will not be disappointed." -- Ed Gorman

Christ is "the way, and the truth, and the life";, but fallen mankind, although made in Christ's image, is not so pure. Human history—including Church history—is a tapestry woven of three threads: the good, the bad, and the beautiful. This book tells the story of Christendom over two millennia, focusing on what was good, bad, and beautiful in each century. These three threads run through the heart of every person, revealing the pattern of our individual lives. These very same threads bind together the collective lives of men and make up the fabric of culture and civilization. No one saw this three-dimensional form more clearly than Benedict XVI. For him, the goodness of the saints and the beauty of art are the only antidote to the dark thread of evil that runs through history. Inspired by this insight, Joseph Pearce presents the past twenty centuries to show how goodness and beauty—stemming from God himself—work to conquer the bad.

Photographers Erika Z. Figabomba and Alessandra Tisato drove from Nevada through San Diego and up to the San Francisco Bay Area taking over 10,000 photos of beautiful, powerful women and non-binary people. These photographs celebrate beauty in a way that is far from the polished, glossy images of fashion and advertising; they also explore the meaning of nakedness in a society that seems to prioritize superficial entertainment over women/non-binary sexuality and overall body positivity. With 224 pages and more than 100 color photographs, this collection is a celebration of Beauty, Determination and Empowerment free from all genders and stereotypes. B.A.D. Beautiful And Determined is a revolution brought out to you through hundreds of photographs taken all around the world in more than 6 years. With critical texts by Carlotta Cossutta, a precarious researcher in political philosophy, who works on feminism and queer theories in and out of academia, and Elle Stanger, a queer person who writes sex education, short stories and advice columns and works to reduce shame and harm related to sexuality and touch, B.A.D. is more than a visual masterpiece. These women embrace nudity on their own terms; they love and cherish their bodies. Many of them are politically active, and all have strong opinions and give back to their communities on a daily basis. Rather than trying to find a single, one-dimensional answer to the definition of female and non-binary empowerment, B.A.D. (Beautiful And Determined) showcases a wide variety of positive and inspirational examples. Having previously worked in street and commercial photography, we felt the need to celebrate the life of those who hold an important place in our hearts and minds; women whose lifestyle is fierce and passionate, who have something to say and who are a step ahead of the typical idea of a model. This project was later brought to Europe where it continued to develop. The collected material is both powerful and diverse; it only seemed natural to bring it all together in a book: B.A.D. was born. B.A.D. will also include written content, produced by the models themselves, revolving around the subjects of sex, love, fetish, and relationships, as well as reflections on topics such as the display of female nudity and the role of women in society.--Drago

Hallen asks the Yoruba onisegun - the wisest and most accomplished herbalists or traditional healers - what it means to be good and beautiful. The onisegun explain the subtleties and intricacies of Yoruba language use and philosophy behind particular word choices. Their instructions reveal the depth of Yoruba aesthetics and ethics.

It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?

"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.