Beauty And Holiness

In this broad historical and critical overview based on a lifetime of scholarship, James Alfred Martin, Jr., examines the development of the concepts of beauty and holiness as employed in theories of aesthetics and of religion. The injunction in the Book of Psalms to "worship the Lord in the beauty of holiness" addressed a tradition that has comprehended holiness primarily in terms of ethical righteousness--a conception that has strongly influenced Western understandings of religion. As the author points out, however, the Greek forbears of Western thought, as well as many Eastern traditions, were and are more broadly concerned with the pursuit of beauty, truth, and goodness as ideals of human excellence, that is, with the "holiness of beauty." In this work Martin describes a philosophical stance that should prove to be most productive for the dialogue between aesthetics and religion. Beginning with the treatment of beauty and holiness in Hebrew, Greek, and classical Christian thought, the author traces the emergence of modern theories of aesthetics and religion in the Enlightenment. He then outlines the role of aesthetics in the theories of religion proposed by Otto, Eliade, van der Leeuw, and Tillich, in the cultural anthropology of Geertz, and in the thought of Santayana, Dewey, Whitehead, Heidegger, and Wittgenstein. In a global context Martin explores the relation of aesthetic theory to religious thought in the traditions of India, China, and Japan and concludes with reflections on the viability of modern aesthetic and religious theory in the light of contemporary cultural and methodological pluralism. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In The Beauty of Holiness, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, The Beauty of Holiness depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s.

The Academy of Parish Clergy’s 2018 Top Five Reference Books for Parish Ministry Beauty and holiness are both highly significant subjects in the Bible. In this comprehensive study of Christian fine art David Lyle Jeffrey explores the relationship between beauty and holiness as he integrates aesthetic perspectives from the ancient Hebrew Scriptures through Augustine, Aquinas, and Kant down to contemporary philosophers of art. From the walls of the Roman catacombs to the paintings of Marc Chagall, visual art in the West has consistently drawn its most profound and generative inspiration from biblical narrative and imagery. Jeffrey guides readers through this artistic tradition from the second century to the twenty-first, astutely pointing out its relationship not only to the biblical sources but also to related expressions in liturgy and historical theology. Lavishly illustrated throughout with 146 masterworks, reproduced in full color, In the Beauty of Holiness is ideally suited to students of Christian fine art, to devotees of biblical studies, and to general readers wanting to better understand the story of Christian art through the centuries.

In a book that is at once a manifesto and a devotional guide, Trevethan vividly reminds us that holiness is an essential characteristic of the biblical Lord. Like few other books recently written, The Beauty of God's Holiness wakes readers from spiritual slumber and uncages the living God so often domesticated in our time.

This book lays out the requirements and difficulties that will come with the pursuit of holiness in our Christian lives. Ryle starts out with the way to achieve holiness and the difficulties that arise with pursuing a holy life, and then going throughout the Bible giving true examples of the cost of holiness and the rewards it brings as the Bible promises us. To often we sing and pray for such a life without being willing to undergo the necessary life changes and adjustments to get there. This book lays out what we can expect in such a journey and what God will ask of each of us to get us to the point He wants us to be.

The Beauty of Holiness: The Caroline Divines and Their Writings offers an expansive and detailed portrait of the continued maturation of Anglican theology and devotion in the central half of the seventeenth century. The Caroline Divines have long been hailed as the patrons of an Anglican ‘golden age’. Their emphasis upon liturgical renewal and development, like their emphases upon learning and piety, have had a pervasive influence on the Anglican ethos that extends down to our own day. The Beauty of Holiness includes selections from key figures such as Lancelot Andrewes, John Cosin, and Jeremy Taylor, but also expands the canon of Caroline divinity to include lay writings, some of which were published posthumously. Traditional topics such as sacramental theology and private devotion are complimented by readings on poetry as a spiritual discipline, natural theology, and the importance of family prayers. Chapters survey diverse facets of Anglican orthodoxy such as liturgical practice, the cult of King Charles the Martyr, and defenses of the celebration of Christmas, while an introductory essay sets these developments within the historical context. The Beauty of Holiness thus functions as both an introduction to the Anglican past and a catechism for the Anglican present.

Art and worship to 1500. Beauty and holiness as terms of art -- The paradoxical beauty of the cross -- Beauty and proportion in the sanctuary -- The beauty of light -- The beauty of holiness alfresco -- Beauty on the altar -- Art and the Bible after 1500. Beauty, power, and doctrine -- Beauty and the eye of the beholder -- Romantic religion and the sublime -- Art after belief -- Art against belief -- Return of the transcendentals