Becoming Modern Women

Becoming Modern Women: Love and Female Identity in Prewar Japanese Literature and Culture is a literary and cultural history of love and female identity in Japan during the 1910s-30s.

In the decade following World War I, nineteenth-century womanhood came under attack not only from feminists but also from innumerable "ordinary" young women determined to create "modern" lives for themselves. These young women cut their hair, wore short skirts, worked for wages, sought entertainment outside the home, and developed new attitudes toward domesticity, sexuality, and their bodies. Historians have generally located the origins of this shift in women's lives in the upheavals of World War I. Birgitte Søland's exquisite social and cultural history suggests, however, that they are to be found not in the war itself, but in much broader social and economic changes. Søland's engrossing chronicle draws on a rich variety of sources--including popular media and medical works as well as archival records and oral histories--to examine how notions of femininity and womanhood were reshaped in Denmark, a small, largely agrarian country that remained neutral during the war. It explores changes in the female body and personality, the forays of young women into the public sphere, the redefinition of female respectability, and new understandings of married life as evidenced in both cultural discourses and social practices. Though specific in its focus, the book raises broad comparative questions as it challenges common assumptions about the social and sexual upheavals that characterized the Western world in the postwar decade. In a remarkably engaging fashion, it shows why the end of World War I did not lead to the return of "normal" life in the 1920s.

Million-copy NYT bestseller! "Fiction at its best!" —New Woman magazine “Bestsellers like Decades, Husbands And Lovers and Love And Money have established Ruth Harris as one of the frankest, most stylish, and most compelling voices in contemporary fiction." —Chicago Sun-Times Meet three modern women—and the men in their lives. Jane Gresch: Her delicious revenge on her lying, cheating, thieving ex makes her rich and famous, but then what?? Lincky Desmond: Smart, beautiful and hard working, she marries Mr. Right—but risks it all for Mr. Oh-so-wrong. Elly McGrath: When her husband dumps her for another, younger woman, she doesn’t get mad. She gets even. Owen Casals: He is handsome, horny, and magnetic. Everyone knows it—and so does he. "Funny, sad, vivid, and raunchy. Harris seeks to enliven and entertain, and she does it in spades." —Cleveland Plain-Dealer “Glory be! Excellent. This is the story of today’s women.” —Los Angeles Times Ruth Harris is “brilliant, trenchant, chic and ultra-sophisticated, a writer who has all the intellect of Mary McCarthy, all the insight of Joan Didion.” —Fort Worth Star-Telegram "Excellent! Thoroughly delightful!" —Los Angeles Times "Author Ruth Harris' rapier wit spices up a coming-of-age-in-the-sexist-'60s story. Funny, sad, vivid, and more than raunchy enough to satisfy the most ribald appetites. Harris seeks to enliven and entertain, and she does it in spades." —Cleveland Plain-Dealer "Ruth Harris has written a superb 'rags to riches' story. Harris creates characters that are alive and familiar. These three women, Lincky, Jane and Elly, are like old friends, women we've all known. Their experiences, hopes and fears are universal and, yet, like most modern women they, too, wonder if they will find the right man and or how to get rid of the wrong one. Each in their own way finds success at the top and a successful relationship. You'll love MODERN WOMEN." —West Coast Review of Books “Bestsellers like Decades, Husbands And Lovers and Love And Money have established Ruth Harris as one of the frankest, most stylish, and most compelling voices in contemporary fiction." —Chicago Sun-Times MODERN WOMEN was originally published in hard cover and paperback by St. Martin's Press. All five books in the Park Avenue Series are available as GooglePlay ebooks. Decades (Book # 1)--The compelling story of a marriage at risk, a family in crisis and a woman on the brink set against the tumultuous decades of the mid-twentieth century. "Absolutely perfect." --Publisher's Weekly "Terrific!" --Cosmopolitan "Powerful. A gripping novel." --Women Today Book Club https://play.google.com/store/books/details/Ruth_Harris_DECADES_Park_Avenue_Series_Book_1?id=iMfHBAAAQBAJ Husbands And Lovers (Book # 2)--Million copy NYT bestseller! Winner, Best Contemporary, Romantic Times! The story of a wallflower who turns herself into a lovely and desirable woman and the two handsome, successful men who compete for her love. "Steamy and fast-paced." --Cosmopolitan https://play.google.com/store/books/details/Ruth_Harris_Husbands_And_Lovers_Park_Avenue_Series?id=-DX3AgAAQBAJ Love And Money (Book #3)--#1 on Amazon's Movers and Shakers. Rich girl, poor girl. Sisters and strangers until the handsome, mysterious man they both love--and murder—bring them face to face. "Richly plotted. First-class entertainment." --NY Times "Fast-paced, superior fiction. A terrifically satisfying 'good read.'" --Fort Lauderdale News Sun-Sentinel https://play.google.com/store/books/details?id=6TD3AgAAQBAJ The Last Romantics (Book # 5)--A sweeping love story set in Paris and New York during the glamorous Jazz Age of the 1920's. He is dashing, handsome and celebrated but dangerously flawed. She is a gifted fashion designer who has the world at her feet. She is beautiful, charming, lonely, haunted by a desperate secret. "I love it, I love it! Fantastic, immensely readable." --Cosmopolitan "Gloriously romantic." --Kirkus https://play.google.com/store/books/details?id=oHH4AgAAQBAJ Keywords, Series Keywords: Historical fiction, women's fiction, single woman, funny, humor, hilarious, sexy, bestseller, cheating boy friend, marriage, divorce, JFK, assassination, sex, women, marriage, divorce, Texas, New York, publishing, career woman, wife, journalist, author, affair, 20th Century

Explores the imagery of woman in Mexican art and visual culture. Examines how woman signified a variety of concepts, from modernity to authenticity and revolutionary social transformation, both before and after the Mexican Revolution.

Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."

Birgitte Soland's social and cultural history suggests, however, that they are to be found not in the war itself, but in much broader social and economic changes."--BOOK JACKET.

In Dressed as in a Painting, Kimberly Wahl provides a lucid exploration of the interrelations between fashion, art, and Aestheticism during the latter half of the nineteenth century. Although artistic forms of dress have been the subject of short studies before, no book has focused exclusively on Aesthetic dress and its various expressions in the visual cultures of Victorian Britain. More important, no book has attempted to investigate the gap between the material facts of artistic clothing as it was embodied on the wearer, and its presence as an idealized sartorial trope in the visual and textual print culture of the period.

Melanie Notkin wants to change our perceptions about childless women. The rise of childless women is one of the most overlooked and under-appreciated social issues of our time. Never previously have more women lived longer before having their first child or remained childless toward the end of their fertility. In the U.S., the level of childlessness of women age forty to forty-four has doubled, from 10 percent in 1976 to 20 percent in 2006. Society assumes that women either are mothers or choose not to be mothers, but waiting for love and marriage—or at least a committed union—before embarking on motherhood seems to be the least acceptable life choice for the modern woman. Nearly half of North American women of childbearing age are childless,a steep rise from 35 percent in 1976. Nevertheless, childless women are perceived as the exception, not the norm. In Otherhood, Melanie Notkin explores this modern phenomenon to understand the reasons for this shift, the social and emotional impact of childlessness, and how this “new normal” will impact social structures in the decades to come. Part anecdotal storytelling, part inspirational, part reportage, and part manifesto, Otherhood sets out to get to the heart of the issues, enliven the societal consciousness, and trigger conversation. Notkin offers a very personal take on a trend that affects so many modern women.