Bedside Book Of Bad Girls

Meet Kate Bender, who brutally murdered as many as thirty people in Kansas, including children, and buried them in her family's orchard; Laura Bullion, the only woman to participate in a Wild Bunch train robbery; and Madam Vestal, a one-time Confederate spy who organized the famous Deadwood stagecoach robberies. Witness the execution of Elizabeth Potts and Ellen Watson, the first women hanged in Nevada and Wyoming. Drawing on fact and folklore, author and historian Michael Rutter brings 21 gun-slinging "bad girls" to life, and explores their motives, hopes, and dreams. He dispels many of the myths about these female outlaws, for sometimes the truth is stranger than fiction. Featuring forty-two historical images, Bedside Book of Bad Girls sheds light on figures and events often shrouded in fabrication and fantasy. Meet these fascinating characters, complete with their pistols and petticoats, their knives and knaves, their vices and victims.

The lively romp details some of the Wild West's most engaging stories, specifically in the Black Hills and Deadwood, home to prostitutes and poets, desperados and dancehall girls, fortune tellers and fugitives. Readers will meet a host of rowdies ranging from madams to stagecoach robbers, from tall-tale tellers to killers.

"[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.

Prostitutes make up one of the most engaging chapters in the story of the American West. Upstairs Girls opens a window on the lives of these women for hire. Historian Michael Rutter offers a thorough and fascinating history of prostitution in the West, with details on why women turned to this profession and what their lives were like. Chapters on the notorious madams, the tragic Chinese sex trade, occupational hazards, rowdy dancehall girls, and the efforts of the ''Moral Purity Movement'' supplement the heart-breaking and sometimes humorous profiles on some of the most famous madams and prostitutes in history.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."

Take a step back in time with the Bedside Book of Bad Girls: Outlaw women of the Midwest. Join author Chris Enss as she digs up and reveals startling facts about some of the most fascinating renegade women of the Midwest. Meet Flora Mundis, the horse thief who disguised herself as a man; Victoria Woodhull, out-spoken activist for free love, con artist, and the first female candidate for president; Ma Barker, mother of the notorious Barker Gang; Opal Long and Patricia Cherrington, trusted sisters of the Dillinger Gang; and many more. Experience history as if you were actually there. Stand witness to the trial and hanging of Elizabeth Reed, and ride the rails with Fannie and Jennie Freeman, the mother-daughter team who bilked railroad companies out of more than $150,000. In eleven captivating profiles, Enss brings to life the stories of these fascinating pistol-packing, horse-thieving, poker-swindling outlaws.

Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too. In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind. Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent? Based on the adult novel In Search of April Raintree, this edition has been revised specifically for students in grades 9 through 12. Great ideas for using this book in your classroom can be found in the Teacher’s Guide for In Search of April Raintree and April Raintree. A FREE copy of the guide is available for download on the Portage & Main Press website.

Mildred Clark Cusey was a whore, a madam, an entrepreneur, and above all, a survivor. The story of Silver City Millie, as she referred to herself, is the story of one woman's personal tragedies and triumphs as an orphan, a Harvey Girl waitress on the Santa Fe railroad, a prostitute with innumerable paramours, and a highly successful bordello businesswoman. Millie broke the mold in so many ways, and yet her life's story of survival was not unlike that of thousands of women who went West only to find that their most valuable assets were their physical beauty and their personality. Petite at five feet tall with piercing blue eyes, Millie captured men's attention by her very essence and her unmistakable joie de vivre. Born to Italian immigrant parents near Kansas City, she and her sister were orphaned early and separated from each other. Millie learned hard lessons on the streets, but she never gave up and she vowed to protect and support her ailing older sister. Caught in a domestic squabble in her foster home, Millie wound up in juvenile court with Harry Truman as her judge. This would be only the first of many brushes in her life with prominent politicians. When physicians diagnosed her sister with tuberculosis and recommended she move West to a Catholic home in Deming, New Mexico, Millie moved with her. Expenses ran high and after a brief stint waiting tables as a Harvey Girl, Millie found that her meager tips could easily be augmented by turning tricks. Thus, out of financial need and devotion to her sister, Mildred Cusey turned to a life of prostitution and a career at which she soon excelled and became both rich and famous.