Beethoven The Tempest

For music analysts and performers alike, Beethoven's Tempest sonata (1802) represents one of the most challenging pieces of the classical and early romantic piano repertoire. This book is a collection of eleven essays, each dealing with this sonata from a different analytical perspective and investigating the possible connections between music analysis and the practice of performance. Under the editorship of Pieter Berge, Jeroen D'hoe and William E. Caplin, the book presents essays by Scott Burnham (hermeneutics), Poundie Burstein (Schenkerian approach), Kenneth Hamilton (history of performance), Robert Hatten (semiotics), James Hepokoski (Sonata Theory), William Kinderman (source studies), William Rothstein (tempo, rhythm, and meter), Douglas Seaton (narratology), Steven Vande Moortele (20th-century Formenlehre) and the editors themselves (motivic analysis and form-functional approach respectively).

Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.

For Sonata No. 17 in D Minor, Op. 31, No. 2, the nickname "tempest" might refer to Shakespeare's classic play of the same title, although that has not been proven. Still, "tempest" has become firmly rooted as the nickname, describing the exciting "tempestuous" character of one of Beethoven's most famous sonatas. Dr. Stewart Gordon's editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composer's intent. Each sonata contains helpful fingering suggestions and performance recommendations. Other editors' conclusions are noted where performance options are open to interpretation.

Piano Sonata No.17, Op.31 No.2 by Ludwig van Beethoven. This sonata consists of 3 movements: I. Largo - Allegro II. Adagio III. Allegretto

Sonata in g minor opus 49, no 1, known as Easy Sonata by Ludwig van Beethoven. For intermediate piano students and professional pianists.

"Piano Sonata No. 17 - Op. 31/No. 2", usually referred to as The Tempest, was composed in 1801–02 by Ludwig van Beethoven. Ludwig van Beethoven (1770 – 1827) was a seminal German composer. He had a significant influence on the transition from the Classical to the Romantic era of music, and to this day he is considered to be one the most celebrated and important composers of all time. This volume is highly recommended for fans of Beethoven's music, and it constitutes a must-have for collectors of important classical scores. Classic Music Collection constitutes an extensive library of the most well-known and universally enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over. This edition also includes an introductory biography of Beethoven written by Joseph Otten.

Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.

This collection features 25 popular pieces, including the Sonata in C-sharp Minor, Op. 27, No. 2 ("Moonlight"); Sonata in D Minor, Op. 31, No. 2 ("Tempest"); 32 Variations in C Minor; more.