Before We Leave You

What if whales and dolphins truly do have a superior intellect, as many believe, and can speak to the human race? What would their message be? In November 2008, gifted clairvoyant Patricia Cori was in Jordan teaching a workshop when a life-changing event occurred. A community of Cetaceans—“a choir of whales and dolphins,” as she describes it—interrupted her talk with a frantic plea for help. Cori was suddenly witness to a devastating scene of suffering, a communal grieving of scores of whales and dolphins “frenzied, lost, and dying.” This was the first of several terrifying calls for help, all of which were immediately followed by mass suicide events as these majestic creatures collectively chose to leave us and our planet. These troubling incidents evolved into the stream of messages for humanity that Cori reveals in this extremely timely work. The whales and dolphins present their deep understanding of our urgent global situation, calling for the human race to restore balance to our ecosystems—especially our dying oceans. For the first time, we read the communications of the Cetaceans and their story of devotion and celebration of life on the Great Planet Earth. We are also given a glimpse of their role in the unfolding of galactic events throughout our solar system, and the message is clear: We must wake up and realize that our continued abuse of the environment is altering the course of Gaia’s progression to the next dimension. Without the whale and dolphin song—without these musicians who hold the oceans in balance—we risk our advancement through the ascension process for which our entire solar system is destined. Before We Leave You is a roadmap to that higher future and a pathway to global transformation. ***NOTE: ELECTRONIC VERSION OF THIS TITLE DOES NOT INCLUDE THE CETACEAN MEDITATIONS CARDS INCLUDED IN THE REGULAR PRINTED VERSION.

When Robert Imbeault began writing this book, he did so with the intention of ending his life once the book was finished. Robert was in the midst of a five-year suicidal drug and alcohol binge that began after the sudden resurfacing of a buried memory from when he was eight years old. Robert turned to writing, determined to chronicle his life before and after the violent encounter that shattered his reality. As his life inched back toward normalcy, Robert found new reasons to keep writing. After a series of small steps forward, and a few steps back, Robert found his way to sobriety. He regained his health and began to treat himself and everyone around him with love and kindness. Today, Robert enjoys a life filled with gratitude and joy he thought he'd never live to see. In Before I Leave You, he shares his real and raw account of how he clawed his way back from the brink, forgave himself, and wrote a new ending to his story.

Antoinette is in danger. After Red O'Neal delivers a beating to his half-brother Daniel for courting his sister Antoinette, she is sent to a convent until agreeing to marry an older, wealthier man. But after Antoinette manages to send a letter to her betrothed Lorenz MacDonald about the danger, he rescues her. Soon after, a neighboring ranch is attacked by Comanche raiders, and Antoinette and her mother-in-law are caught in a fight for life and death. Can their family survive the dangers of the violent Western frontier?

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Tamara Blanden's world changed the night a drunk driver crashed into her car. No longer able to hold the man she loved in her arms, she hid behind her work. One day, the love of her life walked into her dreams. A forbidden in-between. Stuck between two worlds, she freely chose the world that included her lover. No matter the consequences. Michael Armstrong didn't sign-up to be the third-wheel in some freaky other-worldly love triangle. The woman haunting his dreams taunted him. Was it so wrong to want her for himself? How long would he be teased by the beautiful figment of his imagination? What happens when Tamara and Michael discover that they've been chosen by another to be the answer to each other's dreams?

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.

How do you say goodbye to your best friend? When a little hedgehog's family tells her they're moving far away, she and her anteater best friend decide to play one last time, like nothing is changing. And though it's hard, they discover that while some things have to change, the most important things find a way of working out.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...