Behold No Cavities Cd1 Story Book 05

Finn and Willa have been picked as leaders in the camp game. Finn doesn't know what's throwing her more, the fact she's leading a team of unenthusiastic overachievers or coming up against Willa. And Willa doesn't know which is harder, leaving her responsibilities behind or opening up to someone.

Knox Masters is a quarterback's worst nightmare. Warrior. Champion. And ... virgin? Now, he's set his sight on two things: the national title ... and Ellie Campbell. Sure, she's the sister of his fellow teammate, but that's not going to stop him. Especially not when he's convinced Ellie is the one. But Ellie isn't as sure. She's trying to start a new life. And it's not just her cardinal rule of never dating her brother's teammates that keeps her away-- Ellie has a dark secret that would jeopardize everything Knox is pursuing.

Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

Explorations in Automatic Thesaurus Discovery presents an automated method for creating a first-draft thesaurus from raw text. It describes natural processing steps of tokenization, surface syntactic analysis, and syntactic attribute extraction. From these attributes, word and term similarity is calculated and a thesaurus is created showing important common terms and their relation to each other, common verb--noun pairings, common expressions, and word family members. The techniques are tested on twenty different corpora ranging from baseball newsgroups, assassination archives, medical X-ray reports, abstracts on AIDS, to encyclopedia articles on animals, even on the text of the book itself. The corpora range from 40,000 to 6 million characters of text, and results are presented for each in the Appendix. The methods described in the book have undergone extensive evaluation. Their time and space complexity are shown to be modest. The results are shown to converge to a stable state as the corpus grows. The similarities calculated are compared to those produced by psychological testing. A method of evaluation using Artificial Synonyms is tested. Gold Standards evaluation show that techniques significantly outperform non-linguistic-based techniques for the most important words in corpora. Explorations in Automatic Thesaurus Discovery includes applications to the fields of information retrieval using established testbeds, existing thesaural enrichment, semantic analysis. Also included are applications showing how to create, implement, and test a first-draft thesaurus.

World music cultures: an introduction -- Pitch and melody -- Rhythm and loudness -- Texture -- Timbre and musical instruments -- Sub-Saharan Africa -- The Middle East and North Africa -- Central Asia -- India -- China -- Japan -- Indonesia -- Eastern Europe -- Western Europe -- Latin America -- North America.

Benjamin Rush was a Founding Father of the United States. He lived in Pennsylvania and was a physician, writer, educator, humanitarian and devout Christian, as well as the founder of Dickinson College in Carlisle, Pennsylvania. Rush was a signatory of the Declaration of Independence and attended the Continental Congress. Later in life, he became a professor of medical theory and clinical practice at the University of Pennsylvania. Despite having a wide influence on the development of American government, he is not as widely known as many of his American contemporaries. Rush was also an early opponent of slavery and capital punishment. Despite his great contributions to early American society, Rush may be more famous today as the man who, in 1812, helped reconcile the friendship of Thomas Jefferson and John Adams by encouraging the two former Presidents to resume writing to each other. The editor of the preface of this book gives an in-depth look into Benjamin Rush’s life. The writings of Rush, which are contained in this book, show a wide range of interest and knowledge embracing agriculture and the mechanical arts, chemistry and medicine, political science, and theology. Included are letters he wrote in an effort to dispel prejudice, to fight oppression, and to elevate the lot of the lowly.