Beyond Innocence

A deeply reported, gripping narrative of injustice, exoneration, and the lifelong impact of incarceration, Beyond Innocence is the poignant saga of one remarkable life that sheds vitally important light on the failures of the American justice system at every level In June 1985, a young Black man in Winston-Salem, N.C. named Darryl Hunt was falsely convicted and sentenced to life in prison for the rape and murder of a white copyeditor at the local paper. Many in the community believed him innocent and crusaded for his release even as subsequent trials and appeals reinforced his sentence. Finally, in 2003, the tireless efforts of his attorney combined with an award-winning series of articles by Phoebe Zerwick in the Winston-Salem Journal led to the DNA evidence that exonerated Hunt. Three years later, the acclaimed documentary, The Trials of Darryl Hunt, made him known across the country and brought his story to audiences around the world. But Hunt’s story was far from over. As Zerwick poignantly reveals, it is singularly significant in the annals of the miscarriage of justice and for the legacy Hunt ultimately bequeathed. Part true crime drama, part chronicle of a life cut short by systemic racism, Beyond Innocence powerfully illuminates the sustained catastrophe faced by an innocent person in prison and the civil death nearly everyone who has been incarcerated experiences attempting to restart their lives. Freed after nineteen years behind bars, Darryl Hunt became a national advocate for social justice, and his case inspired lasting reforms, among them a law that allows those on death row to appeal their sentence with evidence of racial bias. He was a beacon of hope for so many—until he could no longer bear the burden of what he had endured and took his own life. Fluidly crafted by a master journalist, Beyond Innocence makes an urgent moral call for an American reckoning with the legacies of racism in the criminal justice system and the human toll of the carceral state.

Emma Holly turns up the heat in this sinfully sensuous story of a family plagued by scandal—and a shy young woman who discovers a passion beyond her wildest dreams… When her beloved father passes away, Florence Fairleigh finds herself alone in the world. All she wants is a man who will treat her kindly and support her financially—and she’s come to London to find him… Edward Burbrooke thinks marriage is the only way to save his brother Freddie—and their family—from scandalous ruin. As head of the family, Edward has vowed to find Freddie a bride—and fast… Thrown together by Edward, Florence and Freddie make a perfect pair—until Edward realizes he has feelings for his brother’s betrothed. The sight of her nubile young body makes his blood burn with lust. The sound of her voice makes his heart warm with love. And the sweet taste of her kiss makes him wonder if he isn’t making a terrible mistake….

For years, Jared has existed on the fringes of both Eden society and Dallas O'Kane's Sector Four gang. He travels between these worlds, protected by his money and power--money he earned selling his body, and power that comes from knowing secrets. He's untouchable—until he starts a new life gathering intelligence for the O'Kanes. Lili Fleming walked out of Sector Five with a gun, the bloodstained clothes on her back, and an icy determination to survive. She finds herself in a world where people live hard and love harder, and nothing's more terrifying than how much the O'Kanes wake her up, make her feel—especially Jared. Emotion is a risk he can't afford, and a complication she doesn't need. But neither can resist the lust simmering between them, and the sparks that could either melt the ice around both their hearts…or get them killed. Because the only thing more dangerous than loving an O'Kane is loving a spy.

When a life is on the line, love has to wait. Doesn't it? After a devastating professional embarrassment, Cory Lance has been banished from the courtroom. As part of her penance, she volunteers with an organization that works to free the wrongly convicted, and soon she's saddled with a case certain to set her up for another big defeat. To top it off, she's battling a strong attraction to her client's sister, a woman with unreasonable expectations. Serena Washington has learned to compartmentalize the negative pieces of her past, except for one—her brother, Eric, who is on death row for a murder he insists he didn't commit. Loyalty drives her to enlist help from an organization with a reputation for unparalleled success, but Serena's optimism is shaken when she learns the attorney assigned to the case has a reputation for cutting corners. Her whole world is shaken when she begins to fall in love with her.

Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the 1996 Olympics hit, Return To Innocence. Taking as her starting point the ripple effects of this case, Shzr Ee Tan explores the relationship of this song culture to contemporary Amis society. She presents Amis song in its multiple manifestations as an ecosystem, symbiotic components of which interact and feed back upon one another in cross-cutting platforms of village life, festival celebration, cultural performance, popular song, art music and Christian hymnody. Tan's investigation hinges upon drawing a conceptual line between ladhiw, the Amis term for 'song' - a word vested with connotations of life-force, tradition, ritual and taboo - and the foreign term of yinyue ('music' - borrowed from Mandarin). This difference forms the basis of how Amis song is (re)constructed through processes of modernization, Christianization and politico-economic change. A single Amis melody, for example, can exist in several guises that are contextually exclusive but functionally mutually-supportive. Thus, a weeding song (ladhiw), which may have lost its traditional context of existence following advancements in farming technology, becomes sustained within a larger ecosystem, finding new life on the interacting platforms of Amis Catholic hymnody, karaoke and tourist shows. The latter genres (collectively, yinyue) may not rely on traditional livelihoods for survival, but thrive on a traditional melody's deeper associations to local memory and idealized Amis identities. While these new and old genres are stylistically separate, they feed into each other and back into themselves - through transforming contexts and cross-referenced memes - in organic and developing cycles of song activity. Drawing from fieldwork conducted from 2000-2010 as well as a background in ethnomusicology and journalism, Ta

The second volume of Goodall's autobiography in letters, this book covers her life after the publication of "In the Shadow of the Man, " the book that made her famous. photos.

In this groundbreaking work, Linda A. Westervelt defines an important yet previously unidentified and therefore unnamed type of novel, the altersroman, or age novel. Fictions focusing on a protagonist's confrontation with mortality toward the end of middle age are likely to become ever more prominent in a Western world in which the average age of the population increases and more people reach late middle age and old age. Working from a diverse sample of modern literature, Westervelt analyzes the variety of responses to the life evaluation. Some characters achieve a level of affirmation that allows renewal, redirection, or simply peace, while others confront feelings of disgust or despair that so little time is left them. Her altersromane are books about seeking wisdom, though not everyone of this age becomes wise. The use of the term altersroman highlights the fact that the altersroman is a classification comparable to but also clearly distinguishable from the bildungsroman, wherein characters make the transition from youth to adulthood. Westervelt contrasts her older protagonists' characteristics with the equivalent characteristics in the bildungsroman through an examination of Don Quixote, part 2, as well as six American novels: The Ambassadors, by Henry James; The Professor's House, by Willa Cather; The Mansion, by William Faulkner; The Angle of Repose, by Wallace Stegner; A Book of Common Prayer, by Joan Didion; and Jazz, by Toni Morrison. These seven works, though remarkably different, share the common features of the altersroman. Westervelt articulates the traits clearly, rests them on the psychological literature, and then shows in depth how the characteristics of the altersroman can enrich and more deeply inform our reading of a significant subset of modern literature that previously went unheralded. Readers can use Westervelt's analysis to identify altersromane in literature other than their own, and she begins this process by identifying exemplars written in other languages. Beyond Innocence, or the Altersroman in Modern Fiction introduces readers to the altersroman as a tool for classification and analysis and demonstrates the power and utility of that tool. It offers a meaningful and enriching complement to the more established category of the bildungsroman.

Emma Holly turns up the heat in this sinfully sensuous story of a family plagued by scandal—and a shy young woman who discovers a passion beyond her wildest dreams… When her beloved father passes away, Florence Fairleigh finds herself alone in the world. All she wants is a man who will treat her kindly and support her financially—and she’s come to London to find him… Edward Burbrooke thinks marriage is the only way to save his brother Freddie—and their family—from scandalous ruin. As head of the family, Edward has vowed to find Freddie a bride—and fast… Thrown together by Edward, Florence and Freddie make a perfect pair—until Edward realizes he has feelings for his brother’s betrothed. The sight of her nubile young body makes his blood burn with lust. The sound of her voice makes his heart warm with love. And the sweet taste of her kiss makes him wonder if he isn’t making a terrible mistake….