Beyond The World S End

In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.

An Eric Banyon fantasy.

Perfect for fans of Brandon Sanderson and Laini Taylor, this much-anticipated sequel to New York Times bestselling authors Amie Kaufman and Meagan Spooner’s The Other Side of the Sky is a thrilling race against time—with a tantalizing star-crossed love and an electric conclusion. Time to find a way between worlds. Time to find each other again. Time to do the impossible. Above, in the cloudlands, Nimh has no memory of her past, only an aching, undying certainty that she has left something—someone—behind. But while she struggles to recall her identity, an imposter wields her name with deadly purpose. Below, on the surface, North looks to the sky, desperate to join the person he loves and return to his world. But with only a traitor willing to help him, and others clamoring for him to take Nimh’s place, his home seems more unreachable than ever. Tragedy looms as the cloudland engines falter and mist rains terror on the surface, and in their desperation to reunite and save their people, Nimh and North face one ultimate question: can they defy their love and their destiny to save their homes? Or will the spark between them ignite their worlds, and consume them all together? Praise for The Other Side of the Sky: "Amie Kaufman and Meagan Spooner prove they are two living goddesses of writing, creating two compelling worlds with high stakes and gripping emotions." —Sarah Rees Brennan, New York Times bestselling author of the Demons Lexicon trilogy and the Lynburn Legacy series “A vivid and compulsive thriller set in a beautiful, perilous world of myths and treachery. You won’t want to put it down.” —Laini Taylor, New York Times bestselling author of the Daughter of Smoke and Bone series “I was left breathless by the book’s twists and turns, and was unprepared for the ending—it blew me away. Stop everything and read it!” —C. S. Pacat, bestselling author of Dark Rise “A book that absolutely shimmers with beauty.” —Buzzfeed

The pleasant little American city of Middletown is the first target in an atomic war - but instead of blowing Middletown to smithereens, the super-hydrogen bomb blows it right off the map - to somewhere else! First there is the new thin coldness of the air, the blazing corona and dullness of the sun, the visibility of the stars in high daylight. Then comes the inhabitant's terrifying discovery that Middletown is a twentieth-century oasis of paved streets and houses in a desolate brown world without trees, without water, apparently without life, in the unimaginably far-distant future.

Eric Banyon, a Renaissance Faire musician, must help Korendil, a young elven noble, prevent an evil elven lord from conquering California.

A groundbreaking fantasy novel, The Wood Beyond the World tells the story of a young man, Golden Walter, who finds himself in a strange and frightening world after being abandoned by his wife and lost at sea. The novel takes the form of Walter’s quest for the visionary Maid that he sees at the beginning of his journey, and takes him from his failed marriage through temptation to emotional fulfillment. Set in Morris’s imaginative recreation of a medieval world, the novel is full of vivid imagery and surprising emotional realism. This edition collates for the first time the three early texts of the work. The introduction discusses the place of the book among Morris’s other prose romances, the events of his life, and his activities as a visual artist and a socialist. The appendices provide excerpts from Morris’s translation of Beowulf, other medieval texts read by Morris, and writings by his contemporaries on politics and aesthetics.

Carrie, Tom, Em and Michael Fielding are at the mercy of their rotten Uncle Rudolph after a fire leaves them homeless, with their mother in hospital and their father abroad at sea. Uncle Rudolph and his vain wife Val reluctantly take the children in, but soon let them live alone at World's End, their ramshackle house in the countryside, rather than look after them. So begins a life with no grown-ups where the Fielding children can adopt as many dogs, cats, monkeys and horses as they like. Free at last from interference from their relatives, they begin to fend for themselves, adding to their already sizeable collection of animals – rescuing them from the thoughtless cruelty of adults. The House at World's End is the first adventure in The World's End series.