Beyond The End Of The World

Perfect for fans of Brandon Sanderson and Laini Taylor, this much-anticipated sequel to New York Times bestselling authors Amie Kaufman and Meagan Spooner’s The Other Side of the Sky is a thrilling race against time—with a tantalizing star-crossed love and an electric conclusion. Time to find a way between worlds. Time to find each other again. Time to do the impossible. Above, in the cloudlands, Nimh has no memory of her past, only an aching, undying certainty that she has left something—someone—behind. But while she struggles to recall her identity, an imposter wields her name with deadly purpose. Below, on the surface, North looks to the sky, desperate to join the person he loves and return to his world. But with only a traitor willing to help him, and others clamoring for him to take Nimh’s place, his home seems more unreachable than ever. Tragedy looms as the cloudland engines falter and mist rains terror on the surface, and in their desperation to reunite and save their people, Nimh and North face one ultimate question: can they defy their love and their destiny to save their homes? Or will the spark between them ignite their worlds, and consume them all together? Praise for The Other Side of the Sky: "Amie Kaufman and Meagan Spooner prove they are two living goddesses of writing, creating two compelling worlds with high stakes and gripping emotions." —Sarah Rees Brennan, New York Times bestselling author of the Demons Lexicon trilogy and the Lynburn Legacy series “A vivid and compulsive thriller set in a beautiful, perilous world of myths and treachery. You won’t want to put it down.” —Laini Taylor, New York Times bestselling author of the Daughter of Smoke and Bone series “I was left breathless by the book’s twists and turns, and was unprepared for the ending—it blew me away. Stop everything and read it!” —C. S. Pacat, bestselling author of Dark Rise “A book that absolutely shimmers with beauty.” —Buzzfeed

Intelligent races travel through wormholes to explore the farthest reaches of the galaxy. Thewls inform Humans of a looming threat. Lokians are a ravenous race of space bugs. They harvest technology from advanced civilizations and integrate with it to mass produce living ships, dangerous vanguards, and formidable legions. Captain O'Hara of Phoenix Crew travels with Thewls to retrieve an ancient vessel from a mysterious race simply known as travelers. Can a single craft be the key to saving the galaxy? Why do Thewls believe the travelers once visited Earth? Does O'Hara and Phoenix Crew have what it takes to obliterate the space bugs?

Throughout his phenomenal career, photographer Peter Beard has documented the danger of annihilation that threatens both the nature and cultures of Africa. This remarkable visual volume chronicles that world in a series of Beard's fashion shoots--works of unparalleled beauty that depict Africa as a vibrant, pulsating panorama of contemporary cultures.

In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.

"Amie Kaufman and Meagan Spooner prove they are two living goddesses of writing, creating two compelling worlds with high stakes and gripping emotions." —Sarah Rees Brennan, New York Times bestselling author of the Demon's Lexicon trilogy and the Lynburn Legacy series New York Times bestselling author duo Amie Kaufman and Meagan Spooner have crafted a gripping tale of magic and logic, fate and choice, and a deadly love. Perfect for fans of Laini Taylor and Brandon Sanderson. Prince North’s home is in the sky, in a gleaming city held aloft by intricate engines, powered by technology. Nimh is the living goddess of her people on the Surface, responsible for providing answers, direction—hope. North’s and Nimh’s lives are entwined—though their hearts can never be. Linked by a terrifying prophecy and caught between duty and fate, they must choose between saving their people or succumbing to the bond that is forbidden between them. Plus don't miss the thrilling sequel, Beyond the End of the World!

This book cuts through rampant misinformation circulating about 2012 to present a coherent understanding of the Mayan calendar and the significance of the date. As an anthropologist and journalist, Will Black has conducted research into 2012 millenarianism for several years. He consequently offers a much broader and clearer picture than other books on the subject. In their haste to jump onto the 2012 bandwagon, most authors seem to have forgotten that the Maya are a real people, often living in as violently precarious circumstances as their ancestors. Will Black demolishes fantasies about crumbling calendar stones before examining the brutal cocaine wars blighting Central America. The hedonistic world of many westerners who have become interested in 2012 is contrasted sharply with the lives of ancient and modern Maya. The extraordinary world of shamans is contrasted with that of New Age seekers. Information about key visionary substances is offered.

In the tradition of Iron and Silk and Touch the Dragon, Jamie Zeppa’s memoir of her years in Bhutan is the story of a young woman’s self-discovery in a foreign land. It is also the exciting début of a new voice in travel writing. When she left for the Himalayan kingdom of Bhutan in 1988, Zeppa was committing herself to two years of teaching and a daunting new experience. A week on a Caribbean beach had been her only previous trip outside Canada; Bhutan was on the other side of the world, one of the most isolated countries in the world known as the last Shangri-La, where little had changed in centuries and visits by foreigners were restricted. Clinging to her bags full of chocolate, hair conditioner and Immodium, she began the biggest challenge of her life, with no idea she would fall in love with the country and with a Bhutanese man, end up spending nine years in Bhutan, and begin a literary career with her account of this transformative journey. At her first posting in a remote village of eastern Bhutan, she is plunged into an overwhelmingly different culture with squalid Third World conditions and an impossible language. Her house has rats and fleas and she refuses to eat the local food, fearing the rampant deadly infections her overly protective grandfather warned her about. Gradually, however, her fear vanishes. She adjusts, begins to laugh, and is captivated by the pristine mountain scenery and the kind students in her grade 2 class. She also begins to discover for herself the spiritual serenity of Buddhism. A transfer to the government college of Sherubtse, where the housing conditions are comparatively luxurious and the students closer to her own age, gives her a deeper awareness of Bhutan’s challenges: the lack of personal privacy, the pressure to conform, and the political tensions. However, her connection to Bhutan intensifies when she falls in love with a student, Tshewang, and finds herself pregnant. After a brief sojourn in Canada to give birth to her son, Pema Dorji, she marries Tshewang and makes Bhutan her home for another four years. Zeppa’s personal essay about her culture shock on arriving in Bhutan won the 1996 CBC/Saturday Night literary competition and appeared in the magazine. She flew home to accept the prize, where people encouraged her to pursue her writing. Her letters from Bhutan also featured on CBC’s Morningside. The book that grew out of this has been published in Canada and the United States to ecstatic reviews, followed by British, German, Dutch, Italian and Spanish editions. Although cultural differences finally separated Jamie and Tshewang in 1997 while she was writing the book and she returned to Canada, she will always feel at home in Bhutan. Zeppa shares her compelling insights into this land and culture, but Beyond the Sky and the Earth is more than a travel book. With rich, spellbinding prose and bright humour, it describes a personal journey in which Zeppa acquires a deeper understanding of what it means to leave one’s home behind, and undergoes a spiritual transformation.