Billy And Rolonde

A heroin addict, an asylum seeker, a homeless alcoholic. For over two years photographer and writer Len Grant joined the unseen and the excluded on their journeys of survival. In Billy and Rolonde, Grant starts out as a documentary photographer of the socially excluded but finds it impossible to remain an objective observer.

Have you ever fantasized about pursuing a new career? Do you feel that a career change would be impossible given your personal responsibilities? Author Bill Cox has done it numerous times. Wash Behind Your Ears, Billy: The Greatest Story Ever Told About Me by Me is a memoir that chronicles the author’s time as a banker, real estate broker, building superintendent, criminal investigator, and journalist, among others. You’ll read how a teenager working at a major bank in downtown Montreal finds himself at one of its sub-branches, a twenty-by-twenty plywood building that includes the bank, post office, and sleeping quarters for three, at a mining camp on the Newfoundland and Labrador–Quebec border. Recalling the twenty-two moves with his family, Cox shares the successes and failures, the struggles and joys, that come with making significant career changes and how it can positively, or negatively affect, a family. This memoir includes published and unpublished stories and articles from Cox’s time as a journalist and columnist for The Sherbrooke Record and Quebec Chronicle-Telegraph. A blend of journalism and personal anecdotes, Cox shares the lessons he’s learned the hard way, so you don’t have to. With a strong sense of humour and laugh-out-loud moments, Wash Behind Your Ears, Billy is sure to entertain and even educate along the way.

In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.

Fans of Louise Douglas, Dinah Jefferies and Kristin Hannah will love this uplifting and moving wartime saga by the million copy and Sunday Times bestselling author Charlotte Bingham. "'The author perfectly evokes the atmosphere of a bygone era" -- WOMAN'S OWN "As comforting and nourishing as a hot milky drink on a stormy night" -- DAILY EXPRESS "A rip-roaring combination of high romance and breathless excitement" - MAIL ON SUNDAY "These are characters you will really care about" -- ***** Reader review "Very enjoyable and hard to put down" -- ***** Reader review "Incredibly well written and engrossing" -- ***** Reader review ********************************************************* EVERYONE IS DOING THEIR BIT FOR THE WAR EFFORT. BUT WHAT SIDE ARE THEY ON? 1941: England is at its lowest ebb: under-nourished, under-informed and terrified of imminent invasion. Even at Eden Park, the beautiful country estate where Poppy, Lily, Kate, Marjorie and her adopted brother Billy are working in espionage, confidence is at an all-time low, and that is before the authorities discover there is a double agent operating from its MI5 unit. As agents are gradually wiped out by the informant at Eden Park, Poppy leaves to train as a pilot. But as she closes the wooden shutters at the House of Flowers, the old folly where she and her husband Scott began their married life, she realises that they were made over a century before to keep out another invader... England survived then - will it survive again? Have you read Daughters of Eden, the first in the series?

The first biography in English of the Japanese artist who was a central figure in the dazzling artistic milieu of 1920s Paris When we think of expatriates in Paris during the early decades of the twentieth century, certain names come to mind: Hemingway, Picasso, Modigliani—and Foujita, the Japanese artist whose distinctive works, bringing elements of Japanese art to Western oil painting, made him a major cultural figure in 1920s Montparnasse. Foujita was the only Japanese artist to be considered part of the "School of Paris," which also counted among its members such prominent artists as Picasso and Modigliani. Noteworthy, too, was Foujita's personal style, flamboyant even for those flamboyant times. He was best known for his drawings of female nudes and cats, and for his special white color upon which he could draw a masterful line—one that seemed to outline a woman's whole body in a single unbroken stroke. With the advent of the Second World War, Foujita returned to Japan, where he allied himself with the ruling Japanese militarists and painted canvases in support of the war effort. After Japan's defeat, he was scorned for his devotion to the military cause and returned to France, where he remained until his death in 1968. Acclaimed writer and translator Phyllis Birnbaum not only explores Foujita's fascinating, tumultuous life but also assesses the appeal of his paintings, which, in their mixture of Eastern and Western traditions, are memorable for their vibrancy of form and purity of line.

The Ocean House, a Victorian grand hotel in Watch Hill, Rhode Island, has a collection of over 250 original works of art including illustration art and paintings by Ludwig Bemelmans, Garrett Price, James Montgomery Flagg, Konstantin Rudakov, Leon Bakst, Oscar Fabrés, Jessie Gillespie and many others. Over fifty of the celebrity self-portraits collected by Burt Britton are here, including Herbie Hancock, Gloria Steinem and Tom Wolfe. There is also a large group of fashion studies done in Manchester, Vermont in the 1890s. This catalog reproduces all in color, with essays, notes and bibliography.