Bindon Fighter Gangster Lover The True Story Of John Bindon A Modern Legend

John Bindon is a modern legend. A fine screen presence and a powerful figure in London's underworld, his film-star looks, charm and talent brought him worldwide exposure. His story reads like the plot of a movie which Big John himself might have landed a part in. Usually typecast in tough-guy roles, his on-screen persona was chillingly close to the real-life one. Big John's nickname came from his status as a legendary sexual performer, so it was no surprise that his encounters with stunning women, most famously Princess Margaret, led to numerous high profile relationships. But most of all, Big John was a warm-hearted, complex man, utterly devoted to those who have him respect and always prepared to be the last line of defence to those closest to him. He emerged from a poor, working class London childhood and fraternised with the Krays and the Richardsons, but eventually turned his back on crime to play major parts in films such as Mick Jagger's Performance, "The Who's Quadrophenia" and Michael Caine's "Get Carter". This is the a truly moving book, as powerful as The Guv'nor, about a man who was many different things to many people, but never anything but himself.

A revealing look at David Bowie, including rarely seen photos, draws on interviews with his lovers, girlfriends, business associates, groupies, and band members to shine a light on the life and career of this hypnotic performer.

'REVELATORY' - DAILY TELEGRAPH ***** 'FASCINATING' - OBSERVER 'ENGROSSING' - DAILY MAIL 'You’ll worry at your hunger to keep on reading, but you won’t be able to stop' - GUARDIAN, Book of the Year David Litvinoff was one of the great mythic characters of ‘60s London. Flitting between the worlds of music, art and crime, he exerted a hidden influence that helped create the Krays twins’ legend, connected the Rolling Stones with London’s dark side, shaped the plot of classic film Performance – and saw him immortalised in a portrait by Lucian Freud. Litvinoff’s determination to live without trace means that his life has always eluded biographers, until now. Intent on unravelling the enigma of Litvinoff, Keiron Pim conducted 100 interviews over five years, speaking to Eric Clapton and Marianne Faithfull, James Fox and ‘Mad’ Frankie Fraser. The result is an extraordinary feat of research that traces a rogue’s progress amongst aristocrats, gangsters and rock stars.

A sweeping and dramatic history of the last half century of conflict in the Middle East from an award-winning journalist who has covered the region for over forty years, The Great War for Civilisation unflinchingly chronicles the tragedy of the region from the Algerian Civil War to the Iranian Revolution; from the American hostage crisis in Beirut to the Iran-Iraq War; from the 1991 Gulf War to the American invasion of Iraq in 2003. A book of searing drama as well as lucid, incisive analysis, The Great War for Civilisation is a work of major importance for today's world.

With honesty, humour and occasional anger, performer Bette Bourne tells the playwright Mark Ravenhill about his brave and flamboyant life. Crafted from transcripts of a series of long, private conversations, actor Bette Bourne reminisces and replays scenes from his life from a postwar childhood,a stint as a classical actor in the late 60s, to living in a drag commune in Notting Hill and being an active member of the Gay Liberation Front. Bette then talks about his touring with the New York based Hot Peaches cabaret group and founding his own cabaret troop, Bloolips, which redefined the term gay theatre by creating their very own unique celebration of dramatic and colourful homosexuality. The piece, in three parts, marks a different series of events in Bette's life to reveal both a portrait of a pioneering, radical individual and a historical document of the struggles and achievements of gay liberation.

Once enthroned as a major international filmmaker, Carol Reed has long since been banished to a musty corner of movie history. To dust off his work, however, is to discover a dazzling body of films, a canon as remarkable for its diversity as its quality. Building his case, film by film, Robert Moss argues persuasively for a reassessment of this gifted artist, claiming a place for him in the ranks of the world's greatest directors.