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The creator of Urban Dictionary shares a compendium of the site’s funniest, weirdest, and truest entries. Since 1999, UrbanDictionary.com has become the undisputed authority on contemporary slang. The site’s creator, Aaron Peckham, invites its ever-expanding fanbase to submit new words and definitions. For Urban Dictionary: Fularious Street Slang Defined, Peckham has curated a choice selection of terms that will definitely earn you street cred, and help newbies avoid confusing shank with skank.

Donald Keene, a noted authority in the field, offers a guide through the first 900 years of Japanese literature. This period not only defined the unique properties of Japanese prose and prosody, but also produced some of its greatest works.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242} A short-lived '60s comic strip starring the Yellow Kid, Jiggs and Charlie Brown!? Sam's Strip broke fourth wall to a new level, playing with the basic elements of the cartoon form, experimenting with different art styles and featuring famous characters from other strips. Sam and his cartoonist assistant owned and operated the comic strip they inhabited. Krazy Kat, Dagwood, Charlie Brown and many other characters made walk-on appearances. Sam and his assistant discussed the inner workings and hidden secrets of life within the panel borders. This collection features the cult-classic's complete 20-month run, almost 510 daily strips. Mort Walker and Jerry Dumas provide first-hand accounts of the creation of the strip and other rare, behind-the-scenes material, including unpublished sketches, original artwork, photographs and sales brochures.

A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

Teaches readers how to cope with every kind of horror movie obstacle, from ax-wielding psychopaths to haunted Japanese VHS tapes.

A debut novel that retells the history of twentieth-century Germany through the experiences of three ordinary Germans. Helmut: A boy born with a physical deformity finds work as a photographer’s assistant during the 1930s and captures on film the changing temper of Berlin, the city he loves. But his acute photographic eye never provides him with the power to understand the significance of what he sees through his camera. . . . Lore: In the weeks following Germany’s surrender, a teenage girl whose parents are both in Allied captivity takes her younger siblings on a terrifying, illegal journey through the four zones of occupation in search of her grandmother. . . . Micha: Many years after the war, a young man trying to discover why the Russians imprisoned his grandfather for nine years after the war meets resistance at every turn; the only person who agrees, reluctantly, to help him is compromised by his own past. The Dark Room evokes the experiences of the individual with astonishing emotional depth and psychological authenticity. With dazzling originality and to profound effect, Rachel Seiffert has re-envisioned and illuminated signal moments of the twentieth century in all their drama and complexity.

A devout mermaid. A disgraced princess. A feud as ancient as the gods.Worlds collide when Tallora is kidnapped from her ocean home and forced to be a pet to a tyrannical foreign empire. Her only hope for rescue lies with a sworn enemy-Princess Dauriel, infamous for her stone heart and conflicted past. But when Dauriel's kingdom comes to the cusp of war, could their uneasy alliance be the key to defeating a common foe? Or will their tenuous feelings for each other lead them to ruin?From the world of FALLEN GODS comes a tale of ancient magic and cutthroat politics-and finding redemption through love.