Blacks In And Out Of The Left

The radical black left that played a crucial role in twentieth-century struggles for equality and justice has largely disappeared. Michael Dawson investigates the causes and consequences of the decline of black radicalism as a force in American politics and argues that the conventional left has failed to take race sufficiently seriously as a historical force in reshaping American institutions, politics, and civil society. African Americans have been in the vanguard of progressive social movements throughout American history, but they have been written out of many histories of social liberalism. Focusing on the 1920s and 1930s, as well as the Black Power movement, Dawson examines successive failures of socialists and Marxists to enlist sympathetic blacks, and white leftists’ refusal to fight for the cause of racial equality. Angered by the often outright hostility of the Socialist Party and similar social democratic organizations, black leftists separated themselves from these groups and either turned to the hard left or stayed independent. A generation later, the same phenomenon helped fueled the Black Power movement’s turn toward a variety of black nationalist, Maoist, and other radical political groups. The 2008 election of Barack Obama notwithstanding, many African Americans still believe they will not realize the fruits of American prosperity any time soon. This pervasive discontent, Dawson suggests, must be mobilized within the black community into active opposition to the social and economic status quo. Black politics needs to find its way back to its radical roots as a vital component of new American progressive movements.

This comprehensive analysis of the complex relationship of black political thought identifies which political ideologies are supported by blacks, then traces their historical roots and examines their effects on black public opinion.

Reflects on black politics in America and what it will take to to see equality.

The author of Race for Profit carries out “[a] searching examination of the social, political and economic dimensions of the prevailing racial order” (Michelle Alexander, author of The New Jim Crow). In this winner of the Lannan Cultural Freedom Prize for an Especially Notable Book, Keeanga-Yamahtta Taylor “not only exposes the canard of color-blindness but reveals how structural racism and class oppression are joined at the hip” (Robin D. G. Kelley, author of Freedom Dreams). The eruption of mass protests in the wake of the police murders of Michael Brown in Ferguson, Missouri, and Eric Garner in New York City have challenged the impunity with which officers of the law carry out violence against black people and punctured the illusion of a post-racial America. The Black Lives Matter movement has awakened a new generation of activists. In this stirring and insightful analysis, activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and the persistence of structural inequality, such as mass incarceration and black unemployment. In this context, she argues that this new struggle against police violence holds the potential to reignite a broader push for black liberation. “This brilliant book is the best analysis we have of the #BlackLivesMatter moment of the long struggle for freedom in America. Keeanga-Yamahtta Taylor has emerged as the most sophisticated and courageous radical intellectual of her generation.” —Dr. Cornel West, author of Race Matters “A must read for everyone who is serious about the ongoing praxis of freedom.” —Barbara Ransby, author of Ella Baker and the Black Freedom Movement “[A] penetrating, vital analysis of race and class at this critical moment in America’s racial history.” —Gary Younge, author of The Speech: The Story Behind Dr. Martin Luther King Jr.'s Dream

Why do Black Americans go to Africa? How do they react to their ancestral motherland? Why do some return to the States and others remain? Obviously each has an individual story, but in these in-depth interviews, Professor Robert Johnson gives voice to many of their reasons and responses. The interviews speak to the essential question of Black Americans and their links—emotional, spiritual, and even physical—to Africa, or the lack thereof. After an introductory survey of efforts from the 18th century onward to relocate back to Africa, Johnson presents the interviews conducted from the early 1970s and onward. The voices are both male and female, and the reactions cover a range of responses, all of which makes this compelling reading for students and researchers of cultural diversity, Black studies, American studies, ethnic studies, and African studies.

A sixteen-year-old slave boy who finds freedom in a most unusual way, a teenage prostitute who does not, a business manager of the 1790s, a fugitive Kentucky slave who makes a name for himself as a jockey and horse trainer - these are some of the people we meet in these thirty stories about black life in and around Montreal between the last days of slavery and the early years of Confederation. The black experience in Montreal during these eighty-odd years, a time in which the city grew into the metropolis of a new country, has remained largely unknown. These stories begin to fill that gap.

NATIONAL BESTSELLER • One of our most visceral and important memoirs on race in America, this is the story of Nathan McCall, who began life as a smart kid in a close, protective family in a black working-class neighborhood. Yet by the age of fifteen, McCall was packing a gun and embarking on a criminal career that five years later would land him in prison for armed robbery. In these pages, McCall chronicles his passage from the street to the prison yard—and, later, to the newsrooms of The Washington Post and ultimately to the faculty of Emory University. His story is at once devastating and inspiring, at once an indictment and an elegy. Makes Me Wanna Holler became an instant classic when it was first published in 1994 and it continues to bear witness to the great troubles—and the great hopes—of our nation. With a new afterword by the author