Blessings From Beijing

As we approach the sixtieth anniversary of China’s 1959 invasion of Tibet—and the subsequent creation of the Tibetan exile community—the question of the diaspora’s survival looms large. Beijing’s foreign policy has grown more adventurous, particularly since the post-Olympic expansion of 2008. As the pressure mounts, Tibetan refugee families that have made their homes outside China—in the mountains of Nepal, the jungles of India, or the cold concrete houses high above the Dalai Lama’s monastery in Dharamsala—are migrating once again. Blessings from Beijing untangles the chains that tie Tibetans to China and examines the political, social, and economic pressures that are threatening to destroy Tibet’s refugee communities. Journalist Greg Bruno has spent nearly two decades living and working in Tibetan areas. Bruno journeys to the front lines of this fight: to the high Himalayas of Nepal, where Chinese agents pay off Nepali villagers to inform on Tibetan asylum seekers; to the monasteries of southern India, where pro-China monks wish the Dalai Lama dead; to Asia’s meditation caves, where lost souls ponder the fine line between love and war; and to the streets of New York City, where the next generation of refugees strategizes about how to survive China’s relentless assault. But Bruno’s reporting does not stop at well-worn tales of Chinese meddling and political intervention. It goes beyond them—and within them—to explore how China’s strategy is changing the Tibetan exile community forever.

Covering the issues about political, economic, social, education and more, this book examines how critical the government is when handling challenges from past to current. With fresh perspectives and unique angles of criticism, the author provides us the clearest look at the government of today.

This book is the volume of Beijing among a series of travel guides ("Travelling in China"). Its content is detailed and vivid.

Provides parents with advice on using Jewish teachings from the Torah and Talmud to overcome struggles with raising children, nurture strengths and uniqueness, and encourage respectfulness towards their parents and others.

Qigong is one of the most important aspects of traditional Chinese culture and medicine. In recent years, Qigong therapy has attracted more and more attention from modern medicine and science and is now widely applied in clinical settings to treat illness and promote well-being. Chinese Medical Qigong is the first English translation of the only official textbook of medical Qigong, now in its third edition, used in colleges and universities of traditional Chinese medicine in China. Correlating the traditional therapies of Qigong with the most recent outcomes of modern scientific research, it is the authoritative introduction to the knowledge system and content of Qigong study. This textbook will be an essential tool for medical students and healthcare professionals working in complementary and alternative therapies as well as for all those seeking a better understanding of the beneficial medical applications of Qigong.

China's drive into the 21st century has been fueled by the relationshipand competitionbetween Beijing, its ancient political and cultural capital, and Shanghai, its economic growth engine. The history of modern China, since 1850, has in many ways been def

Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their history? In Sound Rising from the Paper, Paize Keulemans answers these questions by critically reexamining the relationship between martial arts novels published in the final decades of the nineteenth century and earlier storyteller manuscripts. He finds that by incorporating, imitating, and sometimes inventing storyteller sounds, these novels turned the text from a silent object into a lively simulacrum of festival atmosphere, thereby transforming the solitary act of reading into the communal sharing of an oral performance. By focusing on the role sound played in late nineteenth-century martial arts fiction, Keulemans offers alternatives to the visual models that have dominated our approach to the study of print culture, the commercialization of textual production, and the construction of the modern reading subject.