Blood Ocean Paint

Blood is Life. A Drug. Oceans in you. Red Paint. this is about vampires.

Kavika Kamalani is a Pali Boy, a post-plague heir to an ancient Hawai'ian warrior tradition that believes in overcoming death by embracing one's fears and living large. His life on the Nomi No Toshi, the floating city, is turned upside down when one of his friends dies, harvested for his blood, and he sets out to find the killer. Kidnapped himself and subjected to a terrifying transformation, Kavika must embrace the ultimate fear - death itself - if he, his loved ones, and the Pali Boys themselves are to survive.

Powerful feminist nature writing by the pioneer of women's big-wave surfing in Ireland. Easkey Britton provides a rare female perspective on surfing, exploring the mental skills it fosters, and the need to recognize the value of the ocean and of nature's cycles in our lives. This is an incredibly inspiring exploration of the sea's role in the wellness of people and the planet, beautifully written by Easkey Britton – surfer, scientist and social activist. She offers a powerful female perspective on the sea and surfing, explaining what it’s like to be a woman in a man's world and how she promoted the sport to women in Iran, surfing while wearing a hijab. She speaks of the undiscussed taboo around entering the water while menstruating – and of how she has come to celebrate her own bodily cycles. She has developed her own approach to surfing, which instead of seeking to dominate the waves, works in tune with the natural cycles of her body, the moon and the seasons. In a society that rewards busyness, she believes that understanding the influence of cycles becomes even more important – and we all have them, men and women. For Easkey, the sea is a source of mental and physical wellbeing. She explores the mental toughness needed in big-wave surfing, and presents surfing as an embodied mindfulness practice in which we can find flow and connect with the movement of the waves. She stresses the need to recognize the ocean as our most powerful ally when addressing our greatest global challenge: the climate crisis. Above all, Easkey’s relationship to the sea has taught her about the need to meet life and evolve with it, rather than seeking to control it. By such wisdom our planet might just survive and thrive.

“I pull on my balaclava and step onto the bridge wing. It’s loud outside: I can hear the rumbles of nine vessels’ engines and the hiss of ten water cannons … Suddenly the bridge is full of refugees from the upper deck. They are blocking my view out the back windows, but their faces – afraid, excited, awestruck – illustrate the looming presence of the Nisshin. I bend my knees and grip the bench, ready for the crunch.” In Blood and Guts, Sam Vincent plunges into the whale wars. Vincent sets sail with Sea Shepherd, led by the charismatic and abrasive Paul Watson. He attends the recent case at the International Court of Justice, which finds Japan’s ‘scientific’ whaling in the Southern Ocean to be unlawful. And he travels to Japan to investigate why its government doggedly continues to bankroll the unprofitable hunt. This is a fresh, funny and intelligent look at how Australia has become the most vocal anti-whaling nation on Earth. Vincent skewers hypocrisy and sheds light on motives, noble and otherwise. With Japan planning to relaunch its lethal program in 2015, the whale wars are set to continue. Blood and Guts is a riveting work of immersion journalism that lays bare the forces driving this conflict.

Darcy Blackmore, head of the Blackmore vampire clan, is one bossy, arrogant, insufferable piece of work. He’s also my only hope. I have to stop my sister from marrying his brother. A loveless, arranged marriage would kill her, but she’s determined to go through with it to keep our family safe. Nightfall tradition demands a witch and vampire marriage—ASAP—or we’re out. Darcy’s solution? We pretend we’re a love match, trick our siblings into confessing they don’t want to tie the knot, and sort out how to save the town once the wedding bells are silenced—permanently. It’s not a bad plan. In theory. If only hate-banging Darcy weren’t my new favorite hobby. If only he’d kept his secretly kind heart under wraps and this fake love had stayed fake... Bad Blood is a red hot, enemies-to-lovers Standalone romance. Formerly titled My Big Fat Bloodsucker Wedding. Same addictive read, new title and cover. Keywords: Witch romance, vampire romance, paranormal rom com, laugh out loud vampire romance, steamy vampire romance, funny vampire romance, steamy witch romance, paranormal small town romance, romantic comedy.

After fleeing her ship when her parents try to marry her off, Ananna is chased by an assassin from the jilted clan, and is stranded with the assassin on an enchanted island, as they try to break a curse and escape.

Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder’s associative travelogue that takes Allan Sekula’s sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge. Read more on the book's dedicated website: www.groundsea.be

A shaman as well as the leading Navajo modern artist, Paladin is one of the first Native American painters to move beyond traditional themes and styles. Praised by the renowned artist Marc Chagall, Paladin's brilliant and evocative paintings are admired for their exuberance, eclecticism, spirituality, and original use of symbols.