Bloody Brutal And Barbaric

Word Guild Award Shortlist — Biblical Studies Word Guild Best Book Cover Award Association of University Presses Design Show — Book, Jacket, and Covers Christians cannot ignore the intersection of religion and violence, whether contemporary or ancient. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape—forcibly taking female captives for wives—raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? In Bloody, Brutal, and Barbaric? William Webb and Gordon Oeste address the ethics of reading biblical war texts today. Theirs is a biblical-theological reading with an eye to hermeneutical, ethical, canonical, and ancient cultural contexts. Identifying a spectrum of views on war texts ranging from "no ethical problems" to "utterly repulsive," the authors pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics. Instead of trying to force traditional Christian answers to fit contemporary questions, they argue, we must properly connect the traditional answers with the biblical storyline questions that were on the minds of Scripture's original readers. And there are indeed better answers to the ethical problems in the war texts. Woven throughout the Old Testament, a collection of antiwar and subversive war texts suggest that Yahweh's involvement in Israel's warfare required some degree of accommodation to people living in a fallen world. Yet, God's redemptive influence even within the ugliness of ancient warfare shouts loudly about a future hope—a final battle fought with complete and untainted justice by Christ.

Christians cannot ignore the intersection of religion and violence. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? Identifying a spectrum of views on biblical war texts, Webb and Oeste pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics.

William Webb confronts those often avoided biblical passages that call for the corporal punishment of children, slaves and wrongdoers. How should we understand and apply them today? Are we obligated to replicate those injunctions today? Or does the proper interpretation of them point in a different direction? Webb notes that most of the Christian church is at best inconsistent in its application of these texts. But is there a legitimate basis for these lapses? Building on the findings of his previous work, Slaves, Women and Homosexuals, Webb argues that the proper interpretation and application of these texts requires ascertaining their meaning within the ancient cultural/historical context. In recognizing the sweep of God?s redemptive purposes already evident in the Old Testament and fulfilled in the New, we remain truly biblical.

In Slaves, Women Homosexuals William J. Webb tackles some of the most complex and controversial issues that have challenged the Christian church--and still do. He leads you through the maze of interpretation that has historically surrounded understanding of slaves, women and homosexuals, and he evaluates various approaches to these and other biblical-ethical teachings. Throughout, Webb attempts to "work out the hermeneutics involved in distinguishing that which is merely cultural in Scripture from that which is timeless" (Craig A. Evans). By the conclusion, Webb has introduced and developed a "redemptive hermeneutic" that can be applied to many issues that cause similar dilemmas. Darrel L. Bock writes in the foreword to Webb's work, "His goal is not only to discuss how these groups are to be seen in light of Scriptures but to make a case for a specific hermeneutical approach to reading these texts. . . . This book not only advances a discussion of the topics, but it also takes a markedly new direction toward establishing common ground where possible, potentially breaking down certain walls of hostility within the evangelical community."

As one of Entertainment Weekly’s “10 Best Comics of 2021,” BARBARIC – featuring Owen the Barbarian and his bloodthirsty companion Axe – is here, heavy, and in hardcover with BARBARIC Vol. 1 MURDERABLE OFFENSES! OWEN THE BARBARIAN HAS AN AXE. AND HE'S GONNA DO GOOD WITH IT IF HE HAS TO KILL SOMEONE. Owen the Barbarian has been cursed to do good with what remains of his life. His bloodthirsty weapon, Axe, has become his moral compass with a drinking problem. Together they wander the realm, foredoomed to help any who seek assistance. But there is one thing Owen hates more than a life with rules: Witches. Welcome to the skull-cracking, blood-splattering, mayhem-loving comic brave enough to ask: How can a man sworn to do good do so much violence? Hah! F***ing with you! Collects #1-#3 of the smash, red-hot, multi-part series. Barbaric Vol. 1: Murderable Offenses - iin hardcover and trade paperback! Find out what everyone is buzzing about and screaming BLOODY murder! It’s just … BARBARIC! For fans of BRZRKR!, The Witcher, Conan the Barbarian, Red Sonja, Heathen, Rat Queens, and Dungeons and Dragons! From writer Michael Moreci (Wasted Space, The Plot, and Revealer) and artist Nathan C. Gooden (Brandon Sanderson's Dark One, The RUSH, Vampire: The Masquerade)! Own a whole lot of Owen, Axe, and the BARBARIC universe with: Barbaric Vol. 1: Murderable Offenses (hardcover) Barbaric Vol. 1: Murderable Offenses (trade paperback) Barbaric Vol. 2: Axe to Grind (trade paperback) Barbaric Vol. 3: Hell to Pay (trade paperback) Queen of Swords: A Barbaric Tale (trade paperback) PRAISE FOR BARBARIC ‘One of the “10 Best Comics of 2021…” Barbaric took only three issues to establish itself as a first-rate comic.’ - Entertainment Weekly ‘One of the “Best Comics of 2021…” It's a funny, gory, weird comic with stunning art in muted colors.’ – Thrillist ‘One of the “Best Comic Books and Graphic Novels of 2021…” the “excellent…violent, expletive-filled fantasy epic Barbaric never holds back… It’s bloody spectacular.”’ - Screen Rant "... fantastic!" - Alex Segura (Award-winning and bestselling author of Secret Identity) "Man o man! It is a glorious time to be reading comics. Barbaric ... delivers on the action, the violence & the funny! ... a meaty read. Bravo!" --- George G. Gustines (Writer - The New York Times) "Don't miss this book!" Scott Snyder (Writer - American Vampire, Batman, Justice League (DC Comics); Wytches (Image)) “Barbaric is excellent. Beautifully drawn and brilliantly written, it’s epic, action-packed, and utterly hilarious.” Nicholas Eames (Author - Kings of the Wyld) “Barbaric is a riotous, hearty stew of wit and gore… Long may Owen and Axe trod their bloodstained path, bringing us along for the adventure.” Jonathan French (Author - The Grey Bastards) "This comic is absolutely badass. A sentient wise-cracking morally correct axe that punishes the wicked. And its human. SO. DAMNED. GOOD." John Hornor Jacobs (Author - This Dark Earth, Infernal Machines, A Lush and Seething Hell) "This book is seriously great. Do not miss out!" Darick Robertson (Artist, Co-Creator of The BOYS, Co-Exec Producer)

Biblical Foundations Book Awards Finalist For Christians, the Old Testament often presents a conundrum. We revere it as God's Word, but we don't always comprehend it. It has great truths beautifully expressed, but it also has lengthy lists of names that we cannot pronounce, detailed rules for religious rites that we never observe, and grim stories that we never tell our children. Theologians and laypeople throughout church history have struggled to define it, interpret it, and reconcile it with the New Testament. In The Problem of the Old Testament, Duane A. Garrett takes on this conundrum and lays a foundation for constructive study of the Old Testament. He surveys three primary methods Christians have used to handle the Old Testament, from the church fathers to today: hermeneutical, schematic, and conceptual. Garrett also explores major interpretive topics such as the nature of the law, the function of election and covenants, and how prophecy works, boldly offering a way forward that is faithful to the text and to the Christian faith. "I argue," Garrett writes, "that the Old Testament is fulfilled in Jesus Christ and that it is authoritative and edifying for Christians." This thorough, accessible work is essential reading for all students of Scripture seeking to discover the Old Testament's riches beyond the challenges.

This book uses the history of Breathitt County, Kentucky, to examine political violence in the United States and its interpretation in media and memory. Violence in Breathitt County, during and after the Civil War, usually reflected what was going on elsewhere in Kentucky and the American South. In turn, the types of violence recorded there corresponded with discernible political scenarios.

A number of texts in the Hebrew Bible consistently command attention and yet defy easy explanation: Why did God try to kill Moses? Why did God kill the man who touched the ark to keep it from falling? Why did God put a tree in the middle of the Garden? David Penchansky tackles these tough questions and in so doing opens up for readers a new understanding of how the Hebrew Bible portrays God. Penchansky examines six biblical narratives that depict God negatively, outlining their social, political, and theological ramifications. He believes the stories provide an important key to the Israelites' understanding of their God. He also believes the stories provide a structure for understanding experiences of evil and suffering within our own century, and for accepting the ambiguity that permeates all human existence. - Christian Book Center.