Bob Dylan In Minnesota

For Bob Dylan enthusiasts and anyone with an interest in the early life, places and roots of Bob Dylan. Bob Dylan was born in Duluth, Minnesota, grew up in nearby Hibbing, and cut his musical teeth in the folk scene of Dinkytown. This travel guide brings together wonderful stories from these key locations and the roots and early life of Bob Dylan. We also introduce you to four great contributors who live in Dylan's homeland and play an active part in promoting everything Dylan. Ed Newman - writer, artist and promoter of the Duluth Dylan Fest and lives in Duluth. Marc Percansky - concert, music and event promoter based in the Minneapolis Saint Paul. Matt Steichen - journalist, publicist, presenter and big Dylan fan living in Lakeville. And Paul Metsa - musician, songwriter, author, radio and TV host. The Huffington Post called him, 'The other great folksinger from Minnesota's Mesabi Iron Range.' We travel back in time to hear stories from his early teacher, tales of the mysterious wandering rabbi, eye-witness accounts from early Dinkytown musical collaborators, as well as being privy to secrets from behind the scenes of the classic 'Blood On The Tracks' album. Fascinating insights into the early life of one of the most important songwriters in music history – and told with Minnesota voices.

An updated version of the author's discovery of the real person behind the mythology Bob Dylan created includes an interview with the author, previously unpublished photographs, and a new preface by the author. Original.

The young man from Hibbing released Highway 61 Revisited in 1965, and the rest, as they say, is history. Or is it? From his roots in Hibbing, to his rise as a cultural icon in New York, to his prominence on the worldwide stage, Colleen J. Sheehy and Thomas Swiss bring together the most eminent Dylan scholars at work today--as well as people from such farreaching fields as labor history, African American studies, and Japanese studies--to assess Dylan's career, influences, and his global impact on music and culture.

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Gonna Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five songs, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians participated in that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, introduces the musicians who gave the album so much of its ultimate form and sound, and describes their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and then set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work required to finally obtain the official credit that they were due. A rare look at the making—or remaking—of an all-time great album, and a long overdue recognition of the musicians who made it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.

The acclaimed biography—now updated and revised. “Many writers have tried to probe [Dylan’s] life, but never has it been done so well, so captivatingly” (The Boston Globe). Howard Sounes’s Down the Highway broke news about Dylan’s fiercely guarded personal life and set the standard as the most comprehensive and riveting biography on Bob Dylan. Now this edition continues to document the iconic songwriter’s life through new interviews and reporting, covering the release of Dylan’s first #1 album since the seventies, recognition from the Pulitzer Prize jury for his influence on popular culture, and the publication of his bestselling memoir, giving full appreciation to his artistic achievements and profound significance. Candid and refreshing, Down the Highway is a sincere tribute to Dylan’s seminal place in postwar American cultural history, and remains an essential book for the millions of people who have enjoyed Dylan’s music over the years. “Irresistible . . . Finally puts Dylan the human being in the rocket’s red glare.” —Detroit Free Press

The young man from Hibbing released Highway 61 Revisited in 1965, and the rest, as they say, is history. Or is it? From his roots in Hibbing, to his rise as a cultural icon in New York, to his prominence on the worldwide stage, Colleen J. Sheehy and Thomas Swiss bring together the most eminent Dylan scholars at work today as well as people from such far-reaching fields as labor history, African American studies, and Japanese studies to assess Dylan s career, influences, and his global impact on music and culture. The Dylan effect has extended far beyond the United States in recent decades, and the essays here analyze his contribution to the people and cultures of the United Kingdom, Italy, and Japan. With a special focus on his Minnesota roots, including Greil Marcus s spectacular tour of Dylan s hometown, authors also take into account his most recent work and Martin Scorsese s documentary No Direction Home. The first cultural and historical geography of his dramatic rise, storied career, and unmatched iconic status, Highway 61 Revisited maps the terrain of Bob Dylan s music in the world. Contributors: John Barner, U of Georgia; Daphne Brooks, Princeton U; Court Carney, Stephen F. Austin State U; Alessandro Carrera, U of Houston; Michael Cherlin, U of Minnesota; Marilyn J. Chiat; Susan Clayton; Mick Cochrane, Canisius College; Thomas Crow, New York U; Kevin J. H. Dettmar, Pomona College, Carbondale; Sumanth Gopinath, U of Minnesota; Charles Hughes; C. P. Lee, U of Salford, Manchester, England; Alex Lubet, U of Minnesota; Greil Marcus, U of California, Berkeley; Aldon Lynn Nielsen, Pennsylvania State U; Roberto Polito, The New School; Robert Reginio, Frostburg State U; Heather Stur, U of Southern Mississippi; Mikiko Tachi, Chiba U, Japan; Gayle Wald, George Washington U; Anne Waldman, Naropa U; David Yaffe, Syracuse U."

All Along Bob Dylan: America and the World offers an important contribution to thinking about the artist and his work. Adding European and non-English speaking contexts to the vibrant field of Dylan studies, the volume covers a wide range of topics and methodologies while dealing with the inherently complex and varied material produced or associated with the iconic artist. The chapters, organized around three broad thematic sections (Geographies, Receptions and Perspectives), address the notions of audience, performance and identity, allowing to map out the structure of feeling and authenticity, both, in the case of the artist and his audience. Taking its cue from the collapse of the so-called high-/ low culture split following from the Nobel Prize, the book explores the argument that Dylan (and all popular music) can be interpreted as literature and offers discussions in the context of literary traditions, or visual culture and music. This contributes to a nuanced and complex portrayal of the seminal cultural phenomenon called Bob Dylan.