Bonjour Tristesse

Set against the translucent beauty of France in summer, "Bonjour Tristesse" is a bittersweet tale narrated by Cé cile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.Freed from boarding school, Cé cile lives in unchecked enjoyment with her youngish, widowed father -- an affectionate rogue, dissolute and promiscuous. Having accepted the constantly changing women in his life, Cé cile pursues a sexual conquest of her own with a "tall and almost beautiful" law student. Then, a new woman appears in her father's life. Feeling threatened but empowered, Cé cile sets in motion a devastating plan that claims a surprising victim.Deceptively simple in structure, "Bonjour Tristesse" is a complex and beautifully composed portrait of casual amorality and a young woman's desperate attempt to understand and control the world around her.

Set against the translucent beauty of France in summer, "Bonjour Tristesse" is a bittersweet tale narrated by Cé cile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.Freed from boarding school, Cé cile lives in unchecked enjoyment with her youngish, widowed father -- an affectionate rogue, dissolute and promiscuous. Having accepted the constantly changing women in his life, Cé cile pursues a sexual conquest of her own with a "tall and almost beautiful" law student. Then, a new woman appears in her father's life. Feeling threatened but empowered, Cé cile sets in motion a devastating plan that claims a surprising victim.Deceptively simple in structure, "Bonjour Tristesse" is a complex and beautifully composed portrait of casual amorality and a young woman's desperate attempt to understand and control the world around her.

“Groskop skillfully juggles memoir, biography, philosophy, and literary criticism to create a delightful tour through some of French literature’s greats.” —Madeline Miller, New York Times–bestselling author Like many people the world over, Viv Groskop wishes she was a little more French. A writer, comedian, and journalist, Groskop studied the language obsessively starting at age 11, and spent every vacation in France, desperate to escape her Englishness and to have some French chic rub off on her. In Au Revoir, Tristesse, Groskop mixes literary history and memoir to explore how the classics of French literature can infuse our lives with joie de vivre and teach us how to say goodbye to sadness. From the frothy hedonism of Colette and the wit of Cyrano de Bergerac to the intoxicating universe of Marguerite Duras and the heady passions of Les Liaisons dangereuses, this is a love letter to great French writers. With chapters on Marcel Proust, Victor Hugo, Gustave Flaubert, Stendhal, Honoré de Balzac, Albert Camus, and of course Françoise Sagan, this is a delectable read for book lovers everywhere. “Ms. Groskop is a skilled raconteuse who brings people—and the page—to life. She writes with a self-deprecating appreciation of the Frenchman or -woman manqué(e) that lurks in us all. You don’t have to be a savant to enjoy this book . . . Au Revoir, Tristesse will make a witty, seductive companion.” —The Wall Street Journal “Groskop’s combination of her own memories, what the novels meant to her at different stages in her life, her description of the authors, along with her description of the novels, will have readers eagerly turning the book’s pages.” —Forbes

Before Françoise Sagan the literary icon there was Françoise Quoirez, an eighteen-year-old Parisian girl, who wrote a novel and needed a publisher for it.

That Mad Ache, set in high-society Paris in the mid-1960's, recounts the emotional battle unleashed in the heart of Lucile, a sensitive but rootless young woman who finds herself caught between her carefree, tranquil love for 50-year-old Charles, a gentle, reflective, and well-off businessman, and her sudden wild passion for 30-year-old Antoine, a hot-blooded, impulsive, and struggling editor. As Lucile explores these two versions of love, she vacillates in confusion, but in the end she must choose, and her heart's instinct is surprising and poignant. Originally published under the title La Chamade, this new translation by Douglas Hofstadter returns a forgotten classic to English. In Translator, Trader, Douglas Hofstadter reflects on his personal act of devotion in rewriting Francoise Sagan's novel La Chamade in English, and on the paradoxes that constantly plague any literary translator on all scales, ranging from the humblest of commas to entire chapters. Flatly rejecting the common wisdom that translators are inevitably traitors, Hofstadter proposes instead that translators are traders, and that translation, like musical performance, deserves high respect as a creative act. In his view, literary translation is the art of making subtle trades in which one sometimes loses and sometimes gains, often both losing and gaining at the same time. This view implies that there is no reason a translation cannot be as good as the original work, and that the result inevitably bears the stamp of the translator, much as a musical performance inevitably bears the stamp of its artists. Both a companion to the beloved Sagan novel and a singular meditation on translation, Translator, Trader is a witty and intimate exploration of words, ideas, communication, creation, and faithfulness.

An enchanting literary debut—already an international best-seller. At the height of Mao’s infamous Cultural Revolution, two boys are among hundreds of thousands exiled to the countryside for “re-education.” The narrator and his best friend, Luo, guilty of being the sons of doctors, find themselves in a remote village where, among the peasants of Phoenix mountain, they are made to cart buckets of excrement up and down precipitous winding paths. Their meager distractions include a violin—as well as, before long, the beautiful daughter of the local tailor. But it is when the two discover a hidden stash of Western classics in Chinese translation that their re-education takes its most surprising turn. While ingeniously concealing their forbidden treasure, the boys find transit to worlds they had thought lost forever. And after listening to their dangerously seductive retellings of Balzac, even the Little Seamstress will be forever transformed. From within the hopelessness and terror of one of the darkest passages in human history, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening and the magical power of storytelling.

This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh... (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema.