Border Poetics In German And Polish Literature

"Examines how political borders are intertwined with less concrete borders such as those of ethnicity, gender, or class, and how these entanglements are represented in contemporary novels that reimagine the German-Polish borderlands as cosmopolitan spaces. Globalization notwithstanding, we live in an age of borders, as the ongoing conflict at Europe's eastern edge reminds us. Borders are meant to protect, but they also divide and exclude. This book, however, focuses on literature that pushes back against the divisiveness of borders, advocating for transborder connections and criticizing exclusionary boundaries. It examines novels that reimagine the German-Polish borderlands as cosmopolitan spaces: novels by Nobel Prize winners Olga Tokarczuk and Günter Grass as well as by authors less well known internationally: the Polish Inga Iwasiów, the German Tanja Dückers, and the German-Polish Sabrina Janesch. The book utilizes and elaborates the concept of border poetics, a narrative and cultural practice that places political borders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an instance of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature"--

Examines how contemporary German and Polish novels reimagine borderlands as cosmopolitan spaces by engaging in border poetics, a narrative practice that relates political borders to figurative boundaries.Globalization notwithstanding, we live in an age of borders, as the ongoing conflict at Europe's eastern edge reminds us. Borders are meant to protect, but they more often divide and exclude. This book, however, focuses on literature that pushes back against the divisiveness of borders, advocating for transborder connections and criticizing exclusionary boundaries. It examines novels that reimagine past and present German-Polish borderlands as cosmopolitan spaces. Novels by Nobel Prize winners Olga Tokarczuk and Günter Grass are discussed alongside works by authors less well known internationally: the Polish Inga Iwasiów, the German Tanja Dückers, and the German-Polish Sabrina Janesch.The book utilizes and elaborates the concept of border poetics, a narrative and cultural practice that places political borders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.e as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.

This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.

This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

The Routledge World Companion to Polish Literature offers an introduction to Polish literature through thirty-three case studies, covering works from the Middle Ages up to the present day. Each chapter draws on a text or body of work, examining its historical context, as well as its international reception and position within world literature. The book presents a dual perspective on Polish literature, combining original readings of key texts with discussions of their two-way connections with other literatures across the globe. With a detailed introduction offering a narrative overview, the book is divided into six sections offering a chronological pathway through the material. Contributors from around the world examine the various cultural exchanges at play, with each chapter including: Definitions of key terms and brief overviews of historical and political events, literary eras, trends, movements, groups, and institutions for those new to the area Analysis and notes on translations, including their hidden dimensions and potential Textual focus on poetics, such as strategies of composition, style, and genre A range of historical, sociological, political, and economic contexts From medieval song through to the contemporary novel, this book offers an interpretive history of Polish literature, while also positioning its significance within world literature. The detailed introductions make it accessible to beginners in the area, while the original analysis and focused case studies will also be of interest to researchers.