Born Weird

The Weirds have always been a little off, but not one of them ever suspected that they'd been cursed by their grandmother. At the moment of the births of her five grandchildren Annie Weird gave each one a special power. Richard, the oldest, always keeps safe; Abba always has hope; Lucy is never lost and Kent can beat anyone in a fight. As for Angie, she always forgives, instantly. But over the years these so-called blessings ended up ruining their lives. Now Annie is dying and she has one last task for Angie: gather her far-flung brothers and sisters and assemble them in her grandmother's hospital room so that at the moment of her death, she can lift these blessings-turned-curses. And Angie has just two weeks to do it. What follows is a quest like no other, tearing up highways and racing through airports, from a sketchy Winnipeg nursing home to the small island kingdom of Upliffta, from the family's crumbling ancestral Toronto mansion to a motel called Love. And there is also the search for the answer to the greatest family mystery of all: what really happened to their father, whose maroon Maserati was fished out of a lake so many years ago?

A public restroom even more horrific than most, with a stained toilet that can swallow a man whole, sending him to a sewage-filled hell. A riverbank lined with swaying mops given faces and philosophies. A secondary school that seems to waver in and out of reality not only in dreams, but also upon wakeful visitation. An isolated grotto, home to trolls and the posthumous shadow form of Elvis Presley. These are all settings of peculiar, often unnerving events in How Not to Kill Yourself author Set Sytes’s collection of short bizarro fiction. It features the longer story “The School of Necromancy,” in which a school buried deep in the Catacombs of York teaches subjects much less innocent than math or language arts.

Star radio-host Rich Terfry presents the amazing tales of his alter ego, musician Buck 65, in this rollicking account of growing up poor, talented, baseball-obsessed, music-mad and girl-smitten. With wit, style and a born writer's knack for telling detail, Rich Terfry gives us the wildly entertaining story of his unusual life through the eyes of his shy but brilliant and preternaturally observant alter-ego, Buck. Born in a small town in Nova Scotia to a mother who begins yelling at him the moment he is born and a father who keeps his own counsel, Buck imbibes fear and insecurity like other kids guzzle milk. Hobbled by his fears and demons, Buck almost disappears into the “evil in the woods” that lurks just beyond the town's border . . . until he is saved by three gifts: baseball, romantic love and music. His epic journey­­—full of diversions, coincidences, and larger-than-life characters—out of the darkness of his suicide-plagued childhood and into the bright wide world begins with a killer pitching arm (Buck almost makes it to the pros) and continues with his transformation into hip hop artist Buck 65. Along the way, Buck develops into a hopeless romantic and an obsessively creative, shape-shifting man who both fears life and dives into it with abandon. Wicked and Weird is a lively, sometimes shocking portrait of a life lived on the edge, by turns funny and heartbreaking.

Jesus is different. Go and do likewise. Many Christians have become comfortable with letting the world mold them instead of being set apart by God. And many churches have traded in their biblical roots for complacent conventionality. But Jesus and the church are anything but conventional. The hallmark of our faith is that it sees the world differently than the world sees itself. We are called to be eccentric--off center, unique, different---not conformed to the patterns of the world but transformed by the renewing of our minds. By God's grace, we are not only dissatisfied by sin but also increasingly uncompelled by conventionality. So resist the allure of acceptability. Get back to the unsafe roots of our faith. Be equipped to surprise the world with the Good News it didn't even know it was waiting for. Challenge the way things are by living a life that has been truly set free by Christ.

Rebecca has a most unusual problem: no matter how hard she tries, she can't stop broadcasting her feelings to people around her. Luckily, she's discovered how to trap and store her feelings in personal objects -- but just how much emotional baggage can Unit 207, E.Z. Self Storage hold? Lewis is grieving for his wife, Lisa, Rebecca's sister. Inconsolable, he skips Lisa's funeral, flies to Winnipeg, gets a haircut and meets a woman who claims to be God. At the wheel of a stolen Honda Civic is Aberystwyth, aka Aby, driving across Canada to save the soul of her dying mother. She is green, gill-necked, and very uncomfortable out of the water. An unexpected encounter with Aby sets off a chain of events which sends each of them on a personal quest. Can Rebecca, Lewis and Aby find redemption before a terrible flood destroys their chance at happiness? "A quirky, tender, fantastical page-turner" -- The Globe and Mail

When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, “The Unique Magazine,” Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre authors. In The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror, Justin Everett and Jeffrey Shanks have assembled an impressive collection of essays that explore many of the themes critical to understanding the importance of the magazine. This multi-disciplinary collection from a wide array of scholars looks at how Weird Tales served as a locus of genre formation and literary discourse community. There are also chapters devoted to individual authors—including Lovecraft, Howard, and Bloch—and their particular contributions to the magazine. As the literary world was undergoing a revolution and mass-produced media began to dwarf high-brow literature in social significance, Weird Tales managed to straddle both worlds. This collection of essays explores the important role the magazine played in expanding the literary landscape at a very particular time and place in American culture. The Unique Legacy of Weird Tales will appeal to scholars and aficionados of fantasy, horror, and weird fiction and those interested in the early roots of these popular genres.

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.