Boy Robot

Seventeen-year-old Isaak discovers the truth about his origin and the underground forces that must come together to fight against a secret government organization formed to eradicate those like him in this high-octane science fiction debut. There once was a boy who was made, not created. In a single night, Isaak’s life changed forever. His adoptive parents were killed, a mysterious girl saved him from a team of soldiers, and he learned of his own dark and destructive origin. An origin he doesn’t want to believe, but one he cannot deny. Isaak is a Robot: a government-made synthetic human, produced as a weapon and now hunted, marked for termination. He and the Robots can only find asylum with the Underground—a secret network of Robots and humans working together to ensure a coexistent future. To be protected by the Underground, Isaak will have to make it there first. But with a deadly military force tasked to find him at any cost, his odds are less than favorable. Now Isaak must decide whether to hold on to his humanity and face possible death…or to embrace his true nature in order to survive, at the risk of becoming the weapon he was made to be. In his debut, recording artist Simon Curtis has written a fast-paced, high-stakes novel that explores humanity, the ultimate power of empathy, and the greatest battle of all: love vs. fear.

Front and center, America! Here comes action! Here comes adventure! Here comes The Big Guy and Rusty the Boy Robot — a roller-coaster ride through the minds of Geof Darrow and Frank Miller, the tag team that set you reeling with their hard-hitting series, Hard Boiled! Everything you remember about being thirty-eight-years-old and watching monster movies is right here, but with all the magnified detail that you always wanted to see. Featuring a brand-new cover by Geof Darrow and Dave Stewart! Collects Big Guy and Rusty the Boy Robot #1—#2, and one 9-page story from DHP3 #1.

A boy and a robot strike up a friendship despite their differences.

Japanese Robot Culture examines social robots in Japan, those in public, domestic, and artistic contexts. Unlike other studies, this book sees the robot in relation to Japanese popular culture, and argues that the Japanese ‘affinity’ for robots is the outcome of a complex loop of representation and social expectation in the context of Japan’s continuing struggle with modernity. Considering Japanese robot culture from the critical perspectives afforded by theatre and performance studies, this book is concerned with representations of robots and their inclusion in social and cultural contexts, which science and engineering studies do not address. The robot as a performing object generates meaning in staged events and situations that make sense for its Japanese observers and participants. This book examines how specific modes of encounter with robots in carefully constructed mises en scène can trigger reflexive, culturally specific, and often ideologically-inflected responses.

When young Code falls down a hole while following a mysterious robotic insect, he lands in a world that defies all imagination. Everything in Mekhos is made from metal and circuitry, including the citizens-who happen to be robots. To find his way home, Code must first cross Mekhos's bizarre and dangerous landscape to reach the Beam Stalk. There, an artifact known as the Robonomicon is being guarded by an evil ruler who has plans to destroy Mekhos. Can Code free the Robonomicon, save the robots of Mekhos from impending doom, and still get himself back to Earth in time to catch the school bus? With its dazzling array of robots and futuristic gadgetry, this rollicking story will hold special appeal for boys and budding sci-fi lovers everywhere.

This book considers David Hanson’s robots as a performative expression of our cultural moment, serving as a paradigm for the evolution of humanoid social robots. Mechanical beings have occupied the human imagination since antiquity. Now, they inhabit the pop-cultural imagination, embodying the apotheosis of humanity’s technological aspirations and dread. Sophia, Hanson’s most advanced robot, anticipates the future as she articulates the mythic pattern, narrative, anxieties, and hopes as old as humanity. Gendered as an attractive female with a face inspired by Queen Nefertiti and Audrey Hepburn, Sophia is a cipher, avatar, and turning point that brings humanity and technology a step closer to the emergence of a post-human species. The author is a transdisciplinary artist/scholar/educator working internationally in experimental performance, indigenous performance (ritual, shamanism), and social robotics. Hanson’s robots and Sophia are examined as performance media and events, as characters evolving as post-human narratives of technological beings. The emergent, complex, and collaborative relationships social robots have with technology, AI, performance, anthropology, mythology, psychology, sociology, popular culture, social media, politics, and economics are considered.

Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro’s novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle’s Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse— the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people’s main cultural function, which is the political and existential negotiation of what it means to be a person.

Soon to be a DreamWorks movie, coming to theaters 9/27/24! Includes 8 pages of full color stills from the movie! Wall-E meets Hatchet in this #1 New York Times bestselling illustrated middle grade novel from Caldecott Honor winner Peter Brown Can a robot survive in the wilderness? When robot Roz opens her eyes for the first time, she discovers that she is all alone on a remote, wild island. She has no idea how she got there or what her purpose is--but she knows she needs to survive. After battling a violent storm and escaping a vicious bear attack, she realizes that her only hope for survival is to adapt to her surroundings and learn from the island's unwelcoming animal inhabitants. As Roz slowly befriends the animals, the island starts to feel like home--until, one day, the robot's mysterious past comes back to haunt her. From bestselling and award-winning author and illustrator Peter Brown comes a heartwarming and action-packed novel about what happens when nature and technology collide.