Boy S Country Book

From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's "The Wild Side of Life" to Johnny Cash's "A Boy Named Sue," from Tammy Wynette's "Stand by Your Man" to Loretta Lynn's ode to birth control, "The Pill," A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence.

Country Boy is a fiction novel which takes place in the Carolinas. It takes you away from the streetlights of the inner cities to the backwoods, dirt roads, and trailer parks, where poverty is often overlooked. It's the Real Dirty South. This thugged-out love story was based in the small city of Rockingham, North Carolina in a small community called Piney Grove, home of the Real Murderous Clique, The P.G. Crew. The Crew is made up of a group of young boys who grew up together in Piney Grove and created this group of backwoods, jaw-breaking, pistol-toting, country gangstersQ, AKA "Big Country" is the head of The Crew with Omar, Fat Dave, Poo, Glenn AKA "June", Tim, Big Kev, and Corey making up the body. . Eventually, they went from hanging in the neighborhood to the hustle game. Q is that nigga. Loved by few, hated by many, but damned sho' respected by all. Ballers envied him, women wanted him. After building his empire to a status most hustlers only dreamed of, Q suffers through tragedies that come with this lifestyle. . With the support of his only true love Van and the respect of all the O.G.s in the Carolinas, nobody's safe from his wrath.But as the city boys always say, "Everybody can't make it to the top without deadly consequences."

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.

Chosen by Town & Country as one of the most anticipated books of the year | Named "An LGBTQ Book That'll Change the Literary Landscape in 2020" by O: The Oprah Magazine In this poignant and urgent love letter to his son, award-winning Broadway, TV and film producer Richie Jackson reflects on his experiences as a gay man in America and the progress and setbacks of the LGBTQ community over the last 50 years. “My son is kind, responsible, and hardworking. He is ready for college. He is not ready to be a gay man living in America." When Jackson's son born through surrogacy came out to him at age 15, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century. Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil. Jackson's son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall -- the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy, the gay community must not be complacent. As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice. Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is a powerful letter of love from a father to a son that holds lasting insight for us all.

The story of a young man torn between two worlds, one where buffalo still roam the plains and Cheyenne war whoops can be heard and the other where the land - and the men - are fenced in and urbanized.

Time and again Amartya Sen, one of the polymaths of our times, has stirred our thoughts and world-views through his writings and speeches. Intrigued by the questions of social justice and welfare, he argues, in this work, some of the fundamental issues--poverty, hunger, education, globalization, freedom of speech, injustice, inequality, exclusion, exploitation--that we negotiate with in our day to day lives. With a passion and conviction masked by a gently persuasive style and characterised by an undogmatic engagement with differing points of view, Sen's The Country of First Boys asserts that public policy should swing sharply towards the poor, the illiterate, and those suffering from ill health and malnourishment. Written in non-technical and easy to understand language while at the same time relying on rigorous intellectual and academic analysis, this volume would open a window to the ideas of an internationally renowned Nobel laureate to a wide spectrum of readers.