Break O Day And Other Stories Classic Reprint

Excerpt from Break O'day: And Other Stories Ofi' cacklin' with them 01' moss backs, an' don't never pay no 'tention, an' me a-callin' ye, an' ye a-standin' like ye were rooted in the graoun', an' deef Sarah Liz had once upon a time been pretty, Davy told her so, and he thought so still. She had now a hatchet face; a high, Roman nose, with the skin drawn tightly over the bridge; rather good eyes, a thin mouth, poor teeth, and her hair, which she wore in a tight knot high up on the back of her head, was streaked with gray. Davy would have denied the greater part of this description, but her voice was nasal and her chest was flat, after the accepted style of physical beauty in the coast towns. Davy thought she had a beautiful figure, and when she sang Rock of Ages for him, as she did on rare occa sions, he thought her voice the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A collection of short stories showcasing the breadth of F. Hopkinson Smith's storytelling abilities, from tales of adventure and romance to character studies of everyday people. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Chronicles of Break O' Day On the western side of the swampy belt lay a farm, which, according to the census of 1870, shared, with but four others in the State, the distinction of containing one thousand acres. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Fear (Classic Reprint) and FEAR by Angelo Mosso are insightful explorations into the psychology of fear. Utilizing both anecdotal evidence and scientific analysis, Mosso provides an in-depth look at this powerful emotion. Whether you're a psychology student, a professional, or simply a curious reader, Mosso's works offer valuable insights into human emotion and behavior. Don't miss the opportunity to explore the intricate workings of the human mind with Fear (Classic Reprint) and FEAR. Order your copies today!

Excerpt from Break of Day: And Other Poems About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.