Brighten The Corner Where You Are

In this bittersweet novel inspired by the life of Nova Scotia folk artist Maud Lewis, master storyteller Carol Bruneau gives voice to the artist, allowing her to speak from beyond the grave, freed from the stigmas of gender, poverty and disability that marked her life and shaped her art.

In May of 1946 science teacher Joe Robert Kirkman's day begins with hunting a mythical devil-possum in the North Carolina mountains and ends in defending his job before the school board.

Farewell, I'm Bound to Leave You is rich with the music of the Southern mountains and the stories of their people. In this novel from acclaimed author Fred Chappell, Jess Kirkman's grandmother is dying, and Jess remembers the tales she and his mother have passed down to him--a chorus of women's voices that sing and share and celebrate the common song of life.

These thirteen tales are populated by an assortment of fictional as well as real characters, all of them vividly sketched and true-to-life: the botanist Linnaeus, the composer Offenbach, the poet Hart Crane, the visionary horror writer H. P. Lovecraft, a southern sheriff, a dealer in rare books, a country singer, an old maid (and her suitor), and a mathematician. Whether these stories are deemed disquieting, comic, prophetic, or tall in the telling, they show us worlds where the truth reveals itself in many shapes. Throughout the writings comprising More Shapes Than One, Fred Chappell's storytelling magic transforms the commonplace.

The last in the Kirkman family cycle by one of our most treasured writers In Look Back All the Green Valley, Jess Kirkman returns to the North Carolina mountain town of his boyhood to be with his ailing mother and finally settle the family's accounts after the death of his father ten years ago. Cleaning out his father's secret work room reunites him with the irrepressible Joe Kirkman and leads him to make new discoveries--in the dusty room he finds an unusual machine made of stovepipe and ceramic, and a handwritten map. These clues lead him to uncover a part of his father's history he never knew. Rich in the story telling traditions of Southern Appalachia, Fred Chappell's magical novel celebrates a way of life that has passed. Look Back All the Green Valley follows Chappell's three previous novels--Farewell, I'm Bound to Leave You, Brighten the Corner Where You Are, and I'm Am One of You Forever--and concludes one of the most rewarding cycles of novels in recent memory.

From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

Anish Kapoor's sculptures represent an important position in contemporary art. Born in Bombay in 1954 and living in London since the early 1970s, he combines Western and Eastern influences to create special work. He became famous with large-scale sculptures in public spaces, most recently on the occasion of the Olympic games in London in 2012. His multi awardwinning work (1991 Turner prize) has been exhibited worldwide since his first solo exhibition in 1980. The monograph gives a concentrated overview of his diverse oeuvre of the last 40 years, from the pigment works to the mirror works and large polished sculptures. In the main section, the temporary, site-related works in the Martin-Gropius-Bau, such as the "....." in the spectacular, central hall, are documented in sketches, models and installation photos. These new works, which impressively frame the architecture of the Martin-Gropius-Bau, are elaborately illustrated and elucidated.