Brill S Companion To The Reception Of Plato In Antiquity

Brill’s Companion to the Reception of Plato in Antiquity demonstrates the variety of ways in which ancient readers responded to Plato, as author, as philosopher, and as leading intellectual light, from his own pupils until the sixth century CE.

To date, no comprehensive account has been published to explain the complex phenomenon of the reception of Aristotle’s philosophy in Antiquity. This Companion fills this lacuna by offering broad coverage of the subject from Hellenistic times to the sixth century AD.

Situating Cicero in the context of his use and abuse from antiquity to the present, an international and interdisciplinary team of scholars provides several good reasons to return to the study of his many writings with greater interest and respect.

For the first time, the reader can have a synoptic view of the reception of Pythagoras and Pythagoreanism in the Middle Ages and the Renaissance, East and West, in a multicultural perspective. All the major themes of Pythagoreanism are addressed, from mathematics, number philosophy and metaphysics to ethics and religious thought.

Brill's Companion to the Reception of Presocratic Natural Philosophy in Later Classical Thought explores both explicit and hidden influences of Presocratic (6-4th c. BCE) early scientific concepts, such as nature, elements, principles, soul, organization, causation, purpose, and cosmos in Platonic, Aristotelian, and Hippocratic philosophy

Brill’s Companion to the Reception of Socrates, edited by Christopher Moore, provides three-dozen studies of nearly 2500 continuous years of philosophical and literary engagement with Socrates as innovative intellectual, moral exemplar, and singular Athenian.

In Brill’s Companion to George Grote and the Classical Tradition, Kyriakos Demetriou leads a team of prominent scholars to contextualize, unravel and explore Grote's works as well as provide a critical assessment of his posthumous legacy.

Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines the ways in which Ancient Greek and Roman culture were appropriated by a global set of authors from the late nineteenth to early twentieth centuries.