Britain S Medieval Episcopal Thrones

This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is the largest and most impressive in Europe. It is a distinguished innovatory example of the English Decorated style, with antecedents passing back to the court of Edward I. It exemplifies most of the historical and formal strands that suffuse the entire book – visual appearance, distinctiveness within the building, prestige, construction, stylistic context, finance, and the patronage and personal role of the bishop himself; as well as the subtler issues of the personal and collective politics of bishop and chapter, the monument's liturgical applications, its relationship with the cathedral's relics, its symbolism and what it tells us about the aspirations of the institution within the existing ecclesiastical hierarchy. The thrones also reveal much about the personal circumstances of an individual bishop, and where he stood on the scale of a good diocesan on the one hand, and ambitious politician on the other, as exemplified at Exeter and Durham. The text is by the art historian, Dr Charles Tracy, a seasoned expert on church furniture both in Britain and on the continent of Europe. The chapter on the stone thrones was prepared by Andrew Budge who is currently preparing a Ph.D thesis on 'English Chantry Churches' at Birkbeck College. The polychromy authority, Eddie Sinclair, spent many hours on the scaffold to bring forward her remarkable report on the Exeter throne. Her full report is to be published online.The Exeter throne is also interpreted by the established timber conservation practitioner, Hugh Harrison, and the St Davids throne by the experienced draughtsman, Peter Ferguson. In an age of the CAD, his meticulous measured drawings of the Exeter and St Davids monuments are one of the most remarkable features of book. The architect, Paul Woodfield prepared the drawings for the Lincoln chair.

This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is the largest and most impressive in Europe. It is a distinguished innovatory example of the English Decorated style, with antecedents passing back to the court of Edward I. It exemplifies most of the historical and formal strands that suffuse the entire book – visual appearance, distinctiveness within the building, prestige, construction, stylistic context, finance, and the patronage and personal role of the bishop himself; as well as the subtler issues of the personal and collective politics of bishop and chapter, the monument's liturgical applications, its relationship with the cathedral's relics, its symbolism and what it tells us about the aspirations of the institution within the existing ecclesiastical hierarchy. The thrones also reveal much about the personal circumstances of an individual bishop, and where he stood on the scale of a good diocesan on the one hand, and ambitious politician on the other, as exemplified at Exeter and Durham. The text is by the art historian, Dr Charles Tracy, a seasoned expert on church furniture both in Britain and on the continent of Europe. The chapter on the stone thrones was prepared by Andrew Budge who is currently preparing a Ph.D thesis on 'English Chantry Churches' at Birkbeck College. The polychromy authority, Eddie Sinclair, spent many hours on the scaffold to bring forward her remarkable report on the Exeter throne. Her full report is to be published online.The Exeter throne is also interpreted by the established timber conservation practitioner, Hugh Harrison, and the St Davids throne by the experienced draughtsman, Peter Ferguson. In an age of the CAD, his meticulous measured drawings of the Exeter and St Davids monuments are one of the most remarkable features of book. The architect, Paul Woodfield prepared the drawings for the Lincoln chair.

This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.

Thirteenth-century England was a special place and time to be a bishop. Like their predecessors, these bishops were key members of the regnal community: anointers of kings, tenants-in-chief, pastors, counsellors, scholars, diplomats, the brothers and friends of kings and barons, and the protectors of the weak. But now circumstance and personality converged to produce an uncommonly dedicated episcopate-dedicated not only to its pastoral mission but also to the defence of the kingdom and the oversight of royal government. This cohort was bound by corporate solidarity and a vigorous culture, and possessed an authority to reform the king, and so influence political events, unknown by the episcopates of other kingdoms. These bishops were, then, to place themselves at the heart of the dramatic events of this era. Under King John and Henry III-throughout rebellion, civil war, and invasion from France, and the turbulent years of Minority government and Henry's early personal rule-the bishops acted as peacemakers: they supported royal power when it was threatened, for the sake of regnal peace, but also used their unique authority to reform the king when his illegal actions threatened to provoke his barons to rebellion. This changed, however, between 1258 and 1265, when around half of England's bishops set aside their loyalty to the king and joined a group of magnates, led by Simon de Montfort, in England's first revolution, appropriating royal powers in order to establish conciliar rule. Bishops in the Political Community of England, 1213-1272 examines the interaction between the bishops' actions on the ground and their culture, identity, and political thought. In so doing it reveals how the Montfortian bishops were forced to construct a new philosophy of power in the crucible of political crisis, and thus presents a new ideal-type in the study of politics and political thought: spontaneous ideology.

This book contains over 270 edited and annotated documents from the diocese of Ely. They illustrate how the medieval church operated: both locally and in a wider sphere. Detailed commentaries and analyses explain their meaning and an extensive introduction sets the scene and analyses the contribution to the church of the people involved.

This volume brings together an important selection of articles by the late Robert Brentano. They explore the nature and 'style' of ecclesiastical institutions in Italy and the British Isles, the specific qualities of saints and the communities that formed around them, and the ways in which seemingly cryptic archival remains of medieval administrative activity, as well as chronicles and lives, could reveal vital details about change and continuity in local and regional religious life. The introduction by W. L. North offers a brief biography and introduction to reading Brentano's works, followed by a complete bibliography of his publications.