British Voices

This volume discusses the lives and writings of five nonconformist women who comprised the heart of a vibrant literary circle in England between 1760 and 1840. Whelan shows these women's keen awareness and often radical viewpoints on contemporary issues connected to politics, religion, gender, and the Romantic sensibility.

Accents and dialects are constantly undergoing small variations over time, but evidence shows that change may have become increasingly rapid in the past few decades. 'Urban Voices' presents one of the few recent surveys of this phonological variation and change in urban accents across Great Britain and Ireland. Each of the specially commissioned chapters is divided into two parts. The first provides a detailed description of accent features within one or more urban centres, including information on social and stylistic variation and ongoing change. The second discusses a range of current theoretical and methodological issues. Some chapters present wholly new data based on fieldwork carried out specifically for inclusion in 'Urban Voices', while others summarise data from well-known research, up-dated and reanalysed in accordance with new findings. Containing copious illustrative and pedagogic material, this textbook presents a clear pathway to state-of-the-art research for students of sociolinguistics, dialectology, phonetics, and phonology at advanced undergraduate and graduate level. In addition, the detailed descriptive data and the accompanying cassette constitute a valuable resource for students and teachers of English, clinicians and speech therapists, forensic phoneticians, researchers in speech recognition and speech synthesis, and actors. Contributors: Deborah Chirrey, Edge Hill University College / Beverley Collins, Rijks Universiteit Leiden, Netherlands / Gerard J Docherty, University of Newcastle, UK / Paul Foulkes, University of Leeds, UK / Nigel Hewlett, Queen Margaret College / Raymond Hickey, University of Essen, Germany / Paul Kerswill, University of Reading, UK / Anne Grethe Mathisen, University of Oslo, Norway / Kevin McCafferty, Universitetet i Tromso, Norway / Inger Mees, Copenhagen Business School, Denmark / Lesley Milroy , University of Michigan, USA / Mark Newbrook, Monash University, Australia / James M Scobbie, Queen Margaret College, UK / Jana Stoddart, Olomouc, Czech Republic / Jane Stuart-Smith, University of Glasgow, UK / Laura Tollfree, Monash University, Australia / Peter Trudgill, University of Fribourg, Switzerland / Alice Turk, University of Edinburgh, UK / Clive Upton, University of Leeds, UK / Dominic Watt, University of Leeds, UK / J D A Widdowson, University of Sheffield, UK / Ann Williams, University of Reading, UK.

‘A sheer delight’ Times Literary Supplement Ferdinand Mount has spent many years writing articles, columns and reviews for prestigious magazines, newspapers and journals. Whether reviewing great published works by some of England's finest authors and poets (both alive and dead) including Kingsley Amis, John Osborne, John le Carré, Rudyard Kipling, E.M. Forster and Alan Bennett. He also analysed the works of a variety of our Masters covering the past four hundred years such as, of course, William Shakespeare, Charles Dickens, John Keats, Thomas Hardy, Samuel Taylor Coleridge and Samuel Pepys. Whether it be holding up to account the writings of Winston Churchill, or celebrating the much-loved poems of Siegfried Sassoon, each essay reproduced in full here has been carefully chosen by Mount to weave a unique tapestry of the wealth of writings that have helped shape his own respected career as an author and political commentator. For anyone interested and passionate about writing and poetry across the centuries in the British Isles, this book will be a very welcome guide to the best one can pick up and read.

"Ireland's War of Independence generated a wealth of published material but very little from a British perspective." "Yet many British servicemen left accounts of their time in Ireland from 1918 to 1921. They describe military operations, the IRA, the Irish, the actions of their own forces, morale and relationships with local communities. It will surprise Irish readers to learn many felt they were winning the war, but victory was taken from them by British politicians agreeing to a truce and the treaty. Likewise, RAF operations will be news to most as will the fact that so much of the army's time was spent enjoying sporting endeavors. Others were outspoken in their dislike of war and the campaign. Secret contacts between the British and the IRA and the use and abuse of intelligence are described. There is Brigadier Vinden's strange tale of a drinking session with Michael Collins and humour in the sending of Gaelic-speaking Highlanders into a public house to eavesdrop in the belief that Sinn Feiners always spoke Irish to each other." "The author has gone deep into British military archives to unearth these never-published accounts. Supplemented with unpublished photographs from the Imperial War Museum and the Irish National Library, these accounts, not just from famous soldiers like Field Marshal Montgomery and General Percival, form a landmark oral history told through the personal experiences of men from across the ranks."--BOOK JACKET.

UPDATED FOR THE 75TH ANNIVERSARY OF PARTITION 'Puri does profound and elegant work bringing forgotten narratives back to life. It's hard to convey just how important this book is' Sathnam Sanghera 'The most humane account of partition I've read ... We need a candid conversation about our past and this is an essential starting point' Nikesh Shukla, Observer ________________________ Newly revised for the seventy-fifth anniversary of partition, Kavita Puri conducts a vital reappraisal of empire, revisiting the stories of those collected in the 2017 edition and reflecting on recent developments in the lives of those affected by partition. The division of the Indian subcontinent in 1947 into India and Pakistan saw millions uprooted and resulted in unspeakable violence. It happened far away, but it would shape modern Britain. Dotted across homes in Britain are people who were witnesses to one of the most tumultuous events of the twentieth century. But their memory of partition has been shrouded in silence. In her eye-opening and timely work, Kavita Puri uncovers remarkable testimonies from former subjects of the Raj who are now British citizens – including her own father. Weaving a tapestry of human experience over seven decades, Puri reveals a secret history of ruptured families and friendships, extraordinary journeys and daring rescue missions that reverberates with compassion and loss. It is a work that breaks the silence and confronts the difficult truths at the heart of Britain's shared past with South Asia.

Historians have long engaged with Roy Porter’s call for histories that incorporate patients’ voices and experiences. But despite concerted methodological efforts, there has simply not been the degree and breadth of innovation that Porter envisaged. Patients’ voices still often remain obscured. This has resulted in part from assumptions about the limitations of archives, many of which are formed of institutional records written from the perspective of health professionals. Patient voices in Britain repositions patient experiences at the centre of healthcare history, using new types of sources and reading familiar sources in new ways. Focusing on military medicine, Poor Law medicine, disability, psychiatry and sexual health, this collection encourages historians to tackle the ethical challenges of using archival material and to think more carefully about how their work might speak to persistent health inequalities and challenges in health-service delivery.

"Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply ; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focussed on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tone-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit the voices of their readers. It offers fresh readings of the key Tudor authors who anticipated oral readers: John Bale, Anne Askew, William Baldwin, Thomas Nashe. And it aims to rethink what a printed book can be, searching the printed page for vocal cues, and exploring the neglected role of the voice in the printing process"-- Provided by publisher.

A landmark achievement in Holocaust scholarship, Remembering Voices of the Holocaust is culled from hours of first person accounts from survivors recorded for inclusion in the sound archives of both the Imperial War Museum in London, and the National Holocaust Museum in Washington, DC. In their own words, Jewish survivors as well as Gypsies, Jehovah's Witnesses, and both perpetrators and ordinary observers recount the entire horrific arc of the Holocaust from the ominous rise of the Nazi party during the Weimar days through the liquidation of the ghettos and the institution of Hitler's "final solution," continuing on to the liberation of the camps and the harrowing aftermath of the War.