Bruce Springsteen Faq

BRUCE SPRINGSTEEN FAQ: ALL THAT'S LEFT TO KNOW ABOUT THE BOSS

Bruce Springsteen arrived on the world's stage in 1973 with two incredible albums in one year, a prolificacy that would define his career for the next half-century. In his tenure at the top of the rock and roll charts, Springsteen received worldwide adoration for crafting lyrics and music that symbolised all facets of his, and his home nation's, history; songs that enthralled with passion and purpose, stinging political vitriol and the sweetest of melody. No other American artist captured America's heart, and soul, than Springsteen. Containing Springsteen's most prominent non-lyrical poetry and life philosophies, from his earliest interviews to his most recent statements of truth, fact, and soul-baring, each one spanning the entirety of his musical output with the E-Street Band, his solo soundtracks, iconic live performances and a wealth of TV, magazine, and newspaper conversations. In the early days when Springsteen and the E-Street Band played gigs in small venues, it was Bruce's job (as frontman) to collect the money and pay the rest of the band. This led them to start calling him 'The Boss', a nickname which has stuck. Springsteen – the patron saint of the working man, who greatly dislikes bosses – naturally loathes this nickname!

Please note: this edition is text only and does not contain images. The most in-depth exploration of Springsteen's songs ever written. Spanning nearly 50 years of albums, EPs, B-sides, and more, this is the full story behind every single song that The Boss has ever released. Moving chronologically through Springsteen's long career, expert authors Margotin and Guesdon explore everything there is to know about every single song. No stone is left unturned across 670 pages, from the inspiration behind the lyrics and melody to the recording process and even the musicians and producers who worked on each track. Uncover the stories behind the music in this truly definitive book - a must-have for every Springsteen fan.

A collection of Barry Schneier's photography from Bruce Springsteen's historic May 9, 1974 performance at the Harvard Square Theatre in Cambridge, MA, the very night he was deemed "rock and roll future" by rock critic (and future Springsteen manager) Jon Landau.

A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.

There are dozens of books about the Boss, exploring every facet of his career. So what's left to say? Nothing objective, perhaps. But when it comes to music, objectivity is highly overrated. Robert Wiersema has been a Springsteen fan since he was a teenager. By most definitions, he's a fanatic: following tours to see multiple shows in a row, watching set lists develop in real time via the Internet, ordering bootlegs from shady vendors in Italy. His attachment is deeper than fandom, though: he's grown up with Springsteen's music as the soundtrack to his life, beginning with his working-class youth in rural British Columbia and continuing on through dreams of escape, falling in love, and becoming a father. Walk Like a Man is liner notes for a mix tape, a frank and inventive blend of biography, music criticism, and memoir over the course of thirteen tracks. Like the best mix tapes, it balances joy and sorrow, laughter seasoning the dark-night-of-the-soul questions that haunt us all. Wiersema's book is the story of a man becoming a man (despite getting a little lost along the way), and of the man and the music that have accompanied him on his journey.

A consumer's critical guide to the music of Aerosmith, detailing every recorded song. Part of a series, the book is specially designed to sit alongside a CD collection.

Over the course of a career now in its fourth decade, Bruce Springsteen has earned one of the most passionate, devoted followings in all rock `n¿ roll. He¿s selling more records & concert tickets in his fifties than he sold in his twenties. Yet to many fans he remains an enigma. Jimmy Guterman has been writing about Springsteen since the 1970s. Here, he delves deep into dramatic & crucial moments from every phase of Springsteen¿s career, interpreting the songs & incisively commenting on the man & the culture at large to deliver a nuanced portrait of The Boss from the earliest days right up to Springsteen¿s 2005 album, ¿Devils & Dust.¿