Brunet Saunier Phylum H

Phylum H' describes a very special architectural task: constructing a hospital. Brunet Saunier Architecture is dedicated to this type of research and further development. Their process is based on intensive research on the functional procedures required in medicine, social demands, and aesthetic possibilities. With these complex ideas, their plans become fascinating time capsules. On one hand, the analytical gaze looks to the past, searching for the medical, historical, and typological elements of the function of hospitals. On the other, potential new technologies, and practices for life and treatment are also examined. In the present, this results in unique buildings distinguished by a sophisticated mastery of flexible spatial structure and integrative design. They create a place for technology, knowledge, work, and social life--for both today and tomorrow. This publication discusses this unique creative process, using sketches, interviews, 3D models, blueprints, and photographs. BRUNET SAUNIER ARCHITECTURE was founded in 1981 by the architects Jérôme Brunet and Eric Saunier. The firm is primarily devoted to erecting public buildings. The successful interaction of formal and functional aspects of their hospital buildings made the architectural office famous across Europe.

Founded in 1981 in Paris, Brunet Saunier Architecture is a French leader in the design of hospitals and large-scale public buildings. This publication is much more than a monograph. It is also a professional reference work, as hospital buildings make up a large portion of the showcased projects. Over the last ten years the architectural office has been developing a successful concept known as “Monospace”. The book discusses and analyzes this concept in detail, presenting trueto- scale floor plans, cross-sections, architectural views, and other information. The Monospace concept – which is based on a process of creative reduction down to essentials, i.e. “simplexity” – is adaptive rather than normative or prescriptive, and based on probabilities rather than determinism. It respects energy, even when it sometimes uses it. It takes the individual’s experience into account, and starts from the position of the subject. It also permits changing perspectives. This design concept should attract attention far beyond the borders of France.

The first International Conference on Oral Mucosal Immunity and Microbiome (OMIM) aimed to highlight cutting-edge basic and translational research from an oral immunological and microbiological perspective. Oral diseases with a microbial etiology are the most prevalent chronic diseases of humans. Whilst not life-threatening, they can significantly compromise quality of life, are associated with increased risk for certain systemic diseases, and pose heavy financial burdens to national health systems. Hence, periodontal and peri-implant diseases, dental caries, root canal infections and mucosal infections are significant global public health problems. In this book global experts summarize and discuss the latest progress made in oral mucosal immunity and the oral microbiome. Target audience is basic and/or translational researchers with expertise in host immunity and microbiome research, and interest in oral health and disease. This volume provides a much needed quantum leap in the field, by joining forces to address gaps at the oral mucosal immunity-microbiome cross-talk.

Two of the most distinctive architects on the lively architectural scene in France are Jerome Brunet and Eric Saunier. Sophisticated, and refined by abstraction and minimal art, their architectural language is free from the vagaries of passing trends. Their designs have a distinctly urban feel even in projects for sites outside of the centre as with the Concert Hall and School of Music in Chalon-sur-Saone, or the recently completed rehabilitation clinic for children in Palavas-les-Flots, and thus they take a stand in the current debate about the town centre and the periphery. With their building for the Banque de France in Montpellier or the residential building near the Bibliotheque Nationale in Paris, they have confirmed their position at the apex of contextual architecture.

For sustainable architecture to become a reality, the way we design buildings needs to change. Many architects are concerned that sustainable technologies may interfere with a building’s aesthetic appearance, and so these are often ‘added on’ once the design process is complete. Elements of Sustainable Architecture solves this dilemma by helping students to develop the design skills they need to create sustainable buildings – ensuring that ecological considerations are applied throughout the design process. Restoring the primacy of aesthetics and creativity to sustainable design, the book focuses on strategies that have the greatest impact on building design. It also shows the influence of sustainability considerations on choices about aspects such as composition, form, space, tectonics, materials, colour, textures, proportion and position. Specifically designed to offer a new way of understanding architecture, the book: introduces students to the basic principles and methods of sustainable design; features current examples and inspiring case studies to support learning step by step; presents information in a visually appealing, intuitive, easy-to-understand way; includes over 500 high-quality colour diagrams, drawings, sketches and photographs. A clear, visual introduction to creating aesthetically beautiful and sustainable buildings, this is essential reading for students in sustainable architecture courses.

Winner, 2021 CAAA Charles Rufus Morey Book Award Winner, 2021 On the Brinck Book Award Shortlist, 2020 MSA First Book Prize In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

Buildings Used takes the reader on an exploration into the impact of use on buildings and users. While most histories and theories of architecture focus on a building’s conception, design, and realization, this book argues that its identity is formed after its completion through use; and that the cultural and psychological effects of its use on those inhabiting it are profound. Across eight investigative chapters, authors Nora Lefa and Pavlos Lefas propose that use should not be understood merely as function. Instead, this book argues that we also use buildings by creating, destroying or appropriating them, and discusses a series of philosophical, cultural and design issues related to use. Buildings Used would appeal to students and scholars in architectural theory, history and cultural studies.

Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in-depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Millennials in Architecture embraces the digitally savvy disruptors who are joining the field at a crucial time, as it grapples with the best ways to respond to a changing physical world. Taking a clear-eyed look at the new generation in the context of the design professions, Darius Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders.