Bulletin Of The Israeli Academic Center In Cairo

In the words of late Professor Moshe Kochavi, the Philistine repository pit at Yavneh is the kind of discovery made only once every fifty years. It is the richest repository pit ever found from Bronze and Iron Ages Israel/Palestine, containing thousands of cultic finds originating from a temple, including an unprecedented number - more than a hundred - of cult stands (so-called 'architectural models') carrying rich figurative art, dozens of fire-pans, chalices and other objects. The present volume includes the full publication of the excavation, the stratigraphy, the cult stands and the figures detached from cult stands, several clay and stone altars and some pottery vessels related to burning of plant material, most likely incense. This exceptional book raises a host of highly important and intriguing questions. Is this a favissa, or even a genizah? Why are many cult stands badly broken, while some are intact - were cult stands broken on purpose? What is the explanation for the unique stratigraphy and for the layer of gray ash in the pit - was fire kindled inside as part of a ritual? How do we know that these finds are Philistine? Are they part of the 'furniture' of the temple or objects dedicated by worshippers as votives? Do the figures on the cult stands represent mortal beings, or divinities? If divinities, can we relate them with Biblical or extra-biblical data on the gods of the Philistines? What was the function/s of cult stands? Were they models of buildings, supports for images, offering tables, altars, or perhaps incense burners? Why are female figures dominant, while male figures are virtually absent? In discussing such topics, Yavneh I treats issues that are central to many fields of study: religion and cult in Iron Age Israel/Palestine; the history and archaeology of the Philistines and their 'western' relations; Near Eastern iconography, the meaning of cult stands/architectural models and the understanding of votive objects and of repository pits in general. Literally salvaged from the teeth of a bulldozer, these rare finds are now published. Generations of scholars will discuss and reinterpret them - there is no 'final word' for such finds and hence, this final excavation volume is not an end, but a beginning.

This beautifully illustrated volume looks at the spaces created by and for Jews in areas under the political or religious control of Muslims. Covering regions as diverse as Central Asia, the Middle East, North Africa and Spain, it asks how the architecture of synagogues responded to contextual issues and traditions, and how these contexts influenced the design and evolution of synagogues. As well as revealing how synagogues reflect the culture of the Jewish minority at macro and micro scales, from the city to the interior, the book also considers patterns of the development of synagogues in urban contexts and in connection with urban elements and monuments.

Sacred Places Tell Tales is the previously untold history of Egyptian Jewry and the ways in which Cairo’s synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo’s synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo’s Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community’s customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.

Explains how Cairo came to have its important Genizah archive, how Cambridge developed its interests in Hebraica, and how a number of colourful figures brought about the connection between the two centres. Also shows the importance of the Genizah material for Jewish cultural history.

This volume brings together articles on various aspects of cultural, religious, social and commercial interactions between Jews, Christians and Muslims in the medieval and early modern periods.