Byzantium Between The Ottomans And The Latins

This is a detailed analysis of Byzantine political attitudes towards the Ottomans and western Europeans during the critical last century of Byzantium. The book covers three major regions of the Byzantine Empire - Thessalonike, Constantinople, and the Morea - where the political orientations of aristocrats, merchants, the urban populace, peasants, and members of ecclesiastical and monastic circles are examined against the background of social and economic conditions. Through its particular focus on the political and religious dispositions of individuals, families and social groups, the book offers an original view of late Byzantine politics and society that is not found in conventional narratives. Drawing on a wide range of Byzantine, western and Ottoman sources, it authoritatively illustrates how late Byzantium was drawn into an Ottoman system in spite of the westward-looking orientation of the majority of its ruling elite.

This book examines Byzantine political attitudes towards the Ottomans and western Europeans during the critical last century of Byzantium. It explores the political orientations of aristocrats, merchants, the urban populace, peasants, and members of ecclesiastical and monastic circles in three major areas of the Byzantine Empire in their social and economic context.

A detailed introduction provides a broad geopolitical context to the contributions and discusses at length the broad themes which unite the articles and which transcend traditional interpretations of the eastern Mediterranean in the later medieval period.

The fall of Constantinople to the Ottomans in 1453 marked the end of a thousand years of the Christian Roman Empire. Thereafter, world civilisation began a process of radical change. The West came to identify itself as Europe; the Russians were set on the path of autocracy; the Ottomans were transformed into a world power while the Greeks were left exiles in their own land. The loss of Constantinople created a void. How that void was to be filled is the subject of this book. Michael Angold examines the context of late Byzantine civilisation and the cultural negotiation which allowed the city of Constantinople to survive for so long in the face of Ottoman power. He shows how the devastating impact of its fall lay at the centre of a series of interlocking historical patterns which marked this time of decisive change for the late medieval world. This concise and original study will be essential reading for students and scholars of Byzantine and late medieval history, as well as anyone with an interest in this significant turning point in world history.

First published in 1989. This volume includes twelve of the main papers given at the Joint Meeting of the XXII Spring Symposium of Byzantine Studies and of the Society for the Study of the Crusades and the Latin East held at the University of Nottingham from 26-29 March 1988. The Conference brought together a wide range of scholars and dealt with four main themes: relations between native Greeks and western settlers in the states founded by the Latin conquerors in former Byzantine lands in the wake of the Fourth Crusade; the Byzantine successor states at Nicaea, Epirus, and Thessalonica; the influence of the Italian maritime communes on the eastern Mediterranean in the later Middle Ages and the Renaissance; and the impact on Christian societies there of the Mongols and the Ottoman Turks, as well as the perception of Greeks and Latins by other groups in the eastern Mediterranean.

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.

New portrait of Manuel II Palaiologos, investigating his tumultuous reign, literary, philosophical and theological oeuvre and personal life.

Living in the Ottoman Realm brings the Ottoman Empire to life in all of its ethnic, religious, linguistic, and geographic diversity. The contributors explore the development and transformation of identity over the long span of the empire’s existence. They offer engaging accounts of individuals, groups, and communities by drawing on a rich array of primary sources, some available in English translation for the first time. These materials are examined with new methodological approaches to gain a deeper understanding of what it meant to be Ottoman. Designed for use as a course text, each chapter includes study questions and suggestions for further reading.