C Mon Get Happy

This memoir by David Cassidy tells the real story behind his phenomenal ’70s stardom—and the sadness that shadowed it. Includes photos and a new afterword. Barely out of his teens, David Cassidy landed a role on a new sitcom about a musical family that toured in a psychedelic bus. The critics blasted it—but TV viewers loved it! And the young female audience especially loved Keith Partridge. Not only did they tune in each week, they bought The Partridge Family’s hit single, “I Think I Love You,” in the millions, and plastered David’s image on their bedroom walls. Throughout the early seventies, David Cassidy was a phenomenon. In this wry, witty memoir, he recounts not only those wild youthful years and Hollywood relationships—with, among others, stepmom Shirley Jones, costar Susan Dey, actress Meredith Baxter, and two guest stars who soon found greater fame on Charlie’s Angels—but also the darker parts of his life as well. David delves into his painful family history and his childhood in West Orange, New Jersey, and the groupies and drugs he indulged in as his success began to overwhelm him. He also shares his encounters with the icons of the era—Lennon and McCartney, Elvis, the Beach Boys, and more. Most of all, he takes us back to a time when the world seemed more innocent—at least until the camera stopped rolling. Includes a new afterword about David’s final years by friend and coauthor Chip Deffaa. “A chatty read about becoming an overnight success and all the trappings that came with it: Tiger Beat magazine, sold-out stadium shows, hit records, willing girls in every hotel lobby.” —Star Tribune

In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of “Summer Stock,” authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number “Get Happy.” The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era. Additionally, the authors have written a special section called “Taking Stock” that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.

This ebook edition contains the full text version as per the book. Doesn't include original photographic and illustrated material. In the seventies, when he was just 20 years old, David Cassidy achieved the sort of teen idol fame that is rarely seen. He was mobbed everywhere he went. His clothes were regularly ripped off by adoring fans. He sold records the world over. He was bigger than Elvis. And all thanks to a hit TV show called The Partridge Family. Now, in his own words, this is a brutally frank account of those mindblowing days of stardom in which being David Cassidy played second fiddle to being Keith Partridge. Including stories of sex, drugs and rock'n'roll that explode the myth of Cassidy as squeaky clean, it's also the story of how to keep on living life and loving yourself when the fickle fans fall away.

She lived at full throttle on stage, screen, and in real life, with highs that made history and lows that finally brought down the curtain at age forty-seven. Judy Garland died over thirty years ago, but no biography has so completely captured her spirit -- and demons -- until now. From her tumultuous early years as a child performer to her tragic last days, Gerald Clarke reveals the authentic Judy in a biography rich in new detail and unprecedented revelations. Based on hundreds of interviews and drawing on her own unfinished -- and unpublished -- autobiography, Get Happy presents the real Judy Garland in all her flawed glory. With the same skill, style, and storytelling flair that made his bestselling Capote a landmark literary biography, Gerald Clarke sorts through the secrets and the scandals, the legends and the lies, to create a portrait of Judy Garland as candid as it is compassionate. Here are her early years, during which her parents sowed the seeds of heartbreak and self-destruction that would plague her for decades ... the golden age of Hollywood, brought into sharp focus with cinematic urgency, from the hidden private lives of the movie world's biggest stars to the cold-eyed businessmen who controlled the machine ... and a parade of brilliant and gifted men -- lovers and artists, impresarios and crooks -- who helped her reach so many creative pinnacles yet left her hopeless and alone after each seemingly inevitable fall. Here, then, is Judy Garland in all her magic and despair: the woman, the star, the legend, in a riveting saga of tragedy, resurrection, and genius.

The Public Intellectual and the Culture of Hope brings together a number of winners of the Polanyi Prize in Literature – a group whose research constitutes a diversity of methodological approaches to the study of culture – to examine the rich but often troubled association between the concepts of the public, the intellectual (both the person and the condition), culture, and hope. The contributors probe the influence of intellectual life on the public sphere by reflecting on, analyzing, and re-imagining social and cultural identity. The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials – from foundational Enlightenment writings to contemporary, populist media spectacles – frame intellectual debates within the clear and ever-present gaze of the public writ large. These serve to illuminate how past cultures can shed light on present and future issues, as well as how current debates can reframe our approaches to older subjects.

An unusual perspective on current End Times events, as predicted in the Book of Revelation, including the Rapture and the Tribulation.

Gear up for laughter in the hereafter as Socrates sets out to assassinate every soul who can remember the mortal world “Filled with wordplay to die for, Randal Graham’s latest dizzying, irresistible life-after-death satire tackles perennial existential questions with humor and hunger.” — Foreword Reviews on Afterlife Crisis What do you get when a narcissistic megalomaniac plagued by daddy issues leads a horde of angry zealots, xenophobes, and ornery incels on a crusade to Make the Afterlife Great Again? You get an out-of-this-world adventure in which history’s greatest minds face an apocalypse that could make Armageddon look like a cotillion. You also get Nether Regions, the third installment of Randal Graham’s Beforelife Series. Picking up the threads of Beforelife and Afterlife Crisis, Nether Regions reveals what happens when two of the afterlife’s best-known residents have a baby: the first one born in the hereafter. That baby holds a secret — one that sets off an adventure featuring Socrates, Albert Einstein, Nostradamus, Elizabeth I, Sigmund Freud, Neferneferuaten, and at least 200 Napoleons, all doing their level best to keep the afterlife from turning into hell.