Caging The Beast

A major obstacle for materialist theories of the mind is the problem of sensory consciousness. How could a physical brain produce conscious sensory states that exhibit the rich and luxurious qualities of red velvet, a Mozart concerto or fresh-brewed coffee? Caging the Beast: A Theory of Sensory Consciousness offers to explain what these conscious sensory states have in common, by virtue of being conscious as opposed to unconscious states. After arguing against accounts of consciousness in terms of higher-order representation of mental states, the theory claims that sensory consciousness is a special way we have of representing the world. The book also introduces a way of thinking about subjectivity as separate and more fundamental than consciousness, and considers how this foundational notion can be developed into more elaborate varieties. An appendix reviews the connection between consciousness and attention with an eye toward providing a neuropsychological instantiation of the proposed theory. (Series A)

Harbouring a dark secret from his past, immortal Lord Blake from medieval England arrives mysteriously in a sleepy coastal town in Georgia, USA. There he meets Hugo Wegener, an ex-doctor burdened with his own secret, and resident Ginny Harrison, who is involved in her aging father's absurd dream of reopening the town's long-defunct zoo.

A major obstacle for materialist theories of the mind is the problem of sensory consciousness. How could a physical brain produce conscious sensory states that exhibit the rich and luxurious qualities of red velvet, a Mozart concerto or fresh-brewed coffee? Caging the Beast: A Theory of Sensory Consciousness offers to explain what these conscious sensory states have in common, by virtue of being conscious as opposed to unconscious states. After arguing against accounts of consciousness in terms of higher-order representation of mental states, the theory claims that sensory consciousness is a special way we have of representing the world. The book also introduces a way of thinking about subjectivity as separate and more fundamental than consciousness, and considers how this foundational notion can be developed into more elaborate varieties. An appendix reviews the connection between consciousness and attention with an eye toward providing a neuropsychological instantiation of the proposed theory. (Series A)

This book explores the metaphors used in public and media communication to ask how language shapes our moral reasoning about the global coronavirus crisis. The author offers insights into the metaphors, metonyms, allegories and symbols of the global crisis and examines how they have contributed to policy formation and communication. Combining metaphor theory with moral foundations theory, he places metaphors in their historical contexts, and then critically questions why certain tropes might be used in particular situations to persuade and convince an audience. The book takes an integrated approach, involving ideas from cognitive linguistics, history, social psychology and literature to produce a multi-layered and thematically rich interpretation of the language of the pandemic and its social and political consequences. It will be relevant to readers with a background in these areas, as well as anyone with a general interest in the language used to make sense of this global event.

When a message confirms Finn's worst nightmare, he plunges into a desperate rescue. While using himself as bait might not be the best move, it just might work if he can convince his best friend to let him take the risk. But werewolves don't do well in cages. Can Finn hold the wolf at bay long enough for the ruse to work, or will the trap he set become his doom?

New York Times Bestselling Author Sarah MacLean returns with the next book in the Bareknuckle Bastards series about three brothers bound by a secret that they cannot escape—and the women who bring them to their knees. The Lady’s Plan When Lady Henrietta Sedley declares her twenty-ninth year her own, she has plans to inherit her father’s business, to make her own fortune, and to live her own life. But first, she intends to experience a taste of the pleasure she’ll forgo as a confirmed spinster. Everything is going perfectly…until she discovers the most beautiful man she’s ever seen tied up in her carriage and threatening to ruin the Year of Hattie before it’s even begun. The Bastard’s Proposal When he wakes in a carriage at Hattie’s feet, Whit, a king of Covent Garden known to all the world as Beast, can’t help but wonder about the strange woman who frees him—especially when he discovers she’s headed for a night of pleasure . . . on his turf. He is more than happy to offer Hattie all she desires…for a price. An Unexpected Passion Soon, Hattie and Whit find themselves rivals in business and pleasure. She won’t give up her plans; he won’t give up his power . . . and neither of them sees that if they’re not careful, they’ll have no choice but to give up everything . . . including their hearts.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2016 Charles Foster wanted to know what it was like to be a beast: a badger, an otter, a deer, a fox, a swift. What it was really like. And through knowing what it was like he wanted to get down and grapple with the beast in us all. So he tried it out; he lived life as a badger for six weeks, sleeping in a dirt hole and eating earthworms, he came face to face with shrimps as he lived like an otter and he spent hours curled up in a back garden in East London and rooting in bins like an urban fox. A passionate naturalist, Foster realises that every creature creates a different world in its brain and lives in that world. As humans, we share sensory outputs, lights, smells and sound, but trying to explore what it is actually like to live in another of these worlds, belonging to another species, is a fascinating and unique neuro-scientific challenge. For Foster it is also a literary challenge. Looking at what science can tell us about what happens in a fox's or badger's brain when it picks up a scent, he then uses this to imagine their world for us, to write it through their eyes or rather through the eyes of Charles the beast. An intimate look at the life of animals, neuroscience, psychology, nature writing, memoir and more, it is a journey of extraordinary thrills and surprises, containing wonderful moments of humour and joy, but also providing important lessons for all of us who share life on this precious planet.