Canadian Cultural Policy In Transition

This book offers a comprehensive overview of Canadian cultural policy and research, at a time of transition and redefinition, to establish a dialogue between conventional and emerging foundations. Taking a historical view, the book informs insights on current trends in policy and explores global debates underpinning cultural policy studies within a local context. The book first acknowledges what Canadian cultural policy research conventionally recognizes and refers to in terms of institutions, values, and debates, before moving on to take stock of the transformations that are continuing to reshape Canadian cultural policy in terms of values, orientations, actors, and institutions. With a focus on all levels of government-- federal, provincial, and local -- the book also centers on Indigenous arts policies and practices. This systematic and inclusive volume will appeal to academic researchers, graduate students, managers of arts and culture programs and institutions, and in the areas of cultural policy, public administration, political science, cultural studies, film and media studies, theatre and performance, and museum studies.

This report gathers information, seeks input, provides critical analysis and reports on a number of matters, as they relate to the Commission's area of responsibility, respecting the development of content and competition policies for new communications technologies and services that will comprise the information highway. More precisely, topics covered are: culture and competition; competition and facilities; confirming Canadian values; public places in a digital world; and other issues.

Canada: The State of the Federation 2000/01 probes beneath the surface to determine if the obvious changes – the fractious federal party system, the "common sense revolution" in government budgeting, the re-birth of the sovereignty movement in Quebec, and the re-assertion of Aboriginal claims – are symptomatic of a shift in Canadian political culture. Arguably, political changes in Canada have been greater in the 1990s than in any other decade since Confederation, but do these changes signify a shift in Canadian political culture? Can we even speak of a Canadian political culture? What are the consequences of these changes for the federation? Are Canadians more or less united? Are federal-provincial relations better or worse? What does the future hold? The authors attempt to answer these questions through analyses of the federal party system, politics in the provinces and regions, and political dynamics in a number of issue areas, including Aboriginal politics, the Charter, multiculturalism, the rural-urban cleavage, and social policy.

How do Canadian provincial and territorial governments intervene in the cultural and artistic lives of their citizens? What changes and influences shaped the origin of these policies and their implementation? On what foundations were policies based, and on what foundations are they based today? How have governments defined the concepts of culture and of cultural policy over time? What are the objectives and outcomes of their policies, and what instruments do they use to pursue them? Answers to these questions are multiple and complex, partly as a result of the unique historical context of each province and territory, and partly because of the various objectives of successive governments, and the values and identities of their citizens. Cultural Policy: Origins, Evolution, and Implementation in Canada’s Provinces and Territories offers a comprehensive history of subnational cultural policies, including the institutionalization and instrumentalization of culture by provincial and territorial governments; government cultural objectives and outcomes; the role of departments, Crown corporations, other government organizations, and major public institutions in the cultural domain; and the development, dissemination, and impact of subnational cultural policy interventions. Published in English.

In any policy arena, the crafting of effective policy depends on the quality of the information infrastructure that is available to the participants in that arena. Such an information infrastructure is designed, developed, and managed as a critical element in policy formulation and implementation. While various attempts have been made to map the extent of the existing cultural policy information infrastructure in the United States, no structured attempt has been made to conduct a cross-national analysis intended to draw on the more highly developed models already in operation elsewhere.A cross-national comparative look provides valuable information on how this infrastructure has evolved, on what has succeeded and what has had less success, on what is sustainable and what is not, and on how the range of interests of the various individuals and institutions involved in the cultural policy arena can best be accommodated through careful design of the information infrastructure.In Informing Cultural Policy, international cultural policy scholar and researcher J. Mark Schuster relates the findings of a study that took him from North America to Europe to gain understanding of the cultural policy information infrastructure in place abroad. His findings are structured into a taxonomy that organizes the array of research and information models operating throughout the world into a logical framework for understanding how the myriad cultural agencies collect, analyze, and disseminate cultural policy data. Schuster discusses private- and public-sector models, including research divisions of government cultural funding agencies, national statistics agencies, independent nonprofit research institutes, government-designated university-based research centers, private consulting firms, cultural ""observatories,"" non-institutional networks, research programs, and publications. For each case study undertaken, the author provides the Internet address, names, and information for key conta