Cape Breton Tales 1920

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ... la rose witnesseth Of The Bucherons Of La Belle Melanie Of Simeon's Son la rose witnesseth Of How the Bucherons Were Punished for Their Hard Hearts T was a boy of ten who listened to La Rose, and while he listened, the sun stood still in the sky, there was an enchantment on all the world. Whatever La Rose said you had to believe, somehow. Oh, I assure you, no one could be more exacting than she in the matter of proofs. For persons who would give an ear to any absurd story tattled abroad she had nothing but contempt. "Before you believe a thing," said La Rose, sagely, "you must know whether it is true or not. That is the most important part of a story." She would give a decisive nod to her small head and shut her lips together almost defiantly. Yet always, somewhere in the corner of her alert gray eye, there seemed to be lurking the ghost of a twinkle. La Rose had no age. She was both very young and very old. For all she had never traveled more than ten miles from the little Cape Breton town of Port l'Eveque, you had the feeling that she had seen a good deal of the world, and it is certain that her life had not been easy; yet she would laugh as quickly and abundantly as a young girl just home from the convent. These two were the best of comrades. La Rose had been the boy's nurse when he was little, and as he had no mother she had kept a feeling of special affection and responsibility for him. Thus it happened that whenever she was making some little expedition out across the harbor--say for blueberries on the barrens, or white moorberries, or ginseng--she would get permission from the captain for Michel to go with her; and this was the happiest privilege in the boy's life. Most of all because of the stories La Rose would tell him. La Rose...

Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.

Biff and whiff, baker’s fog and lu’sknikn, pie social and milling frolic – these are just a few examples of the distinctive language of Cape Breton Island, where a puck is a forceful blow and a Cape Breton pork pie is filled with dates, not pork. The first regional dictionary devoted to the island’s linguistic and cultural history, the Dictionary of Cape Breton English is a fascinating record of the island’s rich vocabulary. Dictionary entries include supporting quotations culled from the editors’ extensive interviews with Cape Bretoners and considerable study of regional variation, as well as definitions, selected pronunciations, parts of speech, variant forms, related words, sources, and notes, giving the reader in-depth information on every aspect of Cape Breton culture. A substantial and long-awaited work of linguistic research that captures Cape Breton’s social, economic, and cultural life through the island’s language, the Dictionary of Cape Breton English can be read with interest by Backlanders, Bay byes, and those from away alike.

This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.

MacNeil also describes his early years in a Gaelic-speaking rural community, where story-telling is still a basic element of community life. He explains how he learned the tales and the customs and practices associated with their telling. He also introduces us to the families and individuals who were custodians of the tales. John Shaw's introduction outlines the informant's tradition and its place in the world of the European story-teller. The commentaries of MacNeil and Shaw, the tales, the games, and the other folk material offer a rich and unique perspective on the Gaelic culture generally, and as it has developed on Cape Breton Island in particular.