Carceral Con

Introduction : world-making and "criminal justice reform" -- Correctional control and the challenge of reform -- Follow the money -- Criminalization, policing, and profiling -- The slippery slope of pretrial reform -- Courts, sentencing, and "diversion" -- Imprisonment and release -- Threshold.

Since 1980, the number of people in U.S. prisons has increased more than 450%. Despite a crime rate that has been falling steadily for decades, California has led the way in this explosion, with what a state analyst called "the biggest prison building project in the history of the world." Golden Gulag provides the first detailed explanation for that buildup by looking at how political and economic forces, ranging from global to local, conjoined to produce the prison boom. In an informed and impassioned account, Ruth Wilson Gilmore examines this issue through statewide, rural, and urban perspectives to explain how the expansion developed from surpluses of finance capital, labor, land, and state capacity. Detailing crises that hit California’s economy with particular ferocity, she argues that defeats of radical struggles, weakening of labor, and shifting patterns of capital investment have been key conditions for prison growth. The results—a vast and expensive prison system, a huge number of incarcerated young people of color, and the increase in punitive justice such as the "three strikes" law—pose profound and troubling questions for the future of California, the United States, and the world. Golden Gulag provides a rich context for this complex dilemma, and at the same time challenges many cherished assumptions about who benefits and who suffers from the state’s commitment to prison expansion.

"In This Place Called Prison offers a vivid and unique examination of religion within prison and argues for its key role among some of society's most vulnerable. Although prison is defined by control--from rules and routines to mandatory labor and monitored visits--for many, religion offers a way out. Religion challenges what it means to be punished and affords community and connection in the face of fear and isolation. Rachel Ellis spent twelve months conducting ethnographic research inside the guarded gates of Mapleside Prison, a US state women's correctional facility, talking with hundreds of incarcerated women, staff, and religious volunteers. Through their stories, Ellis sets the scene of mass incarceration today, detailing how contemporary prisons both reflect and worsen the systemic racial, social, and gender inequalities characteristic of the American landscape of profound stratification. She also offers insight into how religion relates to the carceral system, tracing the role of religious institutions throughout the history of prison punishment. Offering a trenchant account of how religion collides and colludes with the state in an enduring tension between freedom and control, In This Place Called Prison speaks to the human quest for dignity and light in even the darkest of places"--

With a new afterword from the authors, the critically praised indictment of widely embraced “alternatives to incarceration” Electronic monitoring. Locked-down drug treatment centers. House arrest. Mandated psychiatric treatment. Data driven surveillance. Extended probation. These are some of the key alternatives held up as cost effective substitutes for jails and prisons. But in a searing, “cogent critique” (Library Journal), Maya Schenwar and Victoria Law reveal that many of these so-called reforms actually weave in new strands of punishment and control, bringing new populations who would not otherwise have been subject to imprisonment under physical control by the state. Whether readers are seasoned abolitionists or are newly interested in sensible alternatives to retrograde policing and criminal justice policies and approaches, this highly praised book offers “a wealth of critical insights” that will help readers “tread carefully through the dizzying terrain of a world turned upside down” and “make sense of what should take the place of mass incarceration” (The Brooklyn Rail). With a foreword by Michelle Alexander, Prison by Any Other Name exposes how a kinder narrative of reform is effectively obscuring an agenda of social control, challenging us to question the ways we replicate the status quo when pursuing change, and offering a bolder vision for truly alternative justice practices.

Prison, Inc. provides a first-hand account of life behind bars in a controversial new type of prison facility: the private prison. These for-profit prisons are becoming increasingly popular as state budgets get tighter. Yet as privatization is seen as a necessary and cost-saving measure, not much is known about how these facilities are run and whether or not they can effectively watch over this difficult and dangerous population. For the first time, Prison, Inc. provides a look inside one of these private prisons as told through the eyes of an actual inmate, K.C. Carceral who has been in the prison system for over twenty years.

Delving behind Canada’s veneer of multiculturalism and tolerance, Policing Black Lives traces the violent realities of anti-blackness from the slave ships to prisons, classrooms and beyond. Robyn Maynard provides readers with the first comprehensive account of nearly four hundred years of state-sanctioned surveillance, criminalization and punishment of Black lives in Canada. While highlighting the ubiquity of Black resistance, Policing Black Lives traces the still-living legacy of slavery across multiple institutions, shedding light on the state’s role in perpetuating contemporary Black poverty and unemployment, racial profiling, law enforcement violence, incarceration, immigration detention, deportation, exploitative migrant labour practices, disproportionate child removal and low graduation rates. Emerging from a critical race feminist framework that insists that all Black lives matter, Maynard’s intersectional approach to anti-Black racism addresses the unique and understudied impacts of state violence as it is experienced by Black women, Black people with disabilities, as well as queer, trans, and undocumented Black communities. A call-to-action, Policing Black Lives urges readers to work toward dismantling structures of racial domination and re-imagining a more just society.

This book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, São Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception.

This volume considers the interconnection of racial oppression in the U.S. South and West, presenting thirteen case studies that explore the ways in which citizens and migrants alike have been caged, detained, deported, and incarcerated, and what these practices tell us about state building, converging and coercive legal powers, and national sovereignty. As these studies depict the institutional development and state scaffolding of overlapping carceral regimes, they also consider how prisoners and immigrants resisted such oppression and violence by drawing on the transnational politics of human rights and liberation, transcending the isolation of incarceration, detention, deportation and the boundaries of domestic law. Contributors: Dan Berger, Ethan Blue, George T. Diaz, David Hernandez, Kelly Lytle Hernandez, Pippa Holloway, Volker Janssen, Talitha L. LeFlouria, Heather McCarty, Douglas K. Miller, Vivien Miller, Donna Murch, and Keramet Ann Reiter.