Carolina Beach Music

While rock groups such as the Beach Boys and Jan and Dean defined the beach music of Southern California during the 1960s, a different, R&B influenced sound could be heard along South Carolina's Grand Strand. Drawing on extensive research and exclusive interviews, this richly illustrated reference work covers the music, songwriters and performers who contributed to the genre of classic Carolina beach music from 1940 to 1980. Detailed entries tell the stories behind nearly 500 classic recordings, with release dates, label information, chart performance and biographical background on more than 200 artists.

Carolina Beach Music from the '60s to the '80s" "The New Wave" picks up where "Carolina Beach Music" " The Classic Years" left off, covering more of those classic beach music tunes as well as the newer self-aware songs that were the beginning of a new wave of beach music in the late 1970s and early 1980s. This book looks at eighty recordings from the years 1966 through 1982, featuring interviews and insights from the artists who sang them, including Archie Bell, William Bell, Jerry Butler, Clyde Brown of the Drifters, Harry Elston of the Friends of Distinction, Bobbie Smith of the Spinners, Emilio Castillo of Tower of Power, Rob Parissi of Wild Cherry, Billy Scott and many, many others."

An American expatriate in Rome unearths his family legacy in this sweeping novel by the acclaimed author of The Prince of Tides and The Great Santini A Southerner living abroad, Jack McCall is scarred by tragedy and betrayal. His desperate desire to find peace after his wife’s suicide draws him into a painful, intimate search for the one haunting secret in his family’s past that can heal his anguished heart. Spanning three generations and two continents, from the contemporary ruins of the American South to the ancient ruins of Rome, from the unutterable horrors of the Holocaust to the lingering trauma of Vietnam, Beach Music sings with life’s pain and glory. It is a novel of lyric intensity and searing truth, another masterpiece among Pat Conroy’s legendary and beloved novels. Praise for Beach Music “Astonishing . . . stunning . . . The range of passions and subjects that bring life to every page is almost endless.”—The Washington Post Book World “Magnificent . . . clearly Conroy’s best.”—San Francisco Chronicle “Blockbuster writing at its best.”—Los Angeles Times Book Review “Pat Conroy’s writing contains a virtue now rare in most contemporary fiction: passion.”—The Denver Post “A powerful, heartfelt tale.”—Houston Chronicle

Just as the dances of Beach Music have their twists and turns, so too do the stories behind the hits made popular in shag haunts from Atlantic Beach to Ocean Drive and the Myrtle Beach Pavilion. In Carolina Beach Music, local author and Beach Music enthusiast Rick Simmons draws on first-hand accounts from the legendary performers and people behind the music. Simmons reveals the true meaning behind "Oogum Boogum," uncovers just what sparked a fistfight between Ernie K. Doe and Benny Spellman at the recording session of "Te-Ta-Te-Te-Ta-Ta," and examines hundreds of other true events that shaped the sounds of Beach Music.

This follow-up to Carolina Beach Music: The Classic Years looks at performers including the Drifters, the Spinners, Tower of Power, Wild Cherry, and more. Carolina Beach Music from the ’60s to the ’80s: The New Wave covers more of those classic beach music tunes as well as the increasingly self-aware songs that marked the beginning of a new wave of beach music in the late 1970s and early 1980s. This book looks at eighty recordings from the years 1966 through 1982, featuring interviews and insights from the artists who sang them, including Archie Bell, William Bell, Jerry Butler, Clyde Brown of the Drifters, Harry Elston of the Friends of Distinction, Bobbie Smith of the Spinners, Emilio Castillo of Tower of Power, Rob Parissi of Wild Cherry, Billy Scott and many, many others. Includes photos

While rock groups such as the Beach Boys and Jan and Dean defined the beach music of Southern California during the 1960s, a different, R&B influenced sound could be heard along South Carolina's Grand Strand. Drawing on extensive research and exclusive interviews, this richly illustrated reference work covers the music, songwriters and performers who contributed to the genre of classic Carolina beach music from 1940 to 1980. Detailed entries tell the stories behind nearly 500 classic recordings, with release dates, label information, chart performance and biographical background on more than 200 artists.

As defined by Wikipedia, beach music also known as Carolina beach musi and, to a lesser extent, beach pop is a regional genre that developed from various musical styles of the forties, fifties, and sixties. These styles ranged frombig-band swing instrumentals to the more raucous sounds of blues/ jump blues, jazz, doo-wop, boogie, rhythm and blues, reggae, rockabilly, and old-time roc k and roll. Beach music is closely associated with the style of the swing dance known as the shag or the Carolina shag, which is also the official state dance of both North Carolina and South Carolina. Recordings with a 4/4 blues shuffle rhythmic structure and moderate-to-fast tempo are the most popular music for the shag, and the vast majority of the music in this genre fit that description.

an encyclopedia of yearly Beach Music top 40 charts 1945 to 2011