Caught By History

In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch” is the subject of inquiry that propels this study.

"Outlaw, assassin, art thief, and spy, these fourteen troublemakers and crooks--including Blackbeard the pirate, Typhoid Mary, and gangster Al Capone--have given the good guys a run for their money throughout the ages. Some were crooked, some were deadly, and some were merely out of line--but they all got Caught! as detailed in this fascinating and funny study of crime, culture, and forensic science"--Provided by publisher.

"This definitive anthology focuses on the 70s and 80s--a time when women made a big and noisy impact on society -- and provides readers with insight into the profound effects that feminism and women's work have had on contemporary culture. Full of sass and insight, this essential collection is part survey, part critical discourse, and part reference book."--Pub. desc.

Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.

In this third volume of the series, we introduce the story of several leading nation builders of the 20th century whose lives and struggle have been obscured by establishment historians. We document for the first time in one location the interconnected networks of B.C.'s Premier W.A.C. Bennett, Canada's "Minister of Everything" C.D. Howe, Prime Minister John Diefenbaker, and Quebec's Premiers Maurice Duplessis, Paul Sauve and Daniel Johnson who were all aided by republican leaders of America and France during the post WWII period. These figures conducted a battle with the Rhodes Scholar-infested networks which have come to be known as the Deep State in our modern era, and in spite of their limitations, these figures all distinguished themselves by their genuine patriotism and love of scientific and technological progress.Providing an additional dimension to this story of Canada's untold history, researcher Richard Saunders has contributed a chapter entitled "The Ugly Truth of General Andrew Macnaughton". This important research ties into the Canadian aspect of the assassination of John F. Kennedy and sabotaging of the great North American Water and Power Alliance in a surprising manner as the myth of the heroic Macnaughton is put to rest.

John W. Kerr (1812–1888) was a man way ahead of his time. As Ontario’s first fisheries overseer, a position he held for twenty-four years, he strove not only to enforce the country’s nascent fishing laws but also to protect fish stocks and the fragile environment on which they depended in the face of Ontario’s growing industrialization. Sometimes friend and sometimes foe to fisherman and his supervisors alike, Kerr was a religious man of unyielding principles who faced constant conflict as he sought to establish order in a time when few others shared his concerns about the environment. Based on 10,000 pages of Kerr’s diaries and letters, this book is a chronological account of his life and career, beginning in Ireland with the Royal Irish Constabulary and ending with him literally working himself to death on behalf of Canada’s Ministry of Marine and Fisheries. Written by his great-great-grandson Joel B. Kerr, this book recounts the highs and lows of Kerr’s life, including some life-and-death incidents and many humorous encounters along the way. Ultimately, Kerr’s efforts to protect the fisheries proved to be in vain, but he worked faithfully until the day he died, and he never gave in to those who opposed him. His story still resonates today in a world of partisan politics and environmental degradation. Hopefully, modern readers will be more open than Kerr’s contemporaries to the lessons his life has to teach.

From the late nineteenth century to the Second World War, a 'young and modern' girl problem emerged in Montreal in the context of social and cultural turmoil. In Caught, Tamara Myers explores how the foundation and implementation of Quebec's juvenile justice system intersected with Montreal's modern girl. Using case files from the juvenile court and institutional records, this study aims to uncover the cultural practices that transformed modern girls into female delinquents. From reform schools of the nineteenth century to the juvenile court era of the early twentieth, juvenile justice was a key disciplinary instrument used to maintain and uphold the subordination of adolescent girls. Caught exposes the attempts made by the juvenile justice system of the day to curb modern attitudes and behaviour; at the same time, it reveals the changing patterns of social and family interaction among adolescent girls. Myers also uncovers the evolving social construction of these young culprits – les jeunes filles modernes with their penchant for la vie legere – as generated by parents, church authorities, women's groups, social workers, the media, and juvenile justice agents. She illuminates the rich texture of these girls' public and private lives in the first half of the twentieth century, humanizing the stories of girls who were condemned for being too modern as they worked, played, and resisted the authority of parents, community, and the law.

1772. London. Scandal. Suspense. Sex. With her perfect breeding, flawless beauty, and proper manners, Alison Brooke never expected to be smeared by the cruel brush of scandal. Robert Anderson, Viscount Charmaine, is focused on his tumbling finances and dying father. When villainy leaves the ravishing (and ravished) Alison thrown at his feet, Robert is pulled from his self-recrimination and into the heart of the Season's hottest gossip. Marquis Anthony Farrington is one of Alison's many rejected suitors and Robert's best friend. Secretly, Anthony risks the gallows for his ongoing support of the populist movements. When Robert is given charge of the investigation against Anthony, friendships, loyalty, and ideals come into question. Alison's constant companion, the wallflower Brenda Boswell, timidly watches romance unfold. Yet, in the end, unfashionable Brenda shows herself to be a spitfire capable of saving them all. Caught in the act, caught by scandal, caught by honor, and caught by duty, the four friends are ultimately caught by the most powerful thing of all - love.