Cbmr Digest

When it was first published in 1994, King of Ragtime: Scott Joplin and his Era was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.

Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.

It's 1916, and time's running out for Scott Joplin. Before he dies, he wants to provide for his wife and to secure his place in musical history. He's written a musical drama. His young piano student, Martin Niederhoffer, who works as a bookkeeper at Waterson, Berlin, and Snyder Music Publishers, convinces him to try to get Irving Berlin to publish and produce the work. The next day, Niederhoffer walks into his office and finds Joplin crouched over the blood-soaked body of a young man. He hustles his teacher away; unfortunately, the two are seen leaving the building. Nell Stark, daughter of Joplin's first publisher, John Stark, hides Joplin and Niederhoffer from the police and summons her father from St. Louis to help sort out the mess. After Berlin flatly denies ever having received Joplin's play, young Niederhoffer breaks cover and engages the services of hit man Footsie Vinny, who gives Berlin a five-day deadline to come up with the manuscript. And just when things couldn't get worse, Niederhoffer's girlfriend, Birdie, is kidnapped....

Half a century of music making in Nigeria has indeed witnessed giant strides, development, transformation, assimilation, and acculturation. This book succinctly presents a holistic discourse of musicality in Nigeria from the 1960s through the technological age of the 21st century transmitted through European and American cultures. It examines cogent topics such as traditional and popular music, art music, church music, choral activities, composers and their works, performance practices, maintenance of musical instruments, the impact of radio and television stations, feminine quantum leaps, music publishing, music technology, archival centers, copyright society, Nollywood music, and music entrepreneurship.

Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.

This volume explores the lives of women around the world from the perspective of the New and Africana faiths they practice. This probing and thought-provoking series of essays brings together in one volume the multifaceted experiences of women in the New and Africana religions as practiced today. With this work, religion becomes a lens for examining the lives of women of diverse ethnicities and nationalities across the social spectrum. In Women and New and Africana Religions, readers hear from women from a number of religious/spiritual persuasions around the world, including Africa, Asia, the Caribbean, South America, and North America. These voices form the core of remarkable explorations of family and environment, social and spiritual empowerment, sexuality and power, and ways in which worldview informs roles in religion and society. Each essay includes scene-setting historical and social background information and fascinating insights from renowned scholars sharing their own research and firsthand experiences with their subjects.