Chaos At Carnegie Hall

"The perfect wartime spy; Fiona Figg is smart, sneaky, and full of surprises... A fun whodunit that will keep you turning the pages!” Cathi Stoler, author of The Murder On The Rocks Mysteries. 'A fun, mix of whodunnit and thriller set amid American high society' T. A. Williams 'Fast-paced, tongue-in-cheek spy romp. Enjoy the ride' Frances Evesham Can Fiona catch a killer and find a decent cup of tea before her mustache wax melts? 1917. New York. Notorious spy, Fredrick Fredricks, has invited Fiona to Carnegie Hall to hear a famous soprano. It’s an opportunity the War Office can’t turn down. Fiona and Clifford are soon on their way, but not before Fiona is saddled with chaperon duties for Captain Hall’s niece. Is Fiona a spy or a glorified babysitter? From the minute Fiona meets the soprano aboard the RMS Adriatic it’s treble on the high C’s. Fiona sees something—or someone—thrown overboard, and then she overhears a chemist plotting in German with one of her own countrymen! And the trouble doesn’t stop when they disembark. Soon Fiona is doing time with a group of suffragettes and investigating America’s most impressive inventor Thomas Edison. When her number one suspect turns up dead at the opera and Fredrick Fredricks is caught red-handed, it looks like it’s finally curtains for the notorious spy. But all the evidence points to his innocence. Will Fiona change her tune and clear her nemesis’ name? Or will she do her duty? And just what is she going to do with the pesky Kitty Lane? Not to mention swoon-worthy Archie Somersby . . . If Fiona’s going to come out on top, she’s going to have to make the most difficult decision of her life: the choice between her head and her heart. What readers are saying about Kelly Oliver: "Will keep you turning the pages and laughing all the way!" Dianne Freeman “A cross between an Agatha Christie and a Sherlock Holmes sleuthing story. Just brilliant!” NetGalley Reviewer "This historical mystery delivers twists and turns. I can't wait for the next one!" Muddy Rose Reviews "I love Fiona Figg!" Margaret Mizushima “Couldn't put it down.” Amazon Reviewer "A perfect blend of wit, fun, and intrigue." Debra Goldstein “I am hooked on these amazing characters.” Amazon Reviewer "A fun diversion with an entertaining female lead." Kirkus Reviews “Fans of Susan Elia MacNeal will gobble up this series! Highly recommend." L.A. Chandlar “Diabolical plot twists, interesting red herrings, colorful characters, make this a good whodunit.” NetGalley Reviewer

This publication represents over ten years of note taking involving backstories, historical events, and academic research. Once the notes exceeded 200 the idea of a daily question came to mind. This is the third year for the Navigate the Chaos publication that contains 366 daily questions to consider. (2020 is a leap year) Since self-awareness forms the foundation for both personal growth and professional development, these questions served as a daily reminder to think about a critical issue related to your growth as a person and as a professional. Before you start your day, during lunch, or prior to going to bed, consider asking yourself the daily Navigate the Chaos question. See if you can find a few minutes to reflect upon a specific trait, habit, or idea. Dedicating a few minutes each day can help you increase your self-awareness as you look to grow personally and professionally.

File clerk, Miss Fiona Fig, desperate for any adventure to help her forget her philandering husband, becomes a spy for British Intelligence during WWI.

A collection of writings by and about Duke Ellington and his place in jazz history.

Carnegie Hall is recognized worldwide, associated with the heights of artistic achievement and a multitude of famous performers. Yet its beginnings are not so well known. In 1887, a chance encounter on a steamship bound for Europe brought young conductor Walter Damrosch together with millionaire philanthropist Andrew Carnegie and his new wife, Louise. Their subsequent friendship led to the building of this groundbreaking concert space. This book provides the first comprehensive account of the conception and building of Carnegie Hall, which culminated in a five-day opening festival in May 1891, featuring spectacular music, a host of performers and Tchaikovsky as a special guest conductor.

In the 1940s it was unheard of for women to be members of a professional orchestra, let alone play "masculine" instruments like the bass or trombone. Yet despite these formidable challenges, the Montreal Women's Symphony Orchestra (MWSO) became the only all-women orchestra in Canadian history. Formed in 1940, the MWSO became the first orchestra to represent Canada in New York City's Carnegie Hall and one of its members also became the first Canadian black woman to play in a symphony in Carnegie Hall. While the MWSO has paved the way for contemporary female musicians, the stories of these women are largely missing from historical records. From Kitchen to Carnegie Hall illuminates these revolutionary stories, including the life of the incredible Ethel Stark, the co-founder and conductor of the MWSO. Ethel's work opened doors of equal opportunity for marginalized groups and played an important role in breaking gender stereotypes in the Canadian music world.

On January 16, 1938 Benny Goodman brought his swing orchestra to America's venerated home of European classical music, Carnegie Hall. The resulting concert - widely considered one of the most significant events in American music history - helped to usher jazz and swing music into the American cultural mainstream. This reputation has been perpetuated by Columbia Records' 1950 release of the concert on LP. Now, in Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert, jazz scholar and musician Catherine Tackley provides the first in depth, scholarly study of this seminal concert and recording. Combining rigorous documentary and archival research with close analysis of the recording, Tackley strips back the accumulated layers of interpretation and meaning to assess the performance in its original context, and explore what the material has come to represent in its recorded form. Taking a complete view of the concert, she examines the rich cultural setting in which it took place, and analyzes the compositions, arrangements and performances themselves, before discussing the immediate reception, and lasting legacy and impact of this storied event and album. As the definitive study of one of the most important recordings of the twentieth-century, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert is a must-read for all serious jazz fans, musicians and scholars.