Chaplin S Girl

In 1931, City Lightsintroduced Charlie Chaplin's new female star to the world. The film - defiantly silent in the age of talkies - was an immediate and international hit. The actress who played the romantic lead had never been on screen or stage before. Chaplin's film turned her into the most famous girl in the world. And, like Rhett Butler, the most famous girl in the world didn't give a damn. Virginia Cherrill was the beautiful daughter of an Illinois rancher, who ran away to live through some of Hollywood's wildest years. She was the adoring first wife who broke Cary Grant's heart when she left him; who turned down the gloriously eligible Maharajah of Jaipur to befriend his wife and rescue her from purdah. Virginia Cherrill presided, during the thirties, over one of England's loveliest houses, as the Countess of Jersey. Everybody sought her friendship. All that eluded her was love. And when she found it, she gave up all she had to marry a handsome and penniless Polish flying ace, whose dream it was to become a cowboy. In this glorious, and undiscovered story of Hollywood, international high society, wartime drama and romance, Miranda Seymour works from unpublished sources to recapture the personality of a woman so vividly enchanting that none could resist her. This is the story of Cinderalla in reverse: of the poor girl who won everything - and gave up all for love. Breathtakingly romantic, exquisitely written, this is the stuff that dreams are made of . . .

Wife of the Life of the Party is the memoir of the late Lita Grey Chaplin (1908-1995), the only one of Chaplin's wives to have written an account of life with Chaplin. Her memoir is an extraordinary Hollywood story of someone who was there from the very beginning. Born Lillita Louise MacMurray in Hollywood, she began her career at twelve with the Charlie Chaplin Film Company, when Chaplin selected her to appear with him as the flirting angel in The Kid. When she was fifteen, Chaplin signed her as the leading lady in The Gold Rush and changed her name to Lita Grey. She was forced to leave the production when, at the age of sixteen, she became pregnant with Chaplin's child. She married Chaplin in Empalme, Mexico in November 1924. The Chaplins stayed together for two years. Lita bore Chaplin two sons: Charles Chaplin, Jr. and Sydney Chaplin. In November 1926, after Lita discovered that Chaplin was having an affair with Merna Kennedy (Lita's best friend, whom she had persuaded Chaplin to hire as the leading lady in The Circus), Lita left Chaplin and filed for divorce. It was one of the first divorce cases to receive a public airing. The divorce complaint ran a staggering 42 pages and fed scandal with its revelations about the private life of Charles Chaplin. Lita's divorce settlement of $825,000 was the largest in American history at the time. Lita authorized the publication of another biography, My Life with Chaplin, in 1966. The book was mainly the creation of her co-author, Morton Cooper, who re-wrote her manuscript. Lita was never happy with the many inaccuracies and distortions of that book. Wife of the Life of the Party is not to be seen as a supplement to her early book, but rather Lita's own version of her life, told for the first time.

This book is a novelistic description of Chaplin's tortured relations with women, starting with his insane mother. Rebuffed by his first love, a fifteen year old girl, he spends his whole life seeking someone who resembles his teenage sweetheart. Like Nabokov's antihero Humbert in "Lolita," (Nabakov had Chaplin in mind when he wrote his novel) he lusts after young girls. He pursues Mildred Harris, an actress, when she was but sixteen, and marries her only when she tells him that she is pregnant. He divorces her after she gives birth to a malformed baby who doesn't survive. His next willing inamorata is Lita Grey, age sixteen, whom he reluctantly marries when her family threatens him with a charge of statutory rape. During his marriages to Mildred Harris and others, and also between marriages, he provides the country's newspaper reporters with ample oportunities to write about his escapades with stars such as Marion Davies, the mistress of the famous publisher William Randolph Hearst, Pola Negri, Louise Brooks and Paulette Goddard, all known stars of the 1920's and 1930's. They are but a few of the women linked to his name in the daily headlines of the nation's newspapers. In the 1940's he becomes involved in an internationally publicized paternity suit brought on by an ostensibly disturbed and alcoholic girl named Jane Barry. He finally takes up with Oona O'Neil then age seventeen (he was fifty four), and marries her against the advice of saner heads.

Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.

A penetrating psychological perspective on the life of Charlie Chaplin.

Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.

Most in the United States likely associate the concept of the child bride with the mores and practices of the distant past. But Nicholas L. Syrett challenges this assumption in his sweeping and sometimes shocking history of youthful marriage in America. Focusing on young women and girls--the most common underage spouses--Syrett tracks the marital history of American minors from the colonial period to the present, chronicling the debates and moral panics related to these unions. Although the frequency of child marriages has declined since the early twentieth century, Syrett reveals that the practice was historically far more widespread in the United States than is commonly thought. It also continues to this day: current estimates indicate that 9 percent of living American women were married before turning eighteen. By examining the legal and social forces that have worked to curtail early marriage in America--including the efforts of women's rights activists, advocates for children's rights, and social workers--Syrett sheds new light on the American public's perceptions of young people marrying and the ways that individuals and communities challenged the complex legalities and cultural norms brought to the fore when underage citizens, by choice or coercion, became husband and wife.

With the psychologically penetrating insight that marked his award-winning "Hemingway", Lynn probes beneath the mystique of the "Little Tramp", the first true worldwide celebrity, whose unmatched comic genius masked a complex, sometimes tragic life. of photos.